Third-person omniscient narrative: Difference between revisions
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The '''third-person omniscient''' is a [[narrative]] [[mode (literature)|mode]]. In this mode, the reader and writer observe the situation from the outside through the senses and thoughts of every character equally and without bias, although that [[focal character]] may shift throughout the course of any given narrative. |
The '''third-person omniscient''' is a [[narrative]] [[mode (literature)|mode]]. In this mode, the reader and writer observe the situation from the outside through the senses and thoughts of every character equally and without bias, although that [[focal character]] may shift throughout the course of any given narrative. |
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Although [[first-person narrative|first-person fictional narratives]] are popular as well, the [[third-person narrative|third-person]] is often asserted to be the preferred voice in fiction{{Fact|date=October 2007}}. |
Although [[first-person narrative|first-person fictional narratives]] are popular as well, the [[third-person narrative|third-person]] is often asserted to be the preferred voice in fiction{{Fact|date=October 2007}}. |
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Revision as of 03:10, 22 September 2008
 | This article needs additional citations for verification. (April 2007) |
 | This article is written like a personal reflection, personal essay, or argumentative essay that states a Wikipedia editor's personal feelings or presents an original argument about a topic. (April 2007) |
The third-person omniscient is a narrative mode. In this mode, the reader and writer observe the situation from the outside through the senses and thoughts of every character equally and without bias, although that focal character may shift throughout the course of any given narrative.
Although first-person fictional narratives are popular as well, the third-person is often asserted to be the preferred voice in fiction[citation needed].
While an omniscient point of view can change viewpoint characters instantly, the limited omniscient point of view narrative limits narration to what can be known, seen, thought, or judged from a single character's perspective. Thus, the narration is limited in the same way a first-person narrative might be, but the text is written from the third-person perspective.
Henry James, who used the third-person limited omniscient narrative in his novel The Ambassadors and coined the phrase "effaced narration" to describe it, believed this could create high art, and contemporary literary writers seem to agree. The effaced narrator dominates contemporary literary art.[citation needed] James pointed out that in effaced narration, the art consisted of varying the reader's psychological distance from the action, bringing the reader in close for high drama, and further out for ordinary events.
Example
- Henry met Madeline on New Year's Eve in 2002. He went to a party and she opened the door. Her hair! Only a goddess could have hair so fine.
The final sentence is in the mind of the character, yet is not identified as a thought. The style has become psychologically close.
An omniscient narrator might report on Madeline's thoughts or events in Beijing, but in effaced narration ye stay with Henry. In this way, the writer is forced to be artful to supply a reader with all that must be known while keeping the experience of reading to be closer to how we in fact experience life--through a single pair of eyes, a single set of ears, one mind, etc. in 3 person the author is telling you