My Neighbour Totoro (play)
| My Neighbour Totoro | |
|---|---|
 Official production artwork | |
| Written by | Tom Morton-Smith |
| Based on | My Neighbor Totoro by Hayao Miyazaki |
| Directed by | Phelim McDermott |
| Music by | Joe Hisaishi |
| Date premiered | 8 October 2022 |
| Place premiered | Barbican Centre, London |
My Neighbour Totoro is a stage play based on Studio Ghibli's 1988 animated film of the same name by Hayao Miyazaki. It is adapted by Tom Morton-Smith with music by Joe Hisaishi.
Synopsis
[edit]In 1950s Japan,[1] two girls, Satsuki and Mei, whose mother has been hospitalised with tuberculosis,[2] relocate to a village in the countryside.[3] Their new house, in which they live with their professor father,[2] Tatsuo,[4] is haunted with soot spirits, susuwatari,[3] and they encounter Totoro, a "forest spirit who looks like the result of an experimental breeding programme involving a chinchilla, a barn owl and a bean-bag sofa". Mei is the first to discover him, and he comforts the girls with his presence.[2]
Cast and characters
[edit]| Character | London[5][6] | |
|---|---|---|
| 2022 | 2023 | |
| Satsuki | Ami Okumura Jones | |
| Mei | Mei Mac | |
| Yasuko | Haruka Abe | Emily Piggford |
| Tatsuo | Dai Tabuchi | |
| Kanta | Nino Furuhata | Ka Long Kelvin Chan |
| Granny | Jacqueline Tate | |
| Miss Hara | Susan Momoko Hingley | Arina Ii |
| Nurse Emiko | Haruka Kuroda | Amanda Maud |
| Tsukiko | Kanako Nakano | Naomi Yang |
| Hiroshi | Michael Phong Le | Andrew Futaishi |
| Puppeteers | Li-Leng Au Boaz Chad Andrew Futaishi Zachary Hing Yojiro Ichikawa Arina Ii Marian Lee Matthew Leonhart Aki Nakagawa Tobi Poster-Su Si Rawlinson Shaofan Wilson |
Jessie Baek Jasmine Bayes Boaz Chad Jasmine Chiu Elizabeth Chu Yojiro Ichikawa Anna Kato Heather Lai Matthew Leonhart Yuki Nitta Bright Ong Mark Takeshi Ota Daniel Phung Si Rawlinson Gun Suen Shaofan Wilson |
| Singer | Ai Ninomiya | |
Production history
[edit]The film version was released in 1988, having been written by Hayao Miyazaki of Studio Ghibli.[7]
The play is directed by Phelim McDermott, produced and composed by Joe Hisaishi and the Royal Shakespeare Company, in collaboration with Improbable and Nippon TV.[8] The production was done with Miyazaki's blessing, on the condition that Hisaishi was involved; Hisaishi had wanted to see an original Japanese show be performed internationally.[9] Tom Morton-Smith adapted the play from the movie and had begun work on the stage adaptation for years prior[8] to the Royal Shakespeare Company's April 2022 announcement that it was being staged.[10] He spoke of the difficulties converting it from film due to its structure,[8] saying that the movie contradicted "everything [he] thought [he] knew about dramatic structure[2] and that he saw his job as "translation as well as adaptation".[8] Reviewers comparing the movie and the play have noted that the adaptation has more speaking and greater development of supporting characters,[7][8] with more emphasis on the interactions between people.[2] They have also written of the length,[7] pointing out that it is nearly an hour longer than the original.[11]
According to Morton-Smith, rehearsals began without the script, with it only being taken into the rehearsal room on the second week.[8] Casting of the children were done using adult actors, with Johnny Oleksinski writing in the New York Post that he believed it was due to the need to create Miyazaki's effect of "anime-style young people": child actors would not have been able to capture the same nuances in character.[3] However, Nick Curtis of the Evening Standard wrote that it meant that the "tropes of child acting [were] thoroughly overworked".[12] Furuhata's portrayal of Kanta received mixed reviews, with Oleksinski calling his performance "tender" and hilarious[3] and Quentin Letts of The Sunday Times writing it was "delightful [and] quirky";[4] Curtis said that it was a "parody of awkwardness".[12]
