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{{Short description|American audio engineer and producer}} |
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{{distinguish|Mike Watt}} |
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{{Infobox musical artist |
{{Infobox musical artist |
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| name |
| name = Mike Watts |
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| image = Mike Wiki 1.jpg |
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| occupation = [[Mixing engineer]], [[Record producer]], [[Audio engineering]] |
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| occupation = [[Mixing engineer]], [[Record producer]], [[Audio engineering]] |
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| origin = [[New York (state)|New York]], United States |
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| label = |
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| background=non_performing_personnel |
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'''Mike Watts''' is an American audio engineer, mixer, and record producer, who has worked with a variety of artists including [[The Dillinger Escape Plan]], [[Glassjaw]], [[As Cities Burn]], [[Hopesfall]], [[As Tall As Lions]], [[The Dear Hunter]], and [[Gates (band)|Gates]]. Watts has owned and operates VuDu Studios in [[Long Island]], [[New York (state)|New York]].<ref>{{cite web |url=http://patch.com/new-york/portjefferson/popular-li-recording-studio-thrives-in-port-jefferson |title=Popular LI Recording Studio Thrives in Port Jefferson |publisher=[[Patch Media|Patch]] |access-date=13 February 2017}}</ref> for past 23 years. He graduated from the Aaron Copeland School of Music, majoring in percussion and music business. Watts opened VuDu Studios in 1997 which started as a small one room facility. As his success continued, |
'''Mike Watts''' is an American audio engineer, mixer, and record producer, who has worked with a variety of artists including [[The Dillinger Escape Plan]], [[Glassjaw]], [[As Cities Burn]], [[Hopesfall]], [[As Tall As Lions]], [[The Dear Hunter]], and [[Gates (band)|Gates]]. Watts has owned and operates VuDu Studios in [[Long Island]], [[New York (state)|New York]].<ref>{{cite web |url=http://patch.com/new-york/portjefferson/popular-li-recording-studio-thrives-in-port-jefferson |title=Popular LI Recording Studio Thrives in Port Jefferson |publisher=[[Patch Media|Patch]] |access-date=13 February 2017}}</ref> for past 23 years. He graduated from the Aaron Copeland School of Music, majoring in percussion and music business. Watts opened VuDu Studios in 1997 which started as a small one room facility. As his success continued, VuDu moved into a 9,000 square foot multi-room recording compound in Port Jefferson, NY. |
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In addition to Mikes success in the recording industry, he co-owns a video company with partner Tom Flynn that shot Lamb Of God’s “Memento Mori” and "Gears" in which Mike and Tom directed. Flynn and Watts recently partnered up to create a 25 hour course on the music industry, motivational mindset and every nuance in the art of recording (to be released summer of 2021). Lastly, VuDu has expanded to offering live streaming services with their company called “Rapid River Streams” that is greatly respected for its audio and visual quality. Mike is a truly a jack of all trades and a life time student of his craft. |
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{| class="wikitable" |
{| class="wikitable" |
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! Year |
! Year |
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| 2002 |
| 2002 |
||
| [[As Tall As Lions]] |
| [[As Tall As Lions]] |
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| ''[[Blood and Aphorisms]]''<ref name="As Tall As Lions">{{cite web |url= |
| ''[[Blood and Aphorisms]]''<ref name="As Tall As Lions">{{cite web |url=https://www.chicagotribune.com/2006/08/24/as-tall-as-lions-coming-back-from-near-extinction/ |title=As Tall as Lions coming back from near-extinction |publisher=[[Chicago Tribune]] |access-date=13 February 2017}}</ref> |
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| Engineer, |
| Engineer, mixing, producer |
||
|- |
|- |
||
| 2004 |
| 2004 |
||
| [[Hopesfall]] |
| [[Hopesfall]] |
||
| ''[[A Types]]'' |
| ''[[A Types]]'' |
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| Engineer, |
| Engineer, mixing |
||
|- |
|- |
||
| 2005 |
| 2005 |
||
Line 41: | Line 40: | ||
|The Almost |
|The Almost |
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|Demos |
|Demos |
||
|Engineer, |
|Engineer, mixing, Production |
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|- |
|- |
||
| 2005 |
| 2005 |
||
| [[The Chariot (band)|The Chariot]] |
| [[The Chariot (band)|The Chariot]] |
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| ''[[Unsung (EP)]]'' |
| ''[[Unsung (EP)]]'' |
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| Engineer, |
| Engineer, mixing |
||
|- |
|- |
||
| 2005 |
| 2005 |
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| [[As Tall As Lions]] |
| [[As Tall As Lions]] |
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| ''[[As Tall As Lions (album)|As Tall As Lions]]''<ref name="As Tall As Lions" /> |
| ''[[As Tall As Lions (album)|As Tall As Lions]]''<ref name="As Tall As Lions" /> |
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| Engineer, |
| Engineer, mixing, producer |
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|- |
|- |
||
|2006 |
|2006 |
||
|Glory of This |
|Glory of This |
||
|The Lover, The Lier, The Ruse |
|The Lover, The Lier, The Ruse |
