Abbey of Santissima Trinità, Venosa
| Abbey of the Most Holy Trinity | |
|---|---|
Abbazia della Santissima Trinità | |
 The Parco Archeologico of Venosa, with the walls of the Incompiuta (centre, right) and part of the old church (left, with pink roof); in the foreground, the remains of Roman Venusia | |
| Religion | |
| Affiliation | Roman Catholic |
| Region | Basilicata |
| Location | |
| Municipality | Venosa |
  Shown within Basilicata | |
| Geographic coordinates | 40°58′10″N 15°49′39″E / 40.9695°N 15.8276°E |
| Architecture | |
| Style | |
| Groundbreaking | Fifth century |
| Completed | not completed |
| Website | |
| Comune of Venosa | |
The Abbey of Santissima Trinità or Abbey of the Most Holy Trinity, Italian: Abbazia della Santissima Trinità, is a Roman Catholic abbey complex at Venosa, in the Vulture area of the province of Potenza, in the southern Italian region of Basilicata. The architecture of the abbey shows Roman, Lombard, and Norman influences. The complex lies within the Parco Archeologico ("archaeological park") of Venosa, approximately 1.5 km north-east of the town; it falls under the Roman Catholic Diocese of Melfi-Rapolla-Venosa. It consists of the old church, of uncertain date; the monastery buildings; and the Incompiuta, the unfinished or new church, begun in the last quarter of the eleventh century and never completed. The complex was declared a National Monument by Royal Decree on 20 November 1897.[1] It is no longer a monastery, but is used by the Trinitarian Order.[2]: 67
History
The date of construction of the monastery is unknown; some elements may date from the eighth century.[3] A foundation date of 954 AD is documented in the spurious Chronicon Cavense of the forger, scholar and priest Francesco Maria Pratilli (1689–1763).[4] Following the Council of Melfi in 1059, the church was transformed from a cathedral to an abbey by a bull of Pope Nicholas II, and the number of monks increased from 20 to 100. In the same year he invested Robert Guiscard as Duke of Puglia and Calabria, and Guiscard made the abbey the religious centre of his domain.[2]: 73
The old church stands on the site of an Imperial Roman building, probably a domus, which shows traces both of earlier Republican occupation and of later Late Classical modification. Some walls of the church are built directly on the mosaic floors of the earlier structure.[5]
To the south of the church and oriented at right-angles to it are the remains of an early Christian basilica, probably built in the late fifth or early sixth century, with a hexagonal font in a trefoil apse.[5]: 140
Old church
The Romanesque entrance to the church is flanked by a pair of stone lions. The church is laid out on a typical early Christian basilica plan, with a narthex and atrium, a wide central nave and lateral aisles, transept and semi-circular apse with ambulatory.[3] Alterations were made by the Lombards in the 10th century,[citation needed] and by the Normans between the 11th and 13th centuries. Two Corinthian columns stand in the nave.
In the right aisle is the Hauteville Tomb (Italian: La tomba degli Altavilla), in which five members of the Norman Hauteville family are buried: Guglielmo Braccio di Ferro ("William Iron Arm", 1010–1046), his brothers Drogo (c. 1010 – 1051) and Umfredo (Humphrey, c. 1010 – 1057), and their half-brothers Robert Guiscard (c. 1015 – 1085) and Guglielmo (William, c. 1027 – 1080). Their bones, previously buried separately, were gathered into a single monument in the mid-16th century by Agostino Gorizio Barba da Novara, bailiff of the Knights Hospitaller of St. John of Jerusalem.[6]
In the left aisle is the tomb of Aberada or Alberada of Buonalbergo, who married Robert Guiscard in 1053 but was repudiated by him for the Lombard princess Sichelgaita of Salerno. Aberada's son by Guiscard, Bohemond I of Antioch, hero of the First Crusade, died in Bari in 1111 and buried in Canosa di Puglia. The inscription on her tomb reads:
GVISCARDI CONIVX ABERADA HAC CONDITVR ARCA
SI GENITVM QVÆRES HVNC CANVSINVS HABET
or roughly: "Aberada wife of Guiscard lies in this sepulchre; if you seek her son, Canosa has him".
Construction of L'Incompiuta began in the last quarter of the 11th century.[7] Use was made of materials from monuments of various civilizations, including the Roman, Lombard and Jewish. The layout is unusual for Italy, and French in conception; it shows similarities to that of the cathedrals of Aversa and Acerenza.[7]
In 1297, by order of Pope Boniface VIII, the abbey passed from the Benedictines into the hands of the Knights Hospitaller of the Order of St. John of Jerusalem, at that time based in the Kingdom of Cyprus.[2]: 78
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The entrance to the old church, far left -
The interior of the old church -
Stairs leading to the monastery -
Tomb of Aberada -
Column of Friendship -
The Hauteville Tomb -
Interior of the Incompiuta -
Interior of the Incompiuta -
Interior of the Incompiuta
References
- ^ Luigi Ranieri, (1972). Basilicata. Torino: UTET. p. 289
- ^ a b c Mariarosaria Salvatore (1984). Venosa, un parco archeologico ed un museo: come e perché (in Italian). Taranto: Scorpione. Accessed August 2013.
- ^ a b Rosa Villani (1999). Età angioina: La Chiesa della SS. Trinità a Venosa Archived 3 May 2014 at the Wayback Machine (in Italian). Consiglio Regional di Basilicata. Accessed August 2013.
- ^ Giacomo Cirsone (2012). La basilica della SS. Trinità di Venosa dalla Tarda Antichità all’Età Moderna (II parte) Archived 3 May 2014 at the Wayback Machine (in Italian). La Capitanata, Semestrale della Biblioteca Provinciale di Foggia. XLX (27): 99–141. Accessed September 2013.
- ^ a b Giacomo Cirsone (2011). La basilica della SS. Trinità di Venosa dalla Tarda Antichità al Medioevo Archived 3 May 2014 at the Wayback Machine (in Italian). La Capitanata, Semestrale della Biblioteca Provinciale di Foggia. XLVIII (25): 125–180. Accessed August 2013.
- ^ Giacomo Cirsone (2013). La basilica della SS. Trinità di Venosa dalla Tarda Antichità all’Età Moderna (III parte) Archived 3 May 2014 at the Wayback Machine (in Italian). La Capitanata, Semestrale della Biblioteca Provinciale di Foggia. LI (28): 113–134. Accessed September 2013.
- ^ a b Il complesso della SS. Trinità (in Italian). Comune di Venosa. Accessed August 2013.
Further reading
- Corrado Bozzoni (1979). Saggi di architettura medievale: la Trinità di Venosa, il Duomo di Atri. Roma: Università degli studi, Istituto di fondamenti dell'architettura.
- Antonio Canino (1980). Basilicata, Calabria. Milano: Touring Club Italiano. ISBN 8836500218.
- Emanuele Lauridia (1961). La chiesa della SS. Trinità di Venosa: monumento nazionale dal 20-XI-1897. Bari: Arti grafiche Laterza.
- Antonio Vaccaro (1998). Guida di Venosa. Edizioni Osanna.
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