Ren Xiong: Difference between revisions
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[[File:Ren Xiong Self Portrait.jpeg|thumb|Ren Xiong's self-portrait]] |
[[File:Ren Xiong Self Portrait.jpeg|thumb|Ren Xiong's self-portrait]] |
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'''Ren Xiong''' ({{zh|c=任熊|p=Rèn Xióng}}; July 19, 1823 – November 23, 1857{{Fact|date=April 2023}}) was a Chinese painter from [[Xiaoshan]], [[Zhejiang]], active during the late [[Qing dynasty]]. Ren belonged to the [[Haipai|Shanghai School]] in Chinese painting and is known for his bold and innovative style. |
'''Ren Xiong''' ({{zh|c=任熊|p=Rèn Xióng|}}; courtesy name: Weichang 渭長, also known as Xiangpu 湘浦; art name: Bushe 不捨; July 19, 1823 – November 23, 1857{{Fact|date=April 2023}}) was a Chinese painter from [[Xiaoshan]], [[Zhejiang]], active during the late [[Qing dynasty]]. Ren belonged to the [[Haipai|Shanghai School]] in Chinese painting and is known for his bold and innovative style. His paintings significantly influenced the Shanghai School and modern Chinese painting. |
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==Career== |
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His brother was the painter [[Ren Xun]]. |
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After leaving his teacher, Ren traveled to various cities to make a living through painting. In Hangzhou, he received support from his fellow townsman Lu Yeshan and connected with many other artists. |
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During this period, his portrait paintings gained recognition. He continued studying traditional art, copying the stone engravings of Sixteen Arhats by Guanxiu at the Shengyin Temple on Gushan Island. |
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Zhou Xian of Western Zhejiang admired Ren's work and invited him to the Fanhu Cottage, where Ren spent eight years studying and copying classical masterpieces. He would repeatedly copy works until he could match or surpass the originals. |
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Later, the Ningbo scholar Yao Xie invited Ren to study his extensive collection of paintings from the Song, Yuan, Ming, and Qing dynasties. During this time, Ren created 120 paintings inspired by Yao Xie's poetry (now in the Palace Museum). |
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==Artistic style == |
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Ren was proficient in various genres including figure painting, flowers-and-birds, and landscape painting, working in both meticulous (gongbi) and freehand (xieyi) styles. |
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He was particularly renowned for his figure paintings. His style was primarily influenced by Chen Hongshou, though Ren developed his own distinct approach characterized by fresh, lively brushwork, quiet elegance, and decorative appeal. |
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According to many scholars of Chinese art, the particular definition of pictorial [[Realism (arts)|naturalism]], might result from contacts established with the art of photography, rather than a “simple” assimilation of Western painting techniques and models.<ref>Meccarelli M., Foo Y., Flamminii A. [https://www.academia.edu/6539118/China_and_the_West_in_the_Art_of_the_Nineteenth_Century_A_Cultural_and_Historical_Review_of_the_Relations_between_Painting_and_Photography"China and the West in the Art of the Nineteenth Century: A Cultural and Historical Review of the Relations between Painting and Photography"] ''Ming Qing Studies'' 2013, pp. 117-160</ref> |
According to many scholars of Chinese art, the particular definition of pictorial [[Realism (arts)|naturalism]], might result from contacts established with the art of photography, rather than a “simple” assimilation of Western painting techniques and models.<ref>Meccarelli M., Foo Y., Flamminii A. [https://www.academia.edu/6539118/China_and_the_West_in_the_Art_of_the_Nineteenth_Century_A_Cultural_and_Historical_Review_of_the_Relations_between_Painting_and_Photography"China and the West in the Art of the Nineteenth Century: A Cultural and Historical Review of the Relations between Painting and Photography"] ''Ming Qing Studies'' 2013, pp. 117-160</ref> |
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<gallery> |
<gallery> |
