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==Works==
==Works==
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File:Paris-FR-75-Expo 1925 Arts décoratifs-entrée Place de la Concorde.jpg|Concorde Entrance to the 1925 [[International Exhibition of Modern Decorative and Industrial Arts|Paris Exposition of Decorative Arts (1925)]]
File:Paris-FR-75-Expo 1925 Arts décoratifs-entrée Place de la Concorde.jpg|Concorde Entrance to the 1925 [[International Exhibition of Modern Decorative and Industrial Arts|Paris Exposition of Decorative Arts (1925)]]
File:Hotel du Collectionneur , Exposition des Arts Decoratifs et Industriels Modernes (1925).jpg|Hotel of the Rich Collector, [International Exhibition of Modern Decorative and Industrial Arts|Paris Exposition of Decorative Arts (1925)]]
File:SS Normandie (ship, 1935) interior.jpg|Main dining room of the ocean liner ''[[S.S. Normandie]]'' by Pierre Patout (1935)
File:SS Normandie (ship, 1935) interior.jpg|Main dining room of the ocean liner ''[[S.S. Normandie]]'' by Pierre Patout (1935)
File:Immeuble de Pierre Patout Bd Victor Paris XV.jpg|''Paquebot'' building at 3 Avenue Victor, 15th arrondissement, Paris by Pierre Patout (1935)
File:Immeuble de Pierre Patout Bd Victor Paris XV.jpg|''Paquebot'' building at 3 Avenue Victor, 15th arrondissement, Paris by Pierre Patout (1935)

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Revision as of 16:35, 21 February 2019

Pierre Patout (1879-1965) was a French architect and interior designer, who was one of the major figures of the Art Deco movement, as well as a pioneer of Streamline Moderne design. His works included the design of the main entrance and the Pavillion d'un Collecteur at the International Exhibition of Modern Decorative and Industrial Arts in Paris in 1925, and the interiors of the ocean liner Normandie and other French transatlantic liners in the 1930s.[1]

Life

Pierre Patout was born April 23, 1879 in Tonnerre in the Yonne Department, and died May 21 1965 Yonne) in Souzay-Champigny in the Maine-et-Loire Department. During the First World War, he was a member of the camouflage department of the French Army, under the command of the painter Lucien-Victor Guirand de Scévolaor, along with a number of other French artists.

1925 Exposition of Decorative Arts

Following the War, he worked closely with his friend the decorator Emile-Jacques Ruhlmann. The two collaborated particularly on designs for the International Exhibition of Modern Decorative and Industrial Arts in Paris from April to October 1925, the event that introduced the style and gave it its name. There were 15,000 exhibitors from twenty different countries, It was visited by sixteen million people during its seven-month run. . The main purpose of the Exhibit was to promote the French manufacturers of luxury furniture, porcelain, glass, metal work, textiles and other decorative products. All the major Paris department stores and major designers had their own pavilions.

Patout designed the main gateway of the Exposition on the Place de la Concorde, and also the The Hôtel du Riche Collectionneur, one of the most popular attractions at the Exposition. Inside it displayed it new furniture designs of Emile-Jacques Ruhlmann, as well as Art Deco fabrics, carpets, and a painting by Jean Dupas. The interior design followed the same principles of symmetry and geometric forms which set it apart from Art Nouveau, and bright colors, fine craftsmanship rare and expensive materials which set it apart from the strict functionality of the Modernist style.[2]

The Style Paquebot

His success at the 1925 Exposition led to a commission to design the interior of the newest French transatlantic ocean liner, the [[Ile-de-France (Ship) in 1926, done entirely in the Art Deco style. This was followed by further commissions for the L'Atlantique (1930), and, the most famous of all the Normandie (1935). The highlight of the Normandie interior was the dining room, illuminated with rows of lighted columns of Lalique crystal. [3]

This style was known in France as Pacquebot, or ocean liner, and it had an important influence on the later Streamline Moderne style of Art Deco. It was so popular that Patout applied to it several buildings in Paris; a building on rue Docteur Blanche (1929); another on rue Félicien-David; and a building on Boulevard Victor, on a narrow tapering lot, which [4] he built to resemble a ship, with a pointed bow, long narrow terrace with railings resembling decks, and structures on the roof resembling smokestacks.[5] He also built the Hotel Mércédes on Avenue de Wagram.

World's Fairs

He continued to create exposition architecture. He designed the pavilion of Artists and Decorators for the Paris International Exposition of 1939, and designed the Pavilion of France for the 1939 New York World's Fair. Following World War II, he took part in the reconstruction of the city of Tours, badly damaged in the fighting. He was the architect of , among other buildings, the new city public library. [6]

Works

References

Notes and citations

  1. ^ Oudin, Bernard, Dictionaire des Architectes (1994), pg. 372
  2. ^ Charles 2013, pp. 35–104.
  3. ^ Oudin (1994), pg. 372
  4. ^ Oudin (1994), pg. 372
  5. ^ Oudin (1994), pg. 372
  6. ^ Oudin (1994), pg. 372

Bibliography

  • Arwas, Victor (1992). Art Deco. Harry N. Abrams. ISBN 0-8109-1926-5.
  • Duncan, Alastair (1988). Art déco. Thames & Hudson. ISBN 2-87811-003-X.
  • Charles, Victoria (2013). Art Déco. Parkstone International. ISBN 978-1-84484-864-5.
  • Oudin, Bernard (1994). Dictionaire des Architectes. Seghiers. ISBN 2-232-10398-6. {{cite book}}: Cite has empty unknown parameter: |1= (help)