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| name = G.I. Blues
| name = G.I. Blues
| image = G.I._Blues_Poster.jpg
| image = G.I._Blues_Poster.jpg
| border = yes
| alt =
| alt =
| caption = Theatrical release poster
| caption = Theatrical release poster
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* [[Elvis Presley]]
* [[Elvis Presley]]
* [[Juliet Prowse]]
* [[Juliet Prowse]]
* [[Robert Ivers]]
}}
}}
| music = [[Joseph J. Lilley]]
| music = [[Joseph J. Lilley]]
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| language = English
| language = English
| budget =
| budget =
| gross = $4.3 million {{small|(US/ Canada rentals)}}<ref>"All-Time Top Grossers", ''Variety'', 8 January 1964, p. 69.</ref><ref name="variety jan 61">{{cite web|url=https://archive.org/stream/variety221-1961-01#page/n46/mode/1up|title=Rental Potentials of 1960|website=Variety|date=4 January 1961|page=47}}</ref><ref name="norman">Michael A. Hoey, ''Elvis' Favorite Director: The Amazing 52-Film Career of Norman Taurog'', Bear Manor Media 2013</ref>
| gross = $4.3 million (US/ Canada rentals)<ref>"All-Time Top Grossers", ''Variety'', 8 January 1964, p. 69.</ref><ref name="variety jan 61">{{cite web|url=https://archive.org/stream/variety221-1961-01#page/n46/mode/1up|title=Rental Potentials of 1960|website=Variety|date=4 January 1961|page=47}}</ref><ref name="norman">Michael A. Hoey, ''Elvis' Favorite Director: The Amazing 52-Film Career of Norman Taurog'', Bear Manor Media 2013</ref>
}}
}}
'''''G.I. Blues''''' is a 1960 American musical comedy film directed by [[Norman Taurog]] and starring [[Elvis Presley]], [[Juliet Prowse]], and [[Robert Ivers]]. The movie was filmed at [[Paramount Pictures]] studio, with some pre-production scenery shot on location in Germany before Presley's release from the army.<ref name="Elvis Enc-190">Victor, Adam, ''The Elvis Encyclopaedia'', pp. 190-191.</ref> The movie won a 2nd place or runner-up prize [[Laurel Award]] in the category of Top Musical of 1960.
'''''G.I. Blues''''' is a 1960 American musical comedy film directed by [[Norman Taurog]] and starring [[Elvis Presley]] and [[Juliet Prowse]]. The movie{{snd}}Presley’s fifth, but his first after discharge from the US Army{{snd}}was filmed at [[Paramount Pictures]] studio, with some pre-production scenery shot on location in [[West Germany]] while Presley was stationed there.<ref name="Elvis Enc-190">Victor, Adam, ''The Elvis Encyclopaedia'', pp. 190-191.</ref> The movie won a 2nd place [[Laurel Award]] in the category of Top Musical of 1960.


==Plot==
==Plot==
U.S. Army [[Specialist (rank)#Specialist (1955-present)|Specialist 5]] (SP5) Tulsa McLean ([[Elvis Presley]]) is a tank crewman with a singing career. Serving with the [[3rd Armored Division (United States)|3rd Armored "Spearhead" Division]] in [[West Germany]], McLean dreams of running his own nightclub when he leaves the army, but such dreams don't come cheap. Tulsa and his buddies have formed a band and perform in various German "[[Gasthaus]]es", night clubs, and on an Armed Forces stage. In one bar, he even discovers the record "[[Blue Suede Shoes#Presley.27s RCA cover|Blue Suede Shoes]]" sung by someone named Elvis Presley on a [[jukebox]].
U.S. Army [[Specialist (rank)#Specialist (1955–present)|Specialist]] Tulsa McLean is a tank crewman with a singing career. Serving with the [[3rd Armored Division (United States)|3rd Armored Division]] in West Germany, McLean dreams of running his own nightclub when he leaves the army, but such dreams don't come cheap. Tulsa and his buddies have formed a band and perform in various German "[[Gasthaus]]es", night clubs, and on an Armed Forces stage. In one bar, he even discovers the record "[[Blue Suede Shoes#Presley.27s RCA cover|Blue Suede Shoes]]" on a [[jukebox]]{{snd}}sung by some guy named Elvis Presley.


