Beequeen: Difference between revisions
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'''Beequeen''' is an [[experimental rock]] group, formed in 1988 in [[Nijmegen]], the Netherlands. Initially a duo of Frans de Waard and Freek Kinkelaar (both on vocals, keyboards and electronics), since 2007 they have been joined by Olga Wallis, also on vocals and keyboards |
'''Beequeen''' is an [[experimental rock]] group, formed in 1988 in [[Nijmegen]], the Netherlands. Initially a duo of Frans de Waard and Freek Kinkelaar (both on vocals, keyboards and electronics), since 2007 they have been joined by Olga Wallis, also on vocals and keyboards. They have released more than 20 albums on different labels around the world. |
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==Formation== |
==Formation== |
Revision as of 00:48, 27 May 2021
Beequeen | |
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Origin | Nijmegen, Netherlands |
Genres | Experimental rock |
Years active | 1988–present |
Labels |
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Members |
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Website | beequeen |
This article may require copy editing for grammar, style, cohesion, tone, or spelling. (May 2021) |
Beequeen is an experimental rock group, formed in 1988 in Nijmegen, the Netherlands. Initially a duo of Frans de Waard and Freek Kinkelaar (both on vocals, keyboards and electronics), since 2007 they have been joined by Olga Wallis, also on vocals and keyboards. They have released more than 20 albums on different labels around the world.
Formation
In the Summer of 1988, de Waard and Kinkelaar recorded and released their first album as Beequeen, a cassette entitled Mappa Mundi[1] released on De Waard’s Korm Plastics label[2]. A review at Chain DLK stated this album had a "...lovely psychotic calmness."[3] The name Beequeen originated from a mutual admiration for the works of German conceptual artist Joseph Beuys. The name is an adaptation of Beuys’ 1956 work Bienenkönigin, which is German for queen bee.[4]
Career
Between 1988 and 2002, Beequeen’s musical style can be described as experimental ambient-drone music. A collection of their songs spanning several years can be found on their album A Touch of Brimstone that even included writings from fans and even their webmaster, who at the time ran the Pretentious.network.[5]
In 2002, their musical pallet widened when Beequeen started to incorporate songs into their music, mixing experiment with dreampop music on their album Ownliness.[6]
The drone side of Beequeen had not yet been put to rest. In 2003, Gund had "Tapestries of sound slowly evolve and unravel their inner beauty"[7] according to a review in Vital Weekly.
Pitchfork Magazine found that an album released 2 years later, The Bodyshop "...is Beequeen's most musically expansive work yet"[8] with subtle trip-hop beats replacing what had been drones on previous albums. This album was recorded by the guitarist from The Legendary Pink Dots, Erik Drost.
Plinkity Plonk Records
In 1999, Beequeen released a double LP box set featuring live performances as the first release on their private label Plinkity Plonk records.[9] Over the years, the label would release music by, amongst others, De Fabriek, Mirror, Edward Ka-spel, Legendary Pink Dots, Paul Panhuysen and The Hafler Trio.
International tours
Beequeen played live in The Netherlands, Belgium, Germany and Poland. In 2003, Beequeen toured the American east-coast with Andrew Liles.[10] The tour was organized by their record label Important records. Beequeen also performed several shows in Russia in 2011. The band also appeared on Dutch national radio and regional television, VPRO.
Olga Wallis joins
In 2007, vocalist Olga Wallis joined Beequeen on the album Sandancing.[11] Another appearance of an alumnus from the Legendary Pink Dots, Barry Gray, lends guitar to this album. A Tiny Mix Tapes review found aspects of this album "much closer to the work Julee Cruise did with Angelo Badalamenti in the late ’80s."[12]
Of the 2011 album, Port Out Starboard Home, Record Collector said "it’s wondrous how the dreamy vocal recordings [...] are interspaced with experimental ambient textures."[13] The final track on this album even used the sound of lambs bleating.
2014’s album Around Midnight was produced by Mekanik Kommando and Use of Ashes-member Peter van Vliet. The album was followed by the single Sturmwind/Gilbert on Tonefloat records.
