Salome (opera): Difference between revisions
Herodes auf Deutch |
reworked and expanded synopsis |
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**[[Herod Antipas|Herodes]], Tetrarch of Judaea ([[tenor]]) |
**[[Herod Antipas|Herodes]], Tetrarch of Judaea ([[tenor]]) |
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**[[Herodias]], his wife ([[mezzo-soprano]]) |
**[[Herodias]], his wife ([[mezzo-soprano]]) |
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**[[Salomé|Salome]], his stepdaughter ([[soprano]]) |
**[[Salomé|Salome]], his stepdaughter ([[soprano]]) |
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**[[John the Baptist|Jochanaan]], the prophet ([[baritone]]) |
**[[John the Baptist|Jochanaan]], the prophet ([[baritone]]) |
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*Minor roles |
*Minor roles |
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**Royal guests, Egyptians, Romans, servants, soldiers (mute) |
**Royal guests, Egyptians, Romans, servants, soldiers (mute) |
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== |
==Synopsis== |
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:Time: A moonlit night in the |
:Time: A moonlit night in the First century AD. |
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:Place: A great terrace in |
:Place: A great terrace in Herodes' palace on [[Lake Galilee]], [[Judea]]. |
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Narraboth gazes longingly from the terrace into the banquet hall at the beautiful Princess Salome. The voice of the prophet Jochanaan is heard from his prison in a deep well; Herod fears him. |
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Narraboth gazes longingly through a window at the beautiful Princess Salome. The voice of the prophet Jochanaan is heard from his prison in a deep well. Herod fears him. Salome, tired of the feast, enters the terrace for the cool night air and hears Jochanaan cursing her mother Herodias. Her curiosity is piqued, but the soldiers will not honor her orders to fetch Jochanaan for her. She successfully convinces the smitten Narraboth to bring Jochanaan before her. Fascinated by the prophet, Salome is filled with an overwhelming desire to touch him, but he rejects her. She begs for a kiss, and Narraboth, who cannot bear to hear this, kills himself. As Jochanaan is returned to the well, he preaches salvation through the Messiah. Herod enters, followed by his wife and court. He slips in Narraboth's blood and starts hallucinating. He hears the beating of wings. Despite Herodias's objections, Herod stares lustfully at Salome, who rejects him. Jochanaan harasses Herodias from the well, calling her incestuous marriage to Herod sinful. She demands that Herod silence him. Herod refuses, and she mocks his fear. Five Jews argue concerning the nature of God. Two Nazarenes tell of Christ's miracles. Herod begs Salome to dance for him, even though her mother objects. He offers her anything, up to one half of his kingdom. After he swears to honor his promise, Salome dances, slowly removing her seven veils, one by one, until she lies naked at his feet. Salome then demands the head of the prophet on a plate. After Herod cannot dissuade her with an offer of jewels, rare birds, or a sacred veil, he finally concedes. The head of the prophet is presented to Salome on a plate as she requested. Salome kisses the prophet's lips passionately. Herod is overcome with disgust. On his order, his soldiers kill Salome. |
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Salome, tired of the feast and even more tired of its guests, aknist flees to the terrace. Here, she hears Jochanaan cursing her mother, Herodias. Her curiosity is piqued, but the soldiers will not honor her petulant orders to fetch Jochanaan for her. She turns her adolescent feminine wiles towards the Captain of the Guard, and successfully convinces the smitten Narraboth to bring Jochanaan before her. Fascinated by the prophet, Salome is filled with an overwhelming desire to touch him, but he rejects her. She begs for a kiss, and Narraboth, who cannot bear to hear this, kills himself. As Jochanaan is returned to the well, he preaches salvation through the Messiah. |
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Herodes enters, followed by his wife and court. He slips in Narraboth's blood and starts hallucinating. He hears the beating of wings. Despite Herodias' objections, Herodes stares lustfully at Salome, who rejects him. Jochanaan harasses Herodias from the well, calling her incestuous marriage to Herodes sinful. She demands that Herodes silence him. Herodes refuses, and she mocks his fear. Five Jews argue concerning the nature of God. Two Nazarenes tell of Christ's miracles; at one point they bring up the raising of Lazarus from the dead, which Herod finds frightening. |
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Herodes asks for Salome to eat with him, drink with him; indolently, she twice refuses, saying she is not hungry or thirsty. Herodes then begs Salome to dance for him, ''Tanz für mich, Salome'', even though her mother objects. He offers her anything, up to one half of his kingdom. |