To raise money, Tulsa places a bet with his friend Dynamite ([[Edson Stroll]]) that he can spend the night with a club dancer named Lili ([[Juliet Prowse]]), who is rumored to be hard to get since she turned down one other G.I. operator, Turk ([[Jeremy Slate]]). Dynamite and Turk have vied for women before when the two were stationed in [[Hawaii]]. When Dynamite gets transferred to [[Alaska]], Tulsa is brought in to take his place. He is not looking forward to it, but must go through with it.
To raise money, Tulsa places a bet that his tank commander, Dynamite, can spend the night with a club dancer named Lili, who is rumoured to be hard to get since she turned down another soldier, Turk. Dynamite and Turk have vied for women before when the two were stationed in Hawaii. When Dynamite gets transferred to Alaska, Tulsa is brought in to take his place in the bet. He is not looking forward to it, but must go through with it.


Tulsa uses his [[Southern United States|Southern]] charm and calls Lili "ma'am." She at first sees Tulsa as another Occupation Duty GI. Then after a day on the Rhine, Lili begins to fall for him. Tulsa's friend Cookie, meanwhile, falls in love with Lili's roommate, Tina (Letícia Román) from [[Italy]]. In the end, Rick's and Marla's baby son Tiger helps Tulsa win the bet for the outfit—and Lili's heart.
Tulsa uses his [[Southern United States|Southern]] charm and calls Lili "ma'am." She at first sees Tulsa as another Occupation Duty GI. Then after a day on the Rhine, Lili begins to fall for him. Tulsa's friend Cookie, meanwhile, falls in love with Lili's roommate, Tina from [[Italy]]. In the end, Rick's and Marla's baby son Tiger helps Tulsa win the bet for the outfit{{snd}}and Lili's heart.


==Cast==
==Cast==
<!--- [[WP:NOTDATABASE]] - cast and order per Main Cast [[Motion picture credits#Opening credits]], roles per closing credits scroll --->
{{Cast listing|
* [[Elvis Presley]] as Spec. 5 Tulsa McLean
* [[Elvis Presley]] as Spec. 5 Tulsa McLean
* [[Juliet Prowse]] as Lili
* [[Juliet Prowse]] as Lili
Line 45: Line 45:
* [[Letícia Román]] as Tina
* [[Letícia Román]] as Tina
* Sigrid Maier as Marla
* Sigrid Maier as Marla
* [[Scotty Moore]] as himself
* [[D.J. Fontana]] as himself
* [[Arch Johnson]] as MSG McGraw
* [[Arch Johnson]] as MSG McGraw
⚫
* [[Mickey Knox (actor)|Mickey Knox]] as Jeeter
* Kenneth Becker as Mac (as Ken Becker)
* [[Carl Crow]] as Walt
* [[John Hudson (actor)|John Hudson]] as CPT Hobart
* Beach Dickerson as Warren
* Ken Becker as Mac
⚫
* [[Jeremy Slate]] as Turk
* [[Beach Dickerson]] as Warren
* Trent Dolan as Mickey
* Trent Dolan as Mickey
* Carl Crow as Walt
* [[Fred Essler]] as Papa Mueller
* [[Fred Essler]] as Papa Mueller
* John Hudson as CPT Hobart
* [[The Jordanaires]] as Themselves
⚫
* [[Mickey Knox (actor)|Mickey Knox]] as Jeeter
⚫
* Erika Peters as Trudy
⚫
* [[Jeremy Slate]] as Turk
* [[Edson Stroll]] as Dynamite
* Ron Starr as Harvey
* Ron Starr as Harvey
⚫
* Erika Peters as Trudy
* [[Ludwig Stössel]] as Owner, [[puppet]] show
* [[Ludwig Stössel]] as puppet show owner
}}

In addition, in uncredited roles, [[Edson Stroll]] appears as Dynamite, while Presley's real band mates, [[Scotty Moore]] and [[D. J. Fontana]], and his regular backup singers, [[The Jordanaires]], perform onscreen in those same roles.


==Background==
==Background==
[[Elvis Presley's Army career]] began in 1958, and by 1960 it had been two years since Presley had made his last film, ''King Creole''. Despite his previous three films being mostly slammed by the critics, they warmed to ''King Creole'' and its star.<ref name="Elvis Enc-190"/> Presley felt confident that he had a future in acting after this praise and he was looking forward to returning to Hollywood after his time in the army.
[[Elvis Presley's Army career]] began in 1958, and by 1960 it had been two years since Presley had made his last film, ''[[King Creole]]''. Despite his previous three films being mostly slammed by the critics, they warmed to ''King Creole'' and its star.<ref name="Elvis Enc-190"/> Presley felt confident that he had a future in acting after this praise and he was looking forward to returning to Hollywood after his time in the army.


