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{{Short description|Sardinian woodwind instrument made of three pipes}}
[[File:Launeddas.jpg|thumb|275px|right|Launeddas]]
{{Infobox instrument
⚫
[[File:Launeddas llengüeta.JPG|thumb|275px|right|Closeup of the reeds of the launeddas]]
| name = Launeddas
⚫
[[File:Launeddas3.jpg|thumb|275px|right|A variety of launeddas]]
| names =
⚫
[[File:Launeddas Player.jpg|thumb|275px|right|A Sardinian man in traditional clothing playing the launeddas]]
| image = Launeddas.jpg
| image_capt = Launeddas
| background = woodwind
| classification = single-reed aerophone
| hornbostel_sachs = 422.211.2
| hornbostel_sachs_desc = single reed instrument with cylindrical bore and fingerholes
| inventors =
| developed =
| range =
| related = [[arghul]], [[bülban]], [[clarinet]], [[diplica]], [[dili tuiduk]], [[dozaleh]], [[Arghul#.C3.87ifte|cifte]], [[mijwiz]], [[pilili]], [[sipsi]], zammara, [[zummara]]
| musicians =
| builders =
| articles =
}}


The '''''launeddas''''' (also called '''Sardinian triple [[clarinet]]''') are a typical [[Sardinia]]n [[woodwind instrument]] made of three pipes, each of which has an [[idioglot]] single reed. They are a [[polyphony|polyphonic]] instrument, with one of the pipes functioning as a [[Drone (music)|drone]] and the other two playing the melody in thirds and sixths.<ref name=Kroll>{{cite book|last=Kroll|first=O.|title=The Clarinet|year=1968|publisher=Taplinger Publishing Company|location=New York, NY}}</ref>
The '''''launeddas''''' (also called the '''Sardinian triple [[clarinet]]''') are a traditional [[Sardinia]]n [[woodwind instrument]] made of three pipes, each of which has an [[idioglot]] [[single reed]]. They are a [[polyphony|polyphonic]] instrument, with one of the pipes functioning as a [[Drone (music)|drone]] and the other two playing the melody in thirds and sixths.<ref name=Kroll>{{cite book|last=Kroll|first=O.|title=The Clarinet|year=1968|publisher=Taplinger Publishing Company|location=New York, NY}}</ref>


Predecessors of the launeddas are found throughout [[Northern Africa]] and the [[Middle East]]. In 2700 BCE, the [[Egypt]]ian reed pipes were originally called "[[Single-reed instrument|memet]]";<ref name=Kroll /> during the [[Old Kingdom of Egypt]] (2778–2723 BCE), memets were depicted on the reliefs of seven tombs at [[Saqqara]], six tombs at [[Giza]], and the pyramids of Queen [[Khentkaus II|Khentkaus]].<ref name=Rice>{{cite book|last=Rice|first=A.R.|title=The Baroque Clarinet|year=1992|publisher=Oxford University Press|location=New York, NY}}</ref>
Predecessors of the launeddas are found throughout [[Northern Africa]] and the [[Middle East]]. In 2700 BCE, the [[Egypt]]ian reed pipes were originally called "[[Single-reed instrument|memet]]";<ref name=Kroll /> during the [[Old Kingdom of Egypt]] (2778–2723 BCE), memets were depicted on the reliefs of seven tombs at [[Saqqara]], six tombs at [[Giza]], and the pyramids of Queen [[Khentkaus II|Khentkaus]].<ref name=Rice>{{cite book|last=Rice|first=A.R.|title=The Baroque Clarinet|year=1992|publisher=Oxford University Press|location=New York, NY}}</ref>