The play makes extensive use of puppets, with puppetmaster Basil Twist saying that "Totoro must be that you want to touch him, that you want to fall asleep on his belly".[13] In particular, the Japanese producers strongly advocated for the use of human puppeteers instead of machines: the product was a new "wind spirit" style of puppetry.[13] Prototypes were created in San Francisco by Twist, who brought them to London for further work with consultants and McDermott.[14] The prototypes were then sent to Jim Henson's Creature Shop in Los Angeles for detailed crafting of the small parts and materials.[14]
The set was created out of steel base, with an oak veneer, and used shou sugi ban to treat some of the house's wood surfaces.[13] Saying that "there's nothing less Japanese" than having plastic leaves to represent the forest, production designer Tom Pye used wood liberally, using two-dimensional layers instead of using three-dimensional props.[15]
London (2022-2024)
[edit]On 19 May 2022, the production broke the Barbican Centre, London's box-office record for ticket sales in one day, previously held by the 2015 production of Hamlet starring Benedict Cumberbatch.[16] It premiered at the Barbican previewing from 8 October,[8] with an official press night on 18 October and running until 21 January 2023.[17]
On 30 March 2023, the production returned to the Barbican for another season, running from 21 November 2023 to 23 March 2024.[18]
West End (2025)
[edit]The production is scheduled to transfer to London's West End for a 34-week run from 8 March 2025 at Gillian Lynne Theatre.[19] Casting is to be announced.
Themes
[edit]My Neighbour Totoro focuses on the illness of loved ones, love of the environment[15] and fear,[20] with Tom Pye stating that the story had become more relevant due to COVID-19 prevention measures and global warming.[15] Mei Mac, who played Mei, agreed with Pye's assessment of the pandemic's effect and said, "At its heart, Totoro is about grief, and these two girls who are missing their sick mother."[21]
Critical reception
[edit]While criticising the pace of the play due to how closely it mirrored the movie, Sarah Hemming of the Financial Times gave it five stars, praising the portrayal of the main characters and called the play a "gorgeous, uplifting tribute to the link between theatre and the imaginative realm of children's play".[20] The Daily Telegraph's Dominic Cavendish also observed that the pace was due to the film, but called it "intoxicating [and] detail-savouring". Awarding it four stars, he compared it to a pantomime but ultimately praised it as a "vital power surge of Anglo-Japanese creative electricity fit for these soul-sapped times".[7]
In a five-star review in The Guardian, Arifa Akbar compared the play to the movie, writing that there was a "different imagination at work here, but it is just as enchanting and perhaps more emotionally impactful". She highlighted the puppeteers' role, calling them a "human field of corn, swaying as one" and describing Totoro as "formidable, rumbling, eerie, comic and endearing at once".[22] Also praising their role was its sister paper's Susannah Clapp, praising them in a four-star review as the "souls of the creatures and the real pulse of the play".[23] Identically giving it four stars, Johnny Oleksinski of the New York Post called for the play to be shown on Broadway, saying that it "balances jaw-dropping effects with soul and emotional intelligence" and it played host to "one of the most stunning theatrical images in years".[3]
Cautioning that watching Totoro would lead to "sore cheeks" from the "two and a half hours you'll spend grinning from ear to ear", The Independent's Annabel Nugent gave it four stars; she likened the set's ability to adapt to origami but said that the music was occasionally not a strong enough partner to the "splendour of the visual storytelling".[24] Writing in The Times, Clive Davis also picked out the music for criticism in a four-star review, attacking it as "so insipid" but praising the protagonists' portrayal, puppeteers, and set.[25]