The script was written by [[Edmund Beloin]] and [[Henry Garson]], who had done the final revisions for Hal Wallis on ''[[Don't Give Up the Ship (film)|Don't Give Up the Ship]]''. In 1958 they came up with an original treatment for an Elvis Presley movie called ''Christmas in Berlin''. It was later known as ''Cafe Europa'' before becoming ''GI Blues''.<ref name="norman"/>
The script was written by [[Edmund Beloin]] and [[Henry Garson]], who had done the final revisions for Hal Wallis on ''[[Don't Give Up the Ship (film)|Don't Give Up the Ship]]''. In 1958 they came up with an original treatment for an Elvis Presley movie called ''Christmas in Berlin''. It was later known as ''Cafe Europa'' before becoming ''GI Blues''.<ref name="norman"/>


Eight months prior to Presley being discharged, in August 1959, producer [[Hal Wallis]] visited with him in Germany to go over the script for ''G.I. Blues'' and film some on-location scenes.<ref name="Elvis Enc-190"/> Although some scenes were used in the final film, Presley did not film at any time during his time there.<ref name="Elvis Enc-190"/> Elvis' double, Private First Class Tom Creel, was used for some shots.<ref name="norman"/>
Eight months prior to Presley being discharged, in August 1959, producer [[Hal Wallis]] visited with him in West Germany to go over the script for ''G.I. Blues'' and film some on-location scenes.<ref name="Elvis Enc-190"/> Although some scenes were used in the final film, Presley did not film at any time during his time there.<ref name="Elvis Enc-190"/> Elvis' double, Private First Class Tom Creel, was used for some shots.<ref name="norman"/>


The U.S. Army supplied tanks and vehicles on manoeuvres to be used in the filming, and appointed public information officer John J. Mawn (1915–2007) as technical advisor for the film. Mawn had presided over Presley's military [[press conference]]s.<ref>[http://www.swtimes.com/obituaries/ Times Record<!-- Bot generated title -->] {{webarchive |url=https://web.archive.org/web/20050608080324/http://www.swtimes.com/obituaries/ |date=June 8, 2005 }}</ref>
The U.S. Army supplied tanks and vehicles on manoeuvres to be used in the filming, and appointed public information officer John J. Mawn as technical advisor for the film. Mawn had presided over Presley's military [[press conference]]s.<ref>[http://www.swtimes.com/obituaries/ Times Record<!-- Bot generated title -->] {{webarchive |url=https://web.archive.org/web/20050608080324/http://www.swtimes.com/obituaries/ |date=June 8, 2005 }}</ref>


Presley returned to the U.S. in March 1960 and began work on the film in late April.<ref name="Elvis Enc-190"/>
Presley returned to the U.S. in March 1960 and began work on the film in late April.<ref name="Elvis Enc-190"/>
Line 76: Line 75:


