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[[Category:Ohio University alumni|Holzer, Jenny]]
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[[Category:Feminist artists|Holzer, Jenny]]
[[Category:Feminist artists|Holzer, Jenny]]
[[Category:People from Gallipolis, Ohio|McIntyre, O.O.]]
[[Category:People from Gallipolis, Ohio|Holzer, Jenny]]


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Revision as of 21:38, 5 September 2007

File:Jenny Holzer For the City.jpg
The third phase of Holzer's For the City, projected on the Fifth Avenue side of the New York Public Library, October 6-9, 2005.

Jenny Holzer (born 1950 in Gallipolis, Ohio) is an American conceptual artist. She attended Ohio University (in Athens, Ohio), Rhode Island School of Design, and the Independent Study Program at the Whitney Museum of American Art. Holzer was originally an abstract artist, focusing on painting and printmaking, but after moving to New York City in 1977, she began working with text as art.

The main focus of her work is the use of words and ideas in public space. Street posters are her favorite medium, and she also makes use of a variety of other media, including LED signs, plaques, benches, stickers, T-shirts, and the Internet. Her work has also been integrated into the work of Canadian contemporary dance troupe Holy Body Tattoo.

Works

Installation in lobby at 7 WTC
  • Truisms (1977–) [1] is probably her most well-known work. Holzer has compiled a series of statements and aphorisms ("truisms") and has publicised them in a variety of ways: listed on street posters, in telephone booths, and even, in 1982, on one of Times Square's gigantic LED billboards, or in 1999 on a BMW V12 LMR race car for the 24 Hours of Le Mans
  • Inflammatory Essays (1978–79), in which she brought texts influenced by Trotsky, Hitler, Mao, Lenin, and Emma Goldman onto the streets
  • Living Series (early 1980s), using more monumental media such as bronze plaques and billboards
  • Survival Series (1983–1985), with more militant aphorisms, including "Men Don't Protect You Anymore," a phrase reproduced on condoms and street billboards alike
  • Under a Rock
  • Lament
  • Child Text, a piece on motherhood for the 1990 Venice Biennale
  • Green Table (1992), a large granite picnic table with inscriptions, part of the Stuart Collection of public art on the campus of the University of California, San Diego
  • Please Change Beliefs (1995) [2], created for the internet art gallery adaweb [3].
  • For the City (2005), nighttime projections of declassified government documents on the exterior of New York University's Bobst Library, and poetry on the exteriors of Rockefeller Center and the New York Public Library in Manhattan [4]

See also

Detail of 7 WTC installation