Giving it four stars in its Sunday edition, Quentin Letts called it "likeably impassive [and] lightly surreal". He said that its lack of evil was a double-edged sword, but admitted that the play would probably be a good fit for children.[4] Likewise focusing on the light nature was Nick Curtis of the Evening Standard, who stated in a three-star review that Totoro needed "more jeopardy, more darkness and more of the monsters". Comparing Totoro to another play, Matilda, that he believed the Royal Shakespeare Company were trying to emulate, he said it was not "quirky or adult-friendly enough" to be the same, saying that it was "easier to admire than to love".[12] Also making a comparison between the two plays was Matt Wolf of The New York Times, who said that they were "family entertainment that adults might like even more than children". While criticising the quick changes in tone for the ending as the play's one error, Wolf called the "kindness, empathy and generosity of spirit" "infectious".[26]
On 8 December 2022, it was announced that My Neighbour Totoro led the nominations for the 2023 WhatsOnStage Awards, earning nine nominations.[27] My Neighbour Totoro came fifth on The Independent's best theatre of 2022 ranking.[28]
Awards
[edit]Original production
[edit]| Year | Award | Category | Nominee | Result |
|---|---|---|---|---|
| 2023 | WhatsOnStage Awards[29][30] | Best New Play | Shortlisted | |
| Best Performer in a Play | Mei Mac | Shortlisted | ||
| Best Director | Phelim McDermott | Won | ||
| Best Musical Direction/Supervision | Bruce O'Neil and Matt Smith | Won | ||
| Best Lighting Design | Jessica Hung Han Yun | Won | ||
| Best Set Design | Tom Pye and Basil Twist | Won | ||
| Best Sound Design | Tony Gayle | Won | ||
| Best Video Design | Finn Ross and Andrea Scott | Shortlisted | ||
| Best Graphic Design | Toshio Suzuki and Dewynters | Shortlisted | ||
| Laurence Olivier Awards[31][32] | Best Entertainment or Comedy Play | Won | ||
| Best Director | Phelim McDermott | Won | ||
| Best Theatre Choreographer | Basil Twist | Nominated | ||
| Best Original Score | Joe Hisaishi and Will Stuart | Nominated | ||
| Best Actress | Mei Mac | Nominated | ||
| Best Costume Design | Kimie Nakano | Won | ||
| Best Set Design | Tom Pye | Won | ||
| Best Lighting Design | Jessica Hung Han Yun | Won | ||
| Best Sound Design | Tony Gayle | Won | ||
| Critics' Circle Theatre Awards[33] | Best Designer | Tom Pye | Won | |
| The Stage Debut Awards[34] | Best Designer (video) | Andrea Scott | Won | |
References
[edit]- ^ Feldman, Ella (7 November 2022). "Totoro Finds New Neighbors at London's West End". Smithsonian. Retrieved 18 November 2022.
- ^ a b c d e Collin, Robbie (15 October 2022). "My Neighbour Totoro is the best animation of all time – but can it work as a stage show?". The Daily Telegraph. Retrieved 12 November 2022.
- ^ a b c d e Oleksinski, Johnny (25 October 2022). "'My Neighbour Totoro' review: Bring this Miyazaki stage show to Broadway". New York Post. Retrieved 12 November 2022.
- ^ a b c Letts, Quentin (23 October 2022). "My Neighbour Totoro review — a monster hit". The Sunday Times. Retrieved 19 November 2022.
- ^ "My Neighbour Totoro: Cast and Creatives". Royal Shakespeare Company. Retrieved 12 November 2022.
- ^ "Cast for My Neighbour Totoro's return announced". 29 September 2023. Retrieved 13 October 2023.
- ^ a b c d Cavendish, Dominic (18 October 2022). "My Neighbour Totoro, Barbican, review: A vital power surge of Anglo-Japanese creative electricity". The Telegraph. ISSN 0307-1235. Archived from the original on 19 October 2022. Retrieved 22 October 2022.
- ^ a b c d e f g Hemming, Sarah (1 October 2022). "Turning anime classic My Neighbour Totoro into theatre: 'It's got to be its own thing on stage'". Financial Times. Retrieved 12 November 2022.
- ^ Armstrong, Stephen (9 October 2022). "My Neighbour Totoro: why this RSC show is the hottest ticket in town". The Times. Retrieved 19 November 2022.
- ^ Sherwood, Harriet (27 April 2022). "RSC to stage adaptation of animated fantasy film My Neighbour Totoro". The Guardian. Retrieved 12 November 2022.
- ^ Mountford, Fiona (20 October 2022). "My Neighbour Totoro, Barbican, review: A charming, wistful staging of the cherished film". i. Archived from the original on 4 November 2022. Retrieved 18 November 2022.