==Reception and box office==
==Reception and box office==
The film received mixed reviews from critics. [[Bosley Crowther]] of ''[[The New York Times]]'' was noncommittal, mostly remarking on Presley's new clean-cut image: "Gone is that rock 'n' roll wriggle, that ludicrously lecherous leer, that precocious country-bumpkin image, that unruly mop of oily hair ... Elvis is now a fellow you can almost stand."<ref>{{cite journal |last=Crowther |first=Bosley |date=November 5, 1960 |title=Elvis -- A Reformed Wriggler |url=https://archive.nytimes.com/www.nytimes.com/books/99/01/03/specials/presley-wriggle.html |journal=[[The New York Times]] |page=28 |accessdate= }}</ref> ''[[Variety (magazine)|Variety]]'' remarked that the film "restores Elvis Presley to the screen in a picture that seems to have been left over from the frivolous filmusicals of World War II" and called it "rather juvenile."<ref>{{cite journal |last= |first= |date=October 19, 1960 |title=G.I. Blues |url= |journal=[[Variety (magazine)|Variety]] |page=6 |accessdate= }}</ref> ''[[Harrison's Reports]]'' graded the film as "Fair-to-good ... The cast performs well and direction and production values are good. A prime attraction, aside from Juliet Prowse is the beautiful scenery of Europe in wondrous Technicolor."<ref>{{cite journal |date=October 22, 1960 |title='G.I. Blues' with Elvis Presley and Juliet Prowse |url= |journal=[[Harrison's Reports]] |page=170 |accessdate= }}</ref> John L. Scott of the ''[[Los Angeles Times]]'' wrote in a generally positive review, "I wouldn't actually call Elvis sophisticated in the picture, but he has grown up, for which we give thanks. And he's learning how to act, too, particularly in the lighter sequences. I'm certain most mature theatergoers will welcome the change in Presley. Now as for his squealing teenage fans—it is hoped they also will go along with the metamorphosis."<ref>{{cite journal |last=Scott |first=John L. |date=November 16, 1960 |title=New Elvis Presley Stars in 'G.I. Blues' |url= |journal=[[Los Angeles Times]] |page=Part IV, p. 8 |accessdate= }}</ref> [[Richard L. Coe]] of ''[[The Washington Post]]'' write that the film "probably will satisfy the audiences for which it has been so awarely, if depressingly, created."<ref>{{cite journal |last=Coe |first=Richard L. |date=November 24, 1960 |title=Elvis Is Out But Still In |url= |journal=[[The Washington Post]] |page=C12 |accessdate= }}</ref> ''[[The Monthly Film Bulletin]]'' dismissed the picture as "a series of numbers loosely strung around a trite and thin and terribly insubstantial plot. Juliet Prowse manoeuvres her superbly engineered torso through two meagre dances with infectious exuberance, but she deserves a better rôle and a more mature leading man; certainly one with more genuine fire than Presley."<ref>{{cite journal |date=December 1960 |title=G.I. Blues |journal=[[The Monthly Film Bulletin]] |volume=27 |issue=323 |page=170 |accessdate= }}</ref>
The film received mixed reviews from critics. [[Bosley Crowther]] of ''[[The New York Times]]'' was noncommittal, mostly remarking on Presley's new clean-cut image: "Gone is that rock 'n' roll wriggle, that ludicrously lecherous leer, that precocious country-bumpkin image, that unruly mop of oily hair ... Elvis is now a fellow you can almost stand."<ref>{{cite journal |last=Crowther |first=Bosley |date=November 5, 1960 |title=Elvis -- A Reformed Wriggler |url=https://archive.nytimes.com/www.nytimes.com/books/99/01/03/specials/presley-wriggle.html |journal=[[The New York Times]] |page=28 |access-date=January 11, 2019 |archive-date=January 11, 2019 |archive-url=https://web.archive.org/web/20190111232738/https://archive.nytimes.com/www.nytimes.com/books/99/01/03/specials/presley-wriggle.html |url-status=live }}</ref> ''[[Variety (magazine)|Variety]]'' remarked that the film "restores Elvis Presley to the screen in a picture that seems to have been left over from the frivolous filmusicals of World War II" and called it "rather juvenile."<ref>{{cite journal |date=October 19, 1960 |title=G.I. Blues |journal=[[Variety (magazine)|Variety]] |page=6 }}</ref> ''[[Harrison's Reports]]'' graded the film as "Fair-to-good ... The cast performs well and direction and production values are good. A prime attraction, aside from Juliet Prowse is the beautiful scenery of Europe in wondrous Technicolor."<ref>{{cite journal |date=October 22, 1960 |title='G.I. Blues' with Elvis Presley and Juliet Prowse |journal=[[Harrison's Reports]] |page=170 }}</ref> John L. Scott of the ''[[Los Angeles Times]]'' wrote in a generally positive review, "I wouldn't actually call Elvis sophisticated in the picture, but he has grown up, for which we give thanks. And he's learning how to act, too, particularly in the lighter sequences. I'm certain most mature theatergoers will welcome the change in Presley. Now as for his squealing teenage fans—it is hoped they also will go along with the metamorphosis."<ref>{{cite journal |last=Scott |first=John L. |date=November 16, 1960 |title=New Elvis Presley Stars in 'G.I. Blues' |journal=[[Los Angeles Times]] |page=Part IV, p. 8 }}</ref> [[Richard L. Coe]] of ''[[The Washington Post]]'' write that the film "probably will satisfy the audiences for which it has been so awarely, if depressingly, created."<ref>{{cite news |last=Coe |first=Richard L. |date=November 24, 1960 |title=Elvis Is Out But Still In |newspaper=[[The Washington Post]] |page=C12 }}</ref> ''[[The Monthly Film Bulletin]]'' dismissed the picture as "a series of numbers loosely strung around a trite and thin and terribly insubstantial plot. Juliet Prowse manoeuvres her superbly engineered torso through two meagre dances with infectious exuberance, but she deserves a better rôle and a more mature leading man; certainly one with more genuine fire than Presley."<ref>{{cite journal |date=December 1960 |title=G.I. Blues |journal=[[The Monthly Film Bulletin]] |volume=27 |issue=323 |page=170 }}</ref>
The film opened at the [[Victoria Theater (New York City)|Victoria Theater]] in New York City on November 4, 1960<ref name=AFI/> grossing $31,000 in its first week.<ref>{{cite news|url=http://www.archive.org/stream/variety220-1960-11#page/n72/mode/1up|title=B'way Better; 'G.I. Blues' Loud $31,000|publisher=[[Variety (magazine)|Variety]]|date=November 9, 1960|page=20|accessdate=April 28, 2019}}</ref> After opening in more cities in Thanksgiving week, it reached number 2 on ''[[Variety (magazine)|Variety]]'''s weekly national box office chart.<ref>{{cite news|url=http://www.archive.org/stream/variety220-1960-11#page/n309/mode/1up|title=National Boxoffice Survey|publisher=[[Variety (magazine)|Variety]]|date=November 30, 1960|page=20|accessdate=April 28, 2019}}</ref> It finished the year as the fourteenth biggest box office grossing film of the year generating $4.3 million.<ref name="variety jan 61"/>
The film opened at the [[Victoria Theater (New York City)|Victoria Theater]] in New York City on November 4, 1960<ref name=AFI/> grossing $31,000 in its first week.<ref>{{cite news|url=http://www.archive.org/stream/variety220-1960-11#page/n72/mode/1up|title=B'way Better; 'G.I. Blues' Loud $31,000|publisher=[[Variety (magazine)|Variety]]|date=November 9, 1960|page=20|access-date=April 28, 2019}}</ref> After opening in more cities in Thanksgiving week, it reached number 2 on ''[[Variety (magazine)|Variety]]'''s weekly national box office chart.<ref>{{cite news|url=http://www.archive.org/stream/variety220-1960-11#page/n309/mode/1up|title=National Boxoffice Survey|publisher=[[Variety (magazine)|Variety]]|date=November 30, 1960|page=20|access-date=April 28, 2019}}</ref> It finished the year as the fourteenth biggest box office grossing film of the year generating $4.3 million.<ref name="variety jan 61"/>


