Venus (mural): Difference between revisions
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[[Image:Venus Mural.JPG|thumb|Venus Mural]] |
[[Image:Venus Mural.JPG|thumb|Venus Mural]] |
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Venus was commissioned by [[Doris Freedman]] of CityWalls (later the [[Public Art Fund]]) in 1970. Knox Martin chose this wall for its unique location, over the [[West Side Highway]], visible from the [[Verrazano Narrows Bridge]], the [[Statue of Liberty]], [[New Jersey]], and the West Side Highway itself. <ref>[[City Walls]] Press Release</ref> |
Venus was commissioned by [[Doris Freedman]] of CityWalls (later the [[Public Art Fund]]) in 1970. [[Knox Martin]] chose this wall for its unique location, over the [[West Side Highway]], visible from the [[Verrazano Narrows Bridge]], the [[Statue of Liberty]], [[New Jersey]], and the West Side Highway itself. <ref>[[City Walls]] Press Release</ref> |
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Marilyn Kushner of the [[Brooklyn Museum]] wrote: |
Marilyn Kushner of the [[Brooklyn Museum]] wrote: |
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* "After a 37-Year Run, a Roadside Venus to Be Veiled" by ALEX MINDLIN, February 11, 2007, The New York Times[http://www.nytimes.com/2007/02/11/nyregion/thecity/11venu.html?ex=1328850000&en=8f4515c95db4a18e&ei=5124&partner=permalink&exprod=permalink] |
* "After a 37-Year Run, a Roadside Venus to Be Veiled" by ALEX MINDLIN, February 11, 2007, The New York Times[http://www.nytimes.com/2007/02/11/nyregion/thecity/11venu.html?ex=1328850000&en=8f4515c95db4a18e&ei=5124&partner=permalink&exprod=permalink] |
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* p.12-13, "Mural Paints: Current and Future Formulations" by MARK GOLDEN, 2003, The Getty Conservation Institute[http://www.getty.edu/conservation/publications/pdf_publications/golden.pdf] |
* p.12-13, "Mural Paints: Current and Future Formulations" by MARK GOLDEN, 2003, The Getty Conservation Institute[http://www.getty.edu/conservation/publications/pdf_publications/golden.pdf] |
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== See also == |
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*[[Knox Martin]] |
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*[[Bayview Correctional Facility]] |
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*[[Golden Artist Colors]] |
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==External links== |
==External links== |
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Revision as of 18:25, 23 April 2008
Venus is a ten-story-high mural painting by Knox Martin on the south side of Bayview Correctional Facility at 19th Street and 11th Avenue in New York City.
Venus was commissioned by Doris Freedman of CityWalls (later the Public Art Fund) in 1970. Knox Martin chose this wall for its unique location, over the West Side Highway, visible from the Verrazano Narrows Bridge, the Statue of Liberty, New Jersey, and the West Side Highway itself. [1]
Marilyn Kushner of the Brooklyn Museum wrote:
Traditionally the goddess of love and fertility, Venus represents woman, erotic and supple, but it also conveys Knox Martin's love affair with New York. Venus is his love poem to the city where he has always lived, a place that is part of his being. The feminine, curvilinear shapes of the image are in direct contrast with the straight forms that intersect the composition. The overwhelming size of this enormous mural only intensifies the experience of female shapes, the linear aspects of the painted composition, and of the surrounding architecture. In an era when art was reaching out to the masses with pop culture, this huge mural was Knox Martin's way of touching a public that would never venture into an art gallery.[2]
Today, Venus stands opposite the Chelsea Piers complex in a revitalized Chelsea, surrounded by art galleries and artists.
"The painter Knox Martin was exhibiting in Chelsea a good 20 to 25 years before the art scene caught up with him.... At the time he was commissioned to paint Venus (1970), an enormous mural on the exterior wall of Bayview Correctional Facility on West 19th Street, no one had an inkling that this out-of-the-way place would become the place to be."[3]
Venus was restored in 1998 with the support of the Public Art Fund. A new weather-resistant acrylic paint developed in collaboration with the artist and donated by Golden Artist Colors was used, which will last at least 75 years. [4]
The prison is a facility of the New York State Department of Correctional Services. The Department made this statement in 2001:
In 1970, prior to the rejuvenation of the district, Bayview's entire south wall was decorated with a red and pink abstract painting, called "Venus" by artist Knox Martin. The mural, conspicuous for its size and beauty, has often been used on post cards. It is also conspicuous - in a culture that regards large, exposed surface as prime advertising space - for not being a billboard. Not surprisingly, advertisers call from time to time with proposals to lease the wall for commercial messages, but Bayview doesn't want its beautiful Venus covered over with a beer or jeans ad.
Besides, it's state property.[5]
Construction is scheduled for a 20-story condo on the parking lot adjacent to the mural, which will permanently block the mural from view.[6] Completion of the condo is expected for 2009.
References
- ^ City Walls Press Release
- ^ Marilyn Kushner, Knox Martin: Early Work, exh. cat. (New York: Janos Gat Gallery, 1997)
- ^ Mario Naves, The New York Observer, June 11, 2001
- ^ Art in America, July 1998, p.25[1]
- ^ ""Bayview"". DOCS TODAY. November 2001. Retrieved 2008-04-01.
{{cite web}}: Italic or bold markup not allowed in:|publisher=(help) - ^ BlogChelsea, November 14, 2007[2]
Further reading
- "After a 37-Year Run, a Roadside Venus to Be Veiled" by ALEX MINDLIN, February 11, 2007, The New York Times[3]
- p.12-13, "Mural Paints: Current and Future Formulations" by MARK GOLDEN, 2003, The Getty Conservation Institute[4]