Pierrot ensemble
This article possibly contains original research. (September 2021) |
A Pierrot ensemble is a musical ensemble comprising flute, clarinet, violin, cello and piano, frequently augmented by the addition of a singer or percussionist, and/or by the performers doubling on other woodwind/stringed/keyboard instruments. This ensemble is named after 20th-century composer Arnold Schoenberg’s seminal work Pierrot Lunaire, which includes the quintet of instruments above with a narrator (usually performed by a soprano).
History
The quintet of instruments used in Pierrot Lunaire has been used in the twentieth century by different groups, such as The Fires of London, who formed in 1965 as "The Pierrot Players" to perform Pierrot Lunaire, and continued to concertize with a varied classical and contemporary repertory. This group began to perform works arranged for these instruments and commission new works.[1]
While standard chamber ensembles (such as string quartets and piano trios) continued to be extremely popular among 20th-century composers, the Pierrot ensemble represents an example of the many kinds of non-standard chamber ensembles that have been used in classical music since the beginning of the 20th century.
The number of compositions written for Pierrot Ensemble is limited. More frequent are works using alternative or additional instruments, typically using more strings, or percussion, with the purpose of addressing the limitations of the ensemble.
Doublings
Doublings are a standard compositional device used to extend an ensemble instrumental color. In Schoenberg's Pierrot Lunaire, the flutist is asked to play piccolo, the clarinetist is asked to play bass clarinet. Other common doublings might include E♭ clarinet (as in Carter's Triple Duo), alto flute.
Notable Pierrot ensembles
- Da Capo Chamber Players
- Fires of London
- Piccola Accademia degli Specchi
- Standing Wave
- The New Music Players
- What Is Noise
- Ensemble Namu 나무앙상블 (Seoul, South Korea)
- Brightwork New Music
Works for Pierrot ensemble
- Milton Babbitt: Arie da Capo (1979)
- These are the Clouds about the fallen sun (2013)
- Greg Caffrey:
- for peace comes dropping slow (2017)
- Things fall apart; the centre cannot hold (2018)
- Jacob Druckman: Come Round (1992)
- Caio Facó: Sopros do Estuário (2017)
- Mohammed Fairouz: Unwritten (2010)
- Jean-Louis Agobet: Eclisses (2008)
- Jorge Villavicencio Grossmann:
- Siray I (1995)
- Siray III (2018)
- Arnold Schoenberg: Pierrot Lunaire (1912) + voice (usually soprano)
- Gunther Schuller: Paradigm Exchanges (1991)
- Carolyn Yarnell: Lapis Lazuli
- Ellen Taaffe Zwilich: Intrada (1983)
- Gérard Grisey: Taléa (1986)
- John Harbison:
- Die Kürze (1970)
- The Natural World (1987) + soprano
- Chaconne (2001)
- Zhou Long: Dhyana (1989)
- Steven Mackey: Indigenous Instruments (1989)
- Steven Stucky: Ad Parnassum (1998)
- William Susman: The Starry Dynamo (1994)
- Michael Torke: Telephone Book (1995) {comprising Yellow Pages (1985), Blue Pages (1995), and White Pages (1995)}
Works with alternative or additional instruments
- Martin Bresnick: My Twentieth Century (2002) + viola
- Earle Brown: Tracking Pierrot (1992) + percussion
- Greg Caffrey:
- The Garden of Earthly Delights (2016) + percussion
- Three movements on the work of William Scott (2017) + percussion
- John Cage: Seven (1988) + viola
- Elliott Carter: Triple Duo (1983) + percussion
- Chen Yi: Sparkle (1992) + 2 percussionists, double bass
- Sebastian Currier: Static (2003); winner of the 2007 Grawemeyer Award
- Mario Davidovsky: Flashbacks (1995) + percussion
- Hanns Eisler:
- Palmström (1926) + soprano (without piano)
- 14 Arten den Regen zu beschreiben (1941) + viola