Despite critics being dismissive of the overall plot, the film was nominated for three awards in 1961: Best Soundtrack album Grammy, Grammy for Best Vocal Performance, Album, Male, and WGA Best Written Musical.<ref name="Elvis Enc-190"/> Presley's return to the screen led to a riot in a [[Mexico City]] theater showing ''G.I. Blues'', prompting the Mexican government to ban Presley's movies.{{Citation needed|date=January 2010}}
Despite critics being dismissive of the overall plot, the film was nominated for three awards in 1961: Best Soundtrack album Grammy, Grammy for Best Vocal Performance, Album, Male, and WGA Best Written Musical.<ref name="Elvis Enc-190"/>


The success of ''G.I. Blues'' may have been the catalyst for the formulaic films that Presley was to make for much of the 1960s. His next two films, ''[[Flaming Star]]'' and ''[[Wild in the Country]]'', were more straight acting vehicles, with fewer songs and a more serious approach to the plot lines.<ref name="Elvis Enc-190"/> However, despite Presley relishing a meatier role and enjoying the chance to act dramatically, both films were less successful at the box office than ''G.I. Blues'' had been, resulting in a return to the musical-comedy genre with ''[[Blue Hawaii]]'' as his next film role.<ref name="Elvis Enc-190"/> ''Blue Hawaii'' proved to be even more profitable than ''G.I. Blues''. Currently on Rotten Tomatoes, the film has 0% rating based on 5 critics reviews.
The success of ''G.I. Blues'' may have been the catalyst for the formulaic films that Presley was to make for much of the 1960s. His next two films, ''[[Flaming Star]]'' and ''[[Wild in the Country]]'', were more straight acting vehicles, with fewer songs and a more serious approach to the plot lines.<ref name="Elvis Enc-190"/> However, despite Presley relishing a meatier role and enjoying the chance to act dramatically, both films were less successful at the box office than ''G.I. Blues'' had been, resulting in a return to the musical-comedy genre with ''[[Blue Hawaii]]'' as his next film role.<ref name="Elvis Enc-190"/> ''Blue Hawaii'' proved to be even more profitable than ''G.I. Blues''. On [[Rotten Tomatoes]], the film has 0% rating based on 5 critics reviews.{{Citation needed|date=July 2024}}