Hiatus and Winter
From 2015 to 2020, Beequeen was inactive. In 2020, De Waard and Kinkelaar released a new Beequeen album entitled Winter.[14] The album was created out of previous unreleased archive recordings and brand new recordings made in the Winter of 2020. A review at Spectrum Culture found this album "...highly enjoyable uneasy listening."[15]
Other Bands and Publishing
De Waard and Kinkelaar continued to record instrumental ambient-drone music under the name Wander.[16] As Wander they recorded several albums and singles, each one with the title Wander.
Freek Kinkelaar has also been active with various solo projects including Brunnen,[17] which Inverted Audio reviewed The Garden of Perpetual Dreams as "One minute you're wandering through dark, psychedelic gloom, the next stumbling across an infitely serene, sun-dappled glade..." and another Brunnen album as "...“bedroom pop” if it was more poppish — quiet songs sparsely implemented, with breathy vocals and occasional noisy (but not loud) touches." from a review at Expose Online. He currently plays in The Blue Mask, and Frans de Waard has been and is active under various guises such as Kapotte Muziek, Goem, Shifts and Quest. He also publishes Vital Weekly,[18] an online newsletter featuring reviews on experimental music. His other, longer running record label, Korm Plastics, has released an extensive number of bands from Merzbow and Psychic TV, to Asumus Tietchens and Zev, plus self-released recordings. In 2020, the label has now started publishing books, as well.
Album discography
- Mappa Mundi (1989)
- Scala Destillans (split album with Technological Aquiver) (1990)
- Fond (1991)
- Der Holzweg (1993)
- Time Waits for No One (1994)
- Sugarbush (1995)
- Music for the Head Ballet (1996)
- Split (split album with Kapotte Muziek) (1997)
- Stetson (1997)
- The Surrough Gate (1997)
- Do Be Do (1999)
- Treatise (2000)
- Natursymfonie (2002)
- Ownliness (2002)
- A Touch of Brimstone (2002)
- Gund (2003)
- Aughton – The Patient Books (2004)
- The Body Shop (2005)
- Seltenturn – B Sides (2007)
- Sandancing (2008)
- Sandancing Demos (2008)
- Port Out Starboard Home (2011)
- Around Midnight (2014)
- Winter (2020)
External links
References
- ^ "Mappa Mundi". tape-mag.com. Retrieved 2021-02-18.
- ^ "Korm Plastics: Label Profile | Experimental Sound Art Korm Plastics". www.tokafi.com. Retrieved 2021-02-18.
- ^ "Beequeen - Seltenturn Beesides - 1989-2000 | Chain D.L.K." www.chaindlk.com. Retrieved 2021-02-19.
- ^ Wilson, Scott (2020-10-05). "Beequeen: Winter". Spectrum Culture. Retrieved 2021-02-18.
- ^ "Beequeen - A Touch of Brimstone | Chain D.L.K." www.chaindlk.com. Retrieved 2021-02-19.
- ^ "Brainwashed - Beequeen, "Ownliness"". brainwashed.com. Retrieved 2021-02-18.
- ^ "366". www.vitalweekly.net. Retrieved 2021-02-19.
- ^ "Beequeen: The Bodyshop". Pitchfork. Retrieved 2021-02-19.
- ^ "Incursion.org > Music Review 58". www.incursion.org. Retrieved 2021-02-18.
- ^ "Frans De Waard - Andrew Liles". www.andrewliles.com. Retrieved 2021-02-18.
- ^ "Beequeen: Sandancing into the Summer | Beequeen Experimental Important Records". www.tokafi.com. Retrieved 2021-02-18.
- ^ "Music Review: Beequeen - Sandancing". Tiny Mix Tapes. Retrieved 2021-02-19.
- ^ "Port Out Starboard Home - Record Collector Magazine". Retrieved 2021-02-19.
- ^ "Beequeen: Winter". Spectrum Culture. 2020-10-06. Retrieved 2021-02-18.
- ^ "Beequeen: Winter". Spectrum Culture. 2020-10-06. Retrieved 2021-02-19.
- ^ "414". vitalweekly.net. Retrieved 2021-02-18.
- ^ "Review: Brunnen: The Garden Of Perpetual Dreams". Inverted Audio. Retrieved 2021-02-18.
- ^ "Vital Weekly - The Oldest Online Source for Music Reviews". www.vitalweekly.net. Retrieved 2020-08-08.