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|Engineer, |
|Engineer, mixing, Production |
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|- |
|- |
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| 2007 |
| 2007 |
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Line 76: | Line 75: | ||
| Bloodjinn |
| Bloodjinn |
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| ''This Machine Runs on Empty'' |
| ''This Machine Runs on Empty'' |
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| Engineer, |
| Engineer, producer |
||
|- |
|- |
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| 2007 |
| 2007 |
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| [[The Junior Varsity]] |
| [[The Junior Varsity]] |
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| ''[[Cinematographic (album)|Cinematographic]]'' |
| ''[[Cinematographic (album)|Cinematographic]]'' |
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| Engineer, |
| Engineer, mixing, producer |
||
|- |
|- |
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| 2007 |
| 2007 |
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| The Down To Earth Approach |
| The Down To Earth Approach |
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| ''Come Back To You'' |
| ''Come Back To You'' |
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| Mixing, |
| Mixing, producer |
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|- |
|- |
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| 2007 |
| 2007 |
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| [[Hopesfall]] |
| [[Hopesfall]] |
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| ''[[Magnetic North (Hopesfall album)|Magnetic North]]''<ref>{{cite web |url=https://www.sputnikmusic.com/review/12037/Hopesfall-Magnetic-North/ |title=Hopesfall - Magnetic North | album review 3 | Sputnikmusic |publisher= |
| ''[[Magnetic North (Hopesfall album)|Magnetic North]]''<ref>{{cite web |url=https://www.sputnikmusic.com/review/12037/Hopesfall-Magnetic-North/ |title=Hopesfall - Magnetic North | album review 3 | Sputnikmusic |publisher=Sputnikmusic |access-date=15 February 2017}}</ref> |
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| Engineer, |
| Engineer, mixing, producer |
||
|- |
|- |
||
|2007 |
|2007 |
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|As Tall As Lions |
|As Tall As Lions |
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|Into The Flood |
|Into The Flood |
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|Engineer, |
|Engineer, mixing, Production |
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|- |
|- |
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| 2008 |
| 2008 |
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| The Scenic |
| The Scenic |
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| ''Find Yourself Here'' |
| ''Find Yourself Here'' |
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| Mixing, |
| Mixing, producer |
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|- |
|- |
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| 2008 |
| 2008 |
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| [[1997 (band)|1997]] |
| [[1997 (band)|1997]] |
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| ''On The Run'' |
| ''On The Run'' |
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| Engineer, |
| Engineer, mixing |
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|- |
|- |
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| 2009 |
| 2009 |
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| [[The Dear Hunter]] |
| [[The Dear Hunter]] |
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| ''[[Migrant (album)|Migrant]]''<ref>{{cite web |url=http://www.timescolonist.com/entertainment/music/music-review-the-dear-hunter-on-target-with-new-album-migrant-1.101857 |title=Music Review: The Dear Hunter on target with new album, 'Migrant' |publisher=[[Times Colonist]] |access-date=25 February 2017}}</ref> |
| ''[[Migrant (album)|Migrant]]''<ref>{{cite web |url=http://www.timescolonist.com/entertainment/music/music-review-the-dear-hunter-on-target-with-new-album-migrant-1.101857 |title=Music Review: The Dear Hunter on target with new album, 'Migrant' |publisher=[[Times Colonist]] |access-date=25 February 2017}}</ref> |
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| Engineer, |
| Engineer, mixing, producer |
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|- |
|- |
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| 2014 |
| 2014 |
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| [[Scare Don't Fear]] |
| [[Scare Don't Fear]] |
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| ''From The Ground Up'' |
| ''From The Ground Up'' |
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| Mixing, |
| Mixing, producer |
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|- |
|- |
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|2014 |
|2014 |
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|Threads |
|Threads |
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|All I've Ever Known |
|All I've Ever Known |
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|Engineer, |
|Engineer, mixing, Production |
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|- |
|- |
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| 2014 |
| 2014 |
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| [[Gates (band)|Gates]] |
| [[Gates (band)|Gates]] |
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| ''Bloom and Breathe''<ref>{{cite web |url=https://www.punknews.org/article/56255/interviews-ethan-koozer-and-kevin-dye-gates |title=Ethan Koozer and Kevin Dye | Gates | |publisher=[[Punk News]] |access-date=13 February 2017}}</ref> |