==Soundtrack==
==Soundtrack==
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==External links==
==External links==
* {{IMDb title|0053848}}
* {{IMDb title|0053848}}
* {{tcmdb title|20150}}
* {{TCMDb title|20150}}
* {{Amg movie|19045}}
* {{AllMovie title|19045}}
* [http://www.elvisnewsnetwork.com/articles/motmgiblues.html Elvis News Network - GI Blues]
* [http://www.elvisnewsnetwork.com/articles/motmgiblues.html Elvis News Network - GI Blues]


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===DVD Reviews===
===DVD Reviews===
* [http://www.avclub.com/content/dvds/lights_camera_elvis_collection Review of the movie collection "Lights! Camera! Elvis! Collection (King Creole, Blue Hawaii, G.I. Blues, Fun in Acapulco, Roustabout, Girls! Girls! Girls!, Paradise, Hawaiian Style, Easy Come, Easy Go)] By Noel Murray at [http://www.avclub.com/content/ The AV Club], August 29, 2007.
* [http://www.avclub.com/content/dvds/lights_camera_elvis_collection Review of the movie collection "Lights! Camera! Elvis! Collection (King Creole, Blue Hawaii, G.I. Blues, Fun in Acapulco, Roustabout, Girls! Girls! Girls!, Paradise, Hawaiian Style, Easy Come, Easy Go)] By Noel Murray at [http://www.avclub.com/content/ The AV Club] {{Webarchive|url=https://web.archive.org/web/20070830095025/http://www.avclub.com/content/ |date=2007-08-30 }}, August 29, 2007.
* [http://www.dvdtalk.com/reviews/read.php?ID=29645 Review of the movie collection "Lights! Camera! Elvis! Collection (King Creole, Blue Hawaii, G.I. Blues, Fun in Acapulco, Roustabout, Girls! Girls! Girls!, Paradise, Hawaiian Style, Easy Come, Easy Go)] by Paul Mavis at [http://www.dvdtalk.com/ DVD Talk], August 6, 2007.
* [http://www.dvdtalk.com/reviews/read.php?ID=29645 Review of the movie collection "Lights! Camera! Elvis! Collection (King Creole, Blue Hawaii, G.I. Blues, Fun in Acapulco, Roustabout, Girls! Girls! Girls!, Paradise, Hawaiian Style, Easy Come, Easy Go)]{{Dead link|date=February 2022 |bot=InternetArchiveBot |fix-attempted=yes }} by Paul Mavis at [http://www.dvdtalk.com/ DVD Talk], August 6, 2007.
* [https://web.archive.org/web/20080214081445/http://www.dvdauthority.com/reviews.asp?reviewID=1088 Review] by Fusion3600 at [https://web.archive.org/web/20090512044033/http://dvdauthority.com/ DVD Authority].
* [https://web.archive.org/web/20080214081445/http://www.dvdauthority.com/reviews.asp?reviewID=1088 Review] by Fusion3600 at [https://web.archive.org/web/20090512044033/http://dvdauthority.com/ DVD Authority].


{{Elvis Presley}}
{{Elvis Presley}}
{{Norman Taurog}}
{{Norman Taurog}}

{{Authority control}}
{{Authority control}}


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[[Category:1960 musical comedy films]]
[[Category:1960 musical comedy films]]
[[Category:1960 romantic comedy films]]
[[Category:1960 romantic comedy films]]
⚫
[[Category:American films]]
[[Category:American musical comedy films]]
[[Category:American musical comedy films]]
[[Category:American romantic comedy films]]
[[Category:American romantic comedy films]]
[[Category:American romantic musical films]]
[[Category:American romantic musical films]]
[[Category:English-language films]]
[[Category:1960s English-language films]]
[[Category:Military humor in film]]
[[Category:Military comedy films]]
[[Category:Films featuring puppetry]]
[[Category:Puppet films]]
[[Category:Films set in Germany]]
[[Category:Films set in West Germany]]
[[Category:Films shot in Germany]]
[[Category:Films shot in Germany]]
[[Category:Paramount Pictures films]]
[[Category:Paramount Pictures films]]
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[[Category:Films produced by Hal B. Wallis]]
[[Category:Films produced by Hal B. Wallis]]
[[Category:Films about the United States Army]]
[[Category:Films about the United States Army]]
[[Category:1960 comedy films]]
[[Category:West German films]]
⚫
[[Category:1960s American films]]
[[Category:Films scored by Joseph J. Lilley]]
[[Category:English-language romantic comedy films]]
[[Category:English-language musical comedy films]]