- ^ a b c Curtis, Nick (19 October 2022). "My Neighbour Totoro at the Barbican review: it's easier to admire this Studio Ghibli adaptation than love it". Evening Standard. Retrieved 13 November 2022.
- ^ a b c Gregory, Elizabeth (13 October 2022). "My Neighbour Totoro at the Barbican: how the RSC turned a cult cartoon into autumn's must-see theatre show". Evening Standard. Retrieved 13 November 2022.
- ^ a b Marlowe, Sam (25 October 2022). "How we made My Neighbour Totoro's jaw-dropping puppets: 'You have to want to jump on his belly'". i. Retrieved 18 November 2022.
- ^ a b c Kelly, Laura (15 October 2022). "Totoro, the Catbus and the fight to save the natural world". The Big Issue. Retrieved 13 November 2022.
- ^ "My Neighbour Totoro breaks Barbican box office record | WhatsOnStage". www.whatsonstage.com. Retrieved 18 September 2022.
- ^ Wood, Alex; Gumushan, Tanyel. "My Neighbour Totoro on stage at the Barbican – in photos". WhatsOnStage.com. Retrieved 12 November 2022.
- ^ Wiegand, Chris (30 March 2023). "My Neighbour Totoro to return to the Barbican". The Guardian. Archived from the original on 30 March 2023. Retrieved 31 March 2023.
- ^ Bakare, Lanre; Arts, Lanre Bakare; correspondent, culture (23 April 2024). "Studio Ghibli's work 'like Shakespeare', says My Neighbour Totoro stage show's director". The Guardian. ISSN 0261-3077. Retrieved 23 April 2024.
{{cite news}}:|last3=has generic name (help) - ^ a b Hemming, Sarah (19 October 2022). "My Neighbour Totoro theatre review — five-star staging of a much-loved film at the Barbican". Financial Times. Retrieved 22 October 2022.
- ^ Bosanquet, Theo (22 October 2022). "'My Neighbour Totoro' Star Mei Mac on How a Workshop Led to a Lead Role". Backstage. Retrieved 13 November 2022.
- ^ Akbar, Arifa (19 October 2022). "My Neighbour Totoro review – dazzling staging of the Studio Ghibli classic". The Guardian. Retrieved 22 October 2022.
- ^ Clapp, Susannah (23 October 2022). "The week in theatre: My Neighbour Totoro; Local Hero – review". The Observer. Retrieved 13 November 2022.
- ^ Nugent, Annabel (23 October 2022). "The Week on Stage: From My Neighbour Totoro to Marvellous". The Independent. Archived from the original on 23 October 2022. Retrieved 19 November 2022.
- ^ Davis, Clive (19 October 2022). "My Neighbour Totoro review — Animated whimsy takes to the stage with aplomb". The Times. Retrieved 19 November 2022.
- ^ Wolf, Matt (3 November 2022). "A Studio Ghibli Classic Comes to the London Stage". The New York Times. London. Archived from the original on 14 November 2022. Retrieved 18 November 2022.
- ^ Millward, Tom (8 December 2022). "23rd Annual WhatsOnStage Awards nominations led by My Neighbour Totoro, Oklahoma! and more". WhatsOnStage. Retrieved 8 December 2022.
- ^ "Jodie Comer, a gen-Z Elle Woods and a giant swimming pool: The best theatre of 2022, ranked". The Independent. 19 December 2022. Retrieved 26 December 2022.
- ^ Wood, Alex (8 December 2022). "Nominations in full: the 23rd Annual WhatsOnStage Awards". WhatsOnStage. Retrieved 8 December 2022.
- ^ Millward, Tom (12 February 2023). "The 23rd Annual WhatsOnStage Awards – full list of winners". WhatsOnStage. Retrieved 17 February 2023.
- ^ Khomami, Nadia (28 February 2023). "My Neighbour Totoro nominated for nine Olivier awards". The Guardian. ISSN 0261-3077. Retrieved 28 February 2023.
- ^ "Olivier Awards 2023". Olivier Awards. Retrieved 28 February 2023.
- ^ "Critics' Circle Theatre Awards 2023: the winners in full". The Stage. Retrieved 18 October 2023.
- ^ "The Stage Debut Awards 2023 winners announced". 1 October 2023. Retrieved 18 October 2023.