Suite in F-sharp minor (Dohnányi): Difference between revisions
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* [[London Symphony Orchestra]] under Sir [[Malcolm Sargent]] |
* [[London Symphony Orchestra]] under Sir [[Malcolm Sargent]] |
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* [[Los Angeles Philharmonic]] under [[Alfred Wallenstein]] (who was principal cellist in the Chicago Symphony at the time of the 1928 Stock recording)<ref name=ultra/> |
* [[Los Angeles Philharmonic]] under [[Alfred Wallenstein]] (who was principal cellist in the Chicago Symphony at the time of the 1928 Stock recording)<ref name=ultra/> |
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* [[Philharmonia Orchestra]] under [[Robert Irving (conductor)|Robert Irving]] |
* [[Philharmonia Orchestra]] under [[Robert Irving (conductor)|Robert Irving]] (1955 mono recording, HMV CLP 1043) |
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* [[Royal Philharmonic Orchestra]] under Sargent |
* [[Royal Philharmonic Orchestra]] under Sargent |
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* [[Portland Youth Philharmonic|Portland Junior Symphony Orchestra]] under [[Jacob Avshalomov]] |
* [[Portland Youth Philharmonic|Portland Junior Symphony Orchestra]] under [[Jacob Avshalomov]] |
Revision as of 21:46, 3 May 2022
The Suite in F-sharp minor, Op. 19, sometimes called "Suite romantique", was written by Ernő Dohnányi in 1909, while he was teaching at the Berlin Hochschule für Musik.[1] It is characterised by brilliant and lush scoring, and witty and engaging melodies with a Hungarian accent.
History
Dohnányi wrote the Suite simultaneously with the pantomime The Veil of Pierrette, Op. 18. After completing the first two tableaux of Pierrette, he wrote the first two movements of the Suite, then completed Pierrette and then the Suite.
It had its premiere performance in Budapest on 21 February 1910, under the composer's baton.[2] It was published in 1911.[3]
The first performance in England was on 9 October 1913, at a Prom Concert in the Queen's Hall, London, under Sir Henry Wood.[4]
The Suite takes 25 to 30 minutes to play. It is in four movements:
- Andante con variazioni
- Scherzo
- Romanza
- Rondo
Orchestration
Dohnányi scored the Suite for piccolo, 2 flutes, 2 oboes, English horn, 2 clarinets, bass clarinet, 2 bassoons, contrabassoon, 4 horns, 2 trumpets, 3 trombones, 3 timpani, triangle, cymbals, snare drum, bass drum, castanets, 2 harps, and strings.[3]
Recordings
The first recording of the Suite in F-sharp minor was by the Chicago Symphony Orchestra under Frederick Stock, in 1928.[5]
Later recordings include:
- London Symphony Orchestra under Sir Malcolm Sargent
- Los Angeles Philharmonic under Alfred Wallenstein (who was principal cellist in the Chicago Symphony at the time of the 1928 Stock recording)[5]
- Philharmonia Orchestra under Robert Irving (1955 mono recording, HMV CLP 1043)
- Royal Philharmonic Orchestra under Sargent
- Portland Junior Symphony Orchestra under Jacob Avshalomov
- West Australian Symphony Orchestra under Jorge Mester
- Budapest Symphony Orchestra under Tamás Vásáry
- BBC Philharmonic under Matthias Bamert
- Danubia Symphony Orchestra under Domonkos Héja
- Seattle Symphony under Milton Katims
- St. Louis Symphony under Leonard Slatkin.[5][6]
Arrangement
The violinist Jascha Heifetz arranged the Romanza for violin and piano.[7]
References
- ^ Arkansas Symphony; Retrieved 17 August 2013
- ^ Ernst von Dohnányi: A Song of Life, pp. 61-62; Retrieved 17 August 2013
- ^ a b IMSLP; Retrieved 17 August 2013
- ^ BBC Proms Archive; Retrieved 17 August 2013
- ^ a b c Ultra Audio, A Double Rescue for the Dohnányi Suite, 1 March 2008; Retrieved 17 August 2013
- ^ Deborah Kiszely-Papp, A Discography of Ernő Dohnányi's Compositions and Performing Artistry Archived 2007-05-02 at the Wayback Machine; Retrieved 17 August 2013
- ^ Hyperion Records; Retrieved 17 August 2013