Latest revision as of 20:22, 3 October 2024

G.I. Blues
Theatrical release poster
Directed byNorman Taurog
Written by
Produced byHal B. Wallis
Starring
CinematographyLoyal Griggs
Edited byWarren Low
Music byJoseph J. Lilley
Production
company
Hal Wallis Productions
Distributed byParamount Pictures
Release date
  • November 4, 1960 (1960-11-04) (New York)[1]
Running time
104 minutes
CountryUnited States
LanguageEnglish
Box office$4.3 million (US/ Canada rentals)[2][3][4]

G.I. Blues is a 1960 American musical comedy film directed by Norman Taurog and starring Elvis Presley and Juliet Prowse. The movie – Presley’s fifth, but his first after discharge from the US Army – was filmed at Paramount Pictures studio, with some pre-production scenery shot on location in West Germany while Presley was stationed there.[5] The movie won a 2nd place Laurel Award in the category of Top Musical of 1960.

Plot

[edit]

U.S. Army Specialist Tulsa McLean is a tank crewman with a singing career. Serving with the 3rd Armored Division in West Germany, McLean dreams of running his own nightclub when he leaves the army, but such dreams don't come cheap. Tulsa and his buddies have formed a band and perform in various German "Gasthauses", night clubs, and on an Armed Forces stage. In one bar, he even discovers the record "Blue Suede Shoes" on a jukebox – sung by some guy named Elvis Presley.

To raise money, Tulsa places a bet that his tank commander, Dynamite, can spend the night with a club dancer named Lili, who is rumoured to be hard to get since she turned down another soldier, Turk. Dynamite and Turk have vied for women before when the two were stationed in Hawaii. When Dynamite gets transferred to Alaska, Tulsa is brought in to take his place in the bet. He is not looking forward to it, but must go through with it.

Tulsa uses his Southern charm and calls Lili "ma'am." She at first sees Tulsa as another Occupation Duty GI. Then after a day on the Rhine, Lili begins to fall for him. Tulsa's friend Cookie, meanwhile, falls in love with Lili's roommate, Tina from Italy. In the end, Rick's and Marla's baby son Tiger helps Tulsa win the bet for the outfit – and Lili's heart.

Cast

[edit]

In addition, in uncredited roles, Edson Stroll appears as Dynamite, while Presley's real band mates, Scotty Moore and D. J. Fontana, and his regular backup singers, The Jordanaires, perform onscreen in those same roles.

Background

[edit]

Elvis Presley's Army career began in 1958, and by 1960 it had been two years since Presley had made his last film, King Creole. Despite his previous three films being mostly slammed by the critics, they warmed to King Creole and its star.[5] Presley felt confident that he had a future in acting after this praise and he was looking forward to returning to Hollywood after his time in the army.

The script was written by Edmund Beloin and Henry Garson, who had done the final revisions for Hal Wallis on Don't Give Up the Ship. In 1958 they came up with an original treatment for an Elvis Presley movie called Christmas in Berlin. It was later known as Cafe Europa before becoming GI Blues.[4]

Eight months prior to Presley being discharged, in August 1959, producer Hal Wallis visited with him in West Germany to go over the script for G.I. Blues and film some on-location scenes.[5] Although some scenes were used in the final film, Presley did not film at any time during his time there.[5] Elvis' double, Private First Class Tom Creel, was used for some shots.[4]

The U.S. Army supplied tanks and vehicles on manoeuvres to be used in the filming, and appointed public information officer John J. Mawn as technical advisor for the film. Mawn had presided over Presley's military press conferences.[6]

Presley returned to the U.S. in March 1960 and began work on the film in late April.[5]

Hal Wallis originally wanted Michael Curtiz to direct but eventually selected Norman Taurog. Dolores Hart, Joan Blackman and Ursula Andress were all tested to play the female lead before deciding on Juliet Prowse.[4]