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File:Ren_Xiong_Self_Portrait.jpeg|Self-portrait |
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File:'The Examination Candidate', ink and colors on paper by Ren Xiong (1823-1857).JPG|''The Examination Candidate'' |
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File:Mjmhg009-renxiong.jpg|''After the poems of Da Mei'' |
File:Mjmhg009-renxiong.jpg|''After the poems of Da Mei'' |
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File:Ren xiong 1.jpg|(title not known) |
File:Ren xiong 1.jpg|(title not known) |
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File:Ren Xiong - The Goddess of the Luo River.jpg|''The Goddess of the Luo |
File:Ren Xiong - The Goddess of the Luo River.jpg|''The Goddess of the Luo River’' |
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File:Renxiong wan04s.jpg|''Palace Museum'' |
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</gallery> |
</gallery> |
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== Family and legacy == |
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Ren Xiong was part of a family of artists known as the "Four Rens," which included his son Ren Yu, brother [[Ren Xun]], and nephew Ren Yi. |
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He, along with Ren Xun and Ren Yi, were also known as the "Three Rens of Shanghai”. |
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==References== |
==References== |
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Latest revision as of 09:21, 13 December 2024
Ren Xiong (Chinese: 任熊; pinyin: Rèn Xióng; courtesy name: Weichang 渭長, also known as Xiangpu 湘浦; art name: Bushe 不捨; July 19, 1823 – November 23, 1857[citation needed]) was a Chinese painter from Xiaoshan, Zhejiang, active during the late Qing dynasty. Ren belonged to the Shanghai School in Chinese painting and is known for his bold and innovative style. His paintings significantly influenced the Shanghai School and modern Chinese painting.
Career
[edit]After leaving his teacher, Ren traveled to various cities to make a living through painting. In Hangzhou, he received support from his fellow townsman Lu Yeshan and connected with many other artists.
During this period, his portrait paintings gained recognition. He continued studying traditional art, copying the stone engravings of Sixteen Arhats by Guanxiu at the Shengyin Temple on Gushan Island.
Zhou Xian of Western Zhejiang admired Ren's work and invited him to the Fanhu Cottage, where Ren spent eight years studying and copying classical masterpieces. He would repeatedly copy works until he could match or surpass the originals.
Later, the Ningbo scholar Yao Xie invited Ren to study his extensive collection of paintings from the Song, Yuan, Ming, and Qing dynasties. During this time, Ren created 120 paintings inspired by Yao Xie's poetry (now in the Palace Museum).
Artistic style
[edit]Ren was proficient in various genres including figure painting, flowers-and-birds, and landscape painting, working in both meticulous (gongbi) and freehand (xieyi) styles.
He was particularly renowned for his figure paintings. His style was primarily influenced by Chen Hongshou, though Ren developed his own distinct approach characterized by fresh, lively brushwork, quiet elegance, and decorative appeal.
According to many scholars of Chinese art, the particular definition of pictorial naturalism, might result from contacts established with the art of photography, rather than a “simple” assimilation of Western painting techniques and models.[1]
Paintings
[edit]-
Self-portrait -
The Examination Candidate -
After the poems of Da Mei -
(title not known) -
The Goddess of the Luo River’' -
Palace Museum
.JPG)
Family and legacy
[edit]Ren Xiong was part of a family of artists known as the "Four Rens," which included his son Ren Yu, brother Ren Xun, and nephew Ren Yi.
He, along with Ren Xun and Ren Yi, were also known as the "Three Rens of Shanghai”.
References
[edit]- ^ Meccarelli M., Foo Y., Flamminii A. "China and the West in the Art of the Nineteenth Century: A Cultural and Historical Review of the Relations between Painting and Photography" Ming Qing Studies 2013, pp. 117-160
Further reading
[edit]- James Cahill (1995). "Ren Xiong and His Self-Portrait". Ars Orientalis. 25: 119–132. JSTOR 4629491.
External links
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