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After Salome inquires into his promise, and he swears to honor it, Salome prepares for the dance. This dance, very oriental in orchestration, has her slowly removing her seven veils, one by one, until she lies naked at his feet. Salome then demands the head of the prophet on a silver platter. Her mother cackles in pleasure. After Herodes cannot dissuade her with an offer of jewels, rare birds, or even the sacred veil of the Temple, he finally concedes. After an orchestral interlude, the head of the prophet is brought up out of the well and presented to Salome as she requested. |
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In one of the most voluptuously gorgeous musical love scenes ever written, Salome makes love to the severed head, finally kissing the prophet's lips passionately. The superstitious Herod is horrified. On his order, to a harsh cacophony, his soldiers kill Salome. |
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A brief stunned silence usually follows curtain-fall. |
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==The role== |
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The vocal demands are the same as those of an [[Isolde]] or [[Brünnhilde]], with the impossible demand that she should look and behave like a sixteen-year-old prima ballerina. Few are vocally capable of the role. [[Birgit Nilsson]] is perhaps the most memorable in the last half-century. |
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==See also== |
==See also== |
Revision as of 08:43, 2 May 2006
Salome is an opera in one act by Richard Strauss to a German libretto by the composer, based on Hedwig Lachmann’s German translation of the French play Salomé by Oscar Wilde. It was first performed at the Hofoper in Dresden on December 9 1905.
The opera is famous (at the time of its release, infamous) for its Dance of the Seven Veils. Salome is part of the standard operatic repertoire. As such, there are various recordings of it, and it is regularly performed.
Characters
- Principal roles
- Minor roles
- Other
- A Cappadocian (bass)
- A Slave (soprano or tenor)
- Royal guests, Egyptians, Romans, servants, soldiers (mute)
Synopsis
- Time: A moonlit night in the First century AD.
- Place: A great terrace in Herodes' palace on Lake Galilee, Judea.
Narraboth gazes longingly from the terrace into the banquet hall at the beautiful Princess Salome. The voice of the prophet Jochanaan is heard from his prison in a deep well; Herod fears him.
Salome, tired of the feast and even more tired of its guests, aknist flees to the terrace. Here, she hears Jochanaan cursing her mother, Herodias. Her curiosity is piqued, but the soldiers will not honor her petulant orders to fetch Jochanaan for her. She turns her adolescent feminine wiles towards the Captain of the Guard, and successfully convinces the smitten Narraboth to bring Jochanaan before her. Fascinated by the prophet, Salome is filled with an overwhelming desire to touch him, but he rejects her. She begs for a kiss, and Narraboth, who cannot bear to hear this, kills himself. As Jochanaan is returned to the well, he preaches salvation through the Messiah.
Herodes enters, followed by his wife and court. He slips in Narraboth's blood and starts hallucinating. He hears the beating of wings. Despite Herodias' objections, Herodes stares lustfully at Salome, who rejects him. Jochanaan harasses Herodias from the well, calling her incestuous marriage to Herodes sinful. She demands that Herodes silence him. Herodes refuses, and she mocks his fear. Five Jews argue concerning the nature of God. Two Nazarenes tell of Christ's miracles; at one point they bring up the raising of Lazarus from the dead, which Herod finds frightening.
Herodes asks for Salome to eat with him, drink with him; indolently, she twice refuses, saying she is not hungry or thirsty. Herodes then begs Salome to dance for him, Tanz für mich, Salome, even though her mother objects. He offers her anything, up to one half of his kingdom.
After Salome inquires into his promise, and he swears to honor it, Salome prepares for the dance. This dance, very oriental in orchestration, has her slowly removing her seven veils, one by one, until she lies naked at his feet. Salome then demands the head of the prophet on a silver platter. Her mother cackles in pleasure. After Herodes cannot dissuade her with an offer of jewels, rare birds, or even the sacred veil of the Temple, he finally concedes. After an orchestral interlude, the head of the prophet is brought up out of the well and presented to Salome as she requested.
In one of the most voluptuously gorgeous musical love scenes ever written, Salome makes love to the severed head, finally kissing the prophet's lips passionately. The superstitious Herod is horrified. On his order, to a harsh cacophony, his soldiers kill Salome.
A brief stunned silence usually follows curtain-fall.
The role
The vocal demands are the same as those of an Isolde or Brünnhilde, with the impossible demand that she should look and behave like a sixteen-year-old prima ballerina. Few are vocally capable of the role. Birgit Nilsson is perhaps the most memorable in the last half-century.