Camillo Rizzi: Difference between revisions
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==References== |
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*{{cite book| first=Michael| last=Bryan| year=1889| title=''Dictionary of Painters and Engravers, Biographical and Critical'' (Volume II L-Z)| editor = Walter Armstrong & Robert Edmund Graves| pages= 371| publisher=George Bell and Sons|location=York St. #4, Covent Garden, London; Original from Fogg Library, Digitized May 18, 2007 |url=https://books.google.com/books?id=K2cCAAAAYAAJ& |
*{{cite book| first=Michael| last=Bryan| year=1889| title=''Dictionary of Painters and Engravers, Biographical and Critical'' (Volume II L-Z)| editor = Walter Armstrong & Robert Edmund Graves| pages= 371| publisher=George Bell and Sons|location=York St. #4, Covent Garden, London; Original from Fogg Library, Digitized May 18, 2007 |url=https://books.google.com/books?id=K2cCAAAAYAAJ&q=Michael+Bryan+Painters+Engravers&pg=PA1}} |
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Revision as of 10:38, 2 February 2021
Camillo Rizzi (1580–1618) was an Italian painter of the Renaissance period, active mainly in Ferrara. He was a pupil of the painter Ippolito Scarsella.
Born at Ferrara, he was mainly active producing altarpieces for the churches of Ferrara including a S. Vincenzo and Santa Margherita for the cathedral ; an Annunciation for the church of Spirito Santo ; and his ceiling in the church of S. Niccolo, representing in eighty-four compartments, the Life and miracles of San Niccolo. Ricci died at Ferrara.
References
- Bryan, Michael (1889). Walter Armstrong & Robert Edmund Graves (ed.). Dictionary of Painters and Engravers, Biographical and Critical (Volume II L-Z). York St. #4, Covent Garden, London; Original from Fogg Library, Digitized May 18, 2007: George Bell and Sons. p. 371.
{{cite book}}: CS1 maint: location (link)
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