The Sardinian launeddas themselves are an ancient instrument, being traced back to at least the eighth century BCE,<ref name="8thcentury">Surian, Alesso. "Tenores and Tarantellas". 2000. In Broughton, Simon and Ellingham, Mark with McConnachie, James and Duane, Orla (Ed.), ''World Music, Vol. 1: Africa, Europe and the Middle East'', pg. 189–201. Rough Guides Ltd, Penguin Books. {{ISBN|1-85828-636-0}}. Surian calls the launeddas ''very ancient, appearing on votive statues from the 8th century BC.''</ref> as is testified during the [[Nuragic civilization]] by an ithyphallic [[Nuragic bronze statuettes|bronze statuette]] found in [[Ittiri]]. The launeddas are still played today during religious ceremonies and dances (''su ballu'' in [[Sardinian language]]).<ref name="surian">Surian, pg. 190</ref> Distinctively, they are played using extensive variations on a few melodic phrases, and a single piece can last over an hour, producing some of the "most elemental and resonant (sounds) in European music".<ref name="surian"/>
The Sardinian launeddas themselves are an ancient instrument, being traced back to at least the eighth century BCE,<ref name="8thcentury">Surian, Alesso. "Tenores and Tarantellas". 2000. In Broughton, Simon and Ellingham, Mark with McConnachie, James and Duane, Orla (Ed.), ''World Music, Vol. 1: Africa, Europe and the Middle East'', pg. 189–201. Rough Guides Ltd, Penguin Books. {{ISBN|1-85828-636-0}}. Surian calls the launeddas ''very ancient, appearing on votive statues from the 8th century BC.''</ref> as is testified during the [[Nuragic civilization]] by an ithyphallic [[Nuragic bronze statuettes|bronze statuette]] found in [[Ittiri]]. The launeddas are still played today during religious ceremonies and dances (''su ballu'' in [[Sardinian language]]).<ref name="surian">Surian, pg. 190</ref> Distinctively, they are played using extensive variations on a few melodic phrases, and a single piece can last over an hour, producing some of the "most elemental and resonant (sounds) in European music".<ref name="surian"/>

<gallery>
⚫
File:Launeddas llengüeta.JPG|Closeup of the reeds of the launeddas

⚫
File:Launeddas3.jpg|A variety of launeddas

⚫
File:Launeddas Player.jpg|A Sardinian man in traditional clothing playing the launeddas
File:Civilt%C3%A0_nuragica,_prima_et%C3%A0_del_ferro,_suonatore_di_launeddas_itifallico,_da_ittiri.jpg|Ancient launeddas player from Ittiri
File:CantigasDeSantaMariaPanPipes.jpg|1280 A.D., three-reed pipe set from Cantigas de Santa Maria
</gallery>


==Description==
==Description==
[[File:Map Folklore I 1990 - Strumenti musicali tradizionali - Touring Club Italiano CART-TEM-096.jpg|thumb|upright=2|Map folk musical instruments in Italy]]
Launeddas are used to play a complex style of music by [[circular breathing]] that has achieved some international attention, especially [[Efisio Melis]], [[Antonio Lara (musician)|Antonio Lara]], [[Dionigi Burranca]] and [[Luigi Lai]]. Melis and Lara were the biggest stars of the 1930s golden age of launeddas, and each taught their style to apprentices like Lara's [[Aureliu Porcu]].<ref name="MTIM">"Franco Melis". Musical Traditions Internet Magazine. URL accessed on 26 August 2005.</ref>
Launeddas are used to play a complex style of music by [[circular breathing]] that has achieved some international attention, especially [[Efisio Melis]], [[Antonio Lara (musician)|Antonio Lara]], [[Dionigi Burranca]] and [[Luigi Lai]]. Melis and Lara were the biggest stars of the 1930s golden age of launeddas, and each taught their style to apprentices like Lara's [[Aureliu Porcu]].<ref name="MTIM">"Franco Melis". Musical Traditions Internet Magazine. URL accessed on 26 August 2005.</ref>


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[[Category:Early musical instruments]]
[[Category:Early musical instruments]]
[[Category:Italian musical instruments]]
[[Category:Italian musical instruments]]
[[Category:Circular breathing]]

Latest revision as of 01:51, 27 October 2024

Launeddas
Launeddas
Woodwind instrument
Classification single-reed aerophone
Hornbostel–Sachs classification422.211.2
(single reed instrument with cylindrical bore and fingerholes)
Related instruments
arghul, bülban, clarinet, diplica, dili tuiduk, dozaleh, cifte, mijwiz, pilili, sipsi, zammara, zummara

The launeddas (also called the Sardinian triple clarinet) are a traditional Sardinian woodwind instrument made of three pipes, each of which has an idioglot single reed. They are a polyphonic instrument, with one of the pipes functioning as a drone and the other two playing the melody in thirds and sixths.[1]

Predecessors of the launeddas are found throughout Northern Africa and the Middle East. In 2700 BCE, the Egyptian reed pipes were originally called "memet";[1] during the Old Kingdom of Egypt (2778–2723 BCE), memets were depicted on the reliefs of seven tombs at Saqqara, six tombs at Giza, and the pyramids of Queen Khentkaus.[2]