- Manuel de Falla: Harpsichord concerto (1926) + oboe (the keyboard is the harpsichord)
- Morton Feldman:
- The Viola in My Life 2 (1970) + viola (the keyboard is a celesta)
- I Met Heine on the Rue Fürstenberg (1971) + percussion and soprano
- For Frank O'Hara (1976) + percussion
- Stuart Greenbaum: Book of Departures (2007) + percussion
- Gérard Grisey: Vortex Temporum (1996) + viola
- Stephen Hartke: Meanwhile: Incidental Music to Imaginary Puppet Plays (2007) + viola (rather than violin) and percussion
- John Harbison: The Natural World (1987) + soprano
- Jennifer Higdon: Zaka (2003) + percussion
- Dorothy Hindman: Setting Century (1999)
- Kamran Ince: Waves of Talya (1989)
- David Lang: Sweet Air (1999)
- Fred Lerdahl: Time After Time (2000) + percussion; finalist for the 2001 Pulitzer Prize
- Fabien Levy: A propos (2008)
- Zhou Long:Five Elements (2002) + percussion; also exists in a version with Chinese instruments
- Steven Mackey: Micro-Concerto (1999) + percussion
- Donald Martino: Notturno (1973) + percussion; winner of the 1974 Pulitzer Prize
- Peter Maxwell Davies: Eight Songs for a Mad King (1969) + baritone and percussion
- Rytis Mazulis: Canon mensurabilis (2000) + viola
- Tristan Murail: Winter Fragments (2000) + electronic sounds
- Lior Navok
- Sextet (1998) + percussion
- Elegy to the Future (2001)
- Robert Paterson:
- Autumn Songs (2019) + mezzo-soprano and percussion
- Sextet (1999) + percussion
- Spring Songs (2018) + tenor and percussion
- Summer Songs (2016) + soprano and percussion
- The Thin Ice of Your Fragile Mind (2004) + percussion
- Winter Songs (2008) + bass-baritone and percussion
- Hell's Kitchen (2014) + percussion
- Summer Songs (2016) + soprano and percussion
- Juan Carlos Paz: Dedalus (1950)
- George Perle: Critical Moments 2 (2001) + percussion
- Mel Powell: Sextet + percussion
- Maurice Ravel: 3 Poèmes de Stéphane Mallarmé (1913) + 2nd flute, 2nd clarinet, and voice
- Steve Reich: Double Sextet (2007) can be performed either by Pierrot ensemble with tape or by 12 players; winner of the 2009 Pulitzer Prize
- Frederic Rzewski:
- Pocket Symphony (2000) + percussion
- Brussels Diary (2010)
- Laura Schwendinger:
- Laura Schwendinger: Artist's Muse (2017) + percussion
- Laura Schwendinger: Fable (1992) + percussion
- Laura Schwendinger: Mise-en-scene (2011) + percussion
- Laura Schwendinger: Songs of Heaven and Earth (1997) + percussion, harp and voice
- Salvatore Sciarrino: Lo Spazio inverso (1985) + celesta
- Michael Seltenreich: Sparks & Flares (2010) + percussion
- Ralph Shapey: Three for Six (1979) + percussion
- Igor Stravinsky: 3 Japanese Lyrics (1913) + 2nd flute doubling piccolo, 2nd clarinet, and voice
- William Susman:
- Twisted Figures (1987) + mallet percussion
- Camille (2010) with piano four-hands
- Joan Tower:
- Noon Dance (1982) + percussion
- Theo Verbey: Perplex (2004) + vibraphone
- Rolf Wallin: The Age of Wire and String (2005)
- Graham Waterhouse: Irish Phoenix (2017) + soprano
- John Woolrich In the Mirrors of Asleep (2007)
- Charles Wuorinen: New York Notes (1982) + 1 or 2 percussionists and electronic sounds
- Iannis Xenakis: Plektó (1993) + percussion
Notes
- ^ Goodwin, Noël (2001). "Fires of London". In Sadie, Stanley; Tyrrell, John (eds.). The New Grove Dictionary of Music and Musicians (2nd ed.). London: Macmillan Publishers. ISBN 978-1-56159-239-5.
References
Christopher Dromey, The Pierrot Ensembles: Chronicle and Catalogue, 1912-2012 (London: Plumbago, 2013).
External links
- From the Arnold Schoenberg Center
- Pierrot Lunaire Ensemble Wien
- Art of the States: Pierrot ensemble American works for Pierrot ensemble
- Barbara White
- Pas mon ami Pierrot Blog post by American composer Kyle Gann on the Pierrot Ensemble