Reception and box office

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The film received mixed reviews from critics. Bosley Crowther of The New York Times was noncommittal, mostly remarking on Presley's new clean-cut image: "Gone is that rock 'n' roll wriggle, that ludicrously lecherous leer, that precocious country-bumpkin image, that unruly mop of oily hair ... Elvis is now a fellow you can almost stand."[7] Variety remarked that the film "restores Elvis Presley to the screen in a picture that seems to have been left over from the frivolous filmusicals of World War II" and called it "rather juvenile."[8] Harrison's Reports graded the film as "Fair-to-good ... The cast performs well and direction and production values are good. A prime attraction, aside from Juliet Prowse is the beautiful scenery of Europe in wondrous Technicolor."[9] John L. Scott of the Los Angeles Times wrote in a generally positive review, "I wouldn't actually call Elvis sophisticated in the picture, but he has grown up, for which we give thanks. And he's learning how to act, too, particularly in the lighter sequences. I'm certain most mature theatergoers will welcome the change in Presley. Now as for his squealing teenage fans—it is hoped they also will go along with the metamorphosis."[10] Richard L. Coe of The Washington Post write that the film "probably will satisfy the audiences for which it has been so awarely, if depressingly, created."[11] The Monthly Film Bulletin dismissed the picture as "a series of numbers loosely strung around a trite and thin and terribly insubstantial plot. Juliet Prowse manoeuvres her superbly engineered torso through two meagre dances with infectious exuberance, but she deserves a better rôle and a more mature leading man; certainly one with more genuine fire than Presley."[12]

The film opened at the Victoria Theater in New York City on November 4, 1960[1] grossing $31,000 in its first week.[13] After opening in more cities in Thanksgiving week, it reached number 2 on Variety's weekly national box office chart.[14] It finished the year as the fourteenth biggest box office grossing film of the year generating $4.3 million.[3]

Despite critics being dismissive of the overall plot, the film was nominated for three awards in 1961: Best Soundtrack album Grammy, Grammy for Best Vocal Performance, Album, Male, and WGA Best Written Musical.[5]

The success of G.I. Blues may have been the catalyst for the formulaic films that Presley was to make for much of the 1960s. His next two films, Flaming Star and Wild in the Country, were more straight acting vehicles, with fewer songs and a more serious approach to the plot lines.[5] However, despite Presley relishing a meatier role and enjoying the chance to act dramatically, both films were less successful at the box office than G.I. Blues had been, resulting in a return to the musical-comedy genre with Blue Hawaii as his next film role.[5] Blue Hawaii proved to be even more profitable than G.I. Blues. On Rotten Tomatoes, the film has 0% rating based on 5 critics reviews.[citation needed]

Soundtrack

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Main article: G.I. Blues (soundtrack)

The G.I. Blues soundtrack album was nominated for two Grammy Awards in 1960 in the categories Best Sound Track Album Or Recording Of Original Cast From A Motion Picture Or Television and Best Vocal Performance Album, Male. Edmund Beloin and Henry Garson were both nominated in 1961 by the Writers Guild of America for G.I. Blues in the category of Best Written American Musical.

See also

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References

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  1. ^ a b G.I. Blues at the AFI Catalog of Feature Films
  2. ^ "All-Time Top Grossers", Variety, 8 January 1964, p. 69.
  3. ^ a b "Rental Potentials of 1960". Variety. 4 January 1961. p. 47.
  4. ^ a b c d Michael A. Hoey, Elvis' Favorite Director: The Amazing 52-Film Career of Norman Taurog, Bear Manor Media 2013
  5. ^ a b c d e f g h Victor, Adam, The Elvis Encyclopaedia, pp. 190-191.
  6. ^ Times Record Archived June 8, 2005, at the Wayback Machine
  7. ^ Crowther, Bosley (November 5, 1960). "Elvis -- A Reformed Wriggler". The New York Times: 28. Archived from the original on January 11, 2019. Retrieved January 11, 2019.
  8. ^ "G.I. Blues". Variety: 6. October 19, 1960.
  9. ^ "'G.I. Blues' with Elvis Presley and Juliet Prowse". Harrison's Reports: 170. October 22, 1960.
  10. ^ Scott, John L. (November 16, 1960). "New Elvis Presley Stars in 'G.I. Blues'". Los Angeles Times: Part IV, p. 8.
  11. ^ Coe, Richard L. (November 24, 1960). "Elvis Is Out But Still In". The Washington Post. p. C12.
  12. ^ "G.I. Blues". The Monthly Film Bulletin. 27 (323): 170. December 1960.
  13. ^ "B'way Better; 'G.I. Blues' Loud $31,000". Variety. November 9, 1960. p. 20. Retrieved April 28, 2019.
  14. ^ "National Boxoffice Survey". Variety. November 30, 1960. p. 20. Retrieved April 28, 2019.
[edit]
  • G.I. Blues at IMDb
  • G.I. Blues at the TCM Movie Database
  • ‹The template AllMovie title is being considered for deletion.› G.I. Blues at AllMovie
  • Elvis News Network - GI Blues

Movie reviews

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DVD Reviews

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