The Sardinian launeddas themselves are an ancient instrument, being traced back to at least the eighth century BCE,[3] as is testified during the Nuragic civilization by an ithyphallic bronze statuette found in Ittiri. The launeddas are still played today during religious ceremonies and dances (su ballu in Sardinian language).[4] Distinctively, they are played using extensive variations on a few melodic phrases, and a single piece can last over an hour, producing some of the "most elemental and resonant (sounds) in European music".[4]

  • Closeup of the reeds of the launeddas
    Closeup of the reeds of the launeddas
  • A variety of launeddas
    A variety of launeddas
  • A Sardinian man in traditional clothing playing the launeddas
    A Sardinian man in traditional clothing playing the launeddas
  • Ancient launeddas player from Ittiri
    Ancient launeddas player from Ittiri
  • 1280 A.D., three-reed pipe set from Cantigas de Santa Maria
    1280 A.D., three-reed pipe set from Cantigas de Santa Maria

Description

[edit]
Map folk musical instruments in Italy

Launeddas are used to play a complex style of music by circular breathing that has achieved some international attention, especially Efisio Melis, Antonio Lara, Dionigi Burranca and Luigi Lai. Melis and Lara were the biggest stars of the 1930s golden age of launeddas, and each taught their style to apprentices like Lara's Aureliu Porcu.[5]

Launeddas consist of three reed pipes, two five-holed chanters of different lengths and one drone. They are played using circular breathing.[5]

Since the late 20th century the launeddas have also been used in non-traditional contexts. In 1990, the American jazz saxophonist Dave Liebman released a CD called The Blessing of the Old. Long Sound, where he collaborates with the launeddas players Alberto Mariani, Carlo Mariani, and Dionigi Burranca. The CD was recorded in Milan in November 1989. In 1996, the British free jazz saxophonist Evan Parker released a double-CD collaboration with Carlo Mariani and other world musicians entitled Synergetics—Phonomanie III, which was recorded in Ulrichsberg, Austria in September 1993.

See also

[edit]

References

[edit]
  1. ^ a b Kroll, O. (1968). The Clarinet. New York, NY: Taplinger Publishing Company.
  2. ^ Rice, A.R. (1992). The Baroque Clarinet. New York, NY: Oxford University Press.
  3. ^ Surian, Alesso. "Tenores and Tarantellas". 2000. In Broughton, Simon and Ellingham, Mark with McConnachie, James and Duane, Orla (Ed.), World Music, Vol. 1: Africa, Europe and the Middle East, pg. 189–201. Rough Guides Ltd, Penguin Books. ISBN 1-85828-636-0. Surian calls the launeddas very ancient, appearing on votive statues from the 8th century BC.
  4. ^ a b Surian, pg. 190
  5. ^ a b "Franco Melis". Musical Traditions Internet Magazine. URL accessed on 26 August 2005.

Further reading

[edit]
  • F. W. Bentzon, The Launeddas. A Sardinian folk music instrument (2 voll. Acta Musicologica Danica n°1), Akademisk Forlag, Copenhagen, 1969.
  • P. Mercurio, La Cultura delle Launeddas. Cabras. I Suoni del Maestro Giovanni Casu, Solinas, Nuoro, 2011.
  • F. W. Bentzon, Launeddas, Cagliari, 2002 ISBN 88-88998-00-4.
  • F. W. Bentzon, Launeddas, et sardisk folkemusikinstrument, Dansk Musik-tidsskrift, Copenhagen, May, 1961, No. 3, pp. 97–105.
  • Bernard Lortat-Jacob (1982). "Theory and 'Bricolage': Attilio Cannargiu's Temperament", Yearbook for Traditional Music, Vol. 14, pp. 45–54.
  • P. Mercurio, Launeddas Patrimonio dell'Umanità. Strumento dell'Identità Musicale Sarda, collana “Ethnomusica & Istruzione”, Milano, 2015 ISBN 9786050345346
  • Efisio Melis and Antonio Lara – Launeddas (2001), cited in Robert Andrews (2007). The Rough Guide to Sardinia, p. 335. 3rd edition. ISBN 1-84353-741-9.

Listening

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[edit]
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