| ''Bloom and Breathe''<ref>{{cite web |url=https://www.punknews.org/article/56255/interviews-ethan-koozer-and-kevin-dye-gates |title=Ethan Koozer and Kevin Dye | Gates | |publisher=[[Punk News]] |access-date=13 February 2017}}</ref> |
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| Engineer, |
| Engineer, mixing, producer |
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|- |
|- |
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| 2015 |
| 2015 |
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|Owel |
|Owel |
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|Every Good Boy |
|Every Good Boy |
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|Engineer, |
|Engineer, mixing, Production |
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|2015 |
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|O'Brother |
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|Endless Light |
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|Mixing |
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|- |
|- |
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| 2016 |
| 2016 |
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| [[O'Brother]] |
| [[O'Brother]] |
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| ''Endless Light'' |
| ''Endless Light'' |
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| Engineer, |
| Engineer, mixing, producer |
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|- |
|- |
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| 2016 |
| 2016 |
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| [[Gates (band)|Gates]] |
| [[Gates (band)|Gates]] |
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| ''Parallel Lives'' |
| ''Parallel Lives'' |
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| Engineer, |
| Engineer, mixing, producer |
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|- |
|- |
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|2016 |
|2016 |
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| [[Hail The Sun]] |
| [[Hail The Sun]] |
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| ''Culture Scars'' |
| ''Culture Scars'' |
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| Engineer, |
| Engineer, mixing, Production |
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|- |
|- |
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| 2016 |
| 2016 |
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|Stolas |
|Stolas |
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|Self Titles |
|Self Titles |
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|Engineer, |
|Engineer, mixing, Production |
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|- |
|- |
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| 2016 |
| 2016 |
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|Tides Of Man |
|Tides Of Man |
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|Everything Nothing |
|Everything Nothing |
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|Engineer, |
|Engineer, mixing, Production |
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|- |
|- |
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|2017 |
|2017 |
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|The |
|The Dear Hunter |
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|All Is As All Should Be |
|All Is As All Should Be |
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|Mixing |
|Mixing |
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Line 261: | Line 255: | ||
|Glassjaw |
|Glassjaw |
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|Material Control |
|Material Control |
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|Engineer, |
|Engineer, mixing |
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|- |
|- |
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|2018 |
|2018 |
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|Lume |
|Lume |
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|Wrung Out |
|Wrung Out |
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|Engineer, |
|Engineer, mixing, Production |
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|- |
|- |
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|2018 |
|2018 |
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|Hopefall |
|Hopefall |
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|Arbiter |
|Arbiter |
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|Engineer, |
|Engineer, mixing, Production |
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|- |
|- |
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|2018 |
|2018 |
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|Royal Coda |
|Royal Coda |
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|Self Titled |
|Self Titled |
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|Engineer, |
|Engineer, mixing, Production |
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|- |
|- |
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|2018 |
|2018 |
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|Gatherers |
|Gatherers |
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|We Are Alive Beyond Repair |
|We Are Alive Beyond Repair |
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|Engineer, |
|Engineer, mixing, Production |
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|- |
|- |
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|2018 |
|2018 |
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|All Get Out |
|All Get Out |
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|No Bouquet |
|No Bouquet |
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|Engineer, |
|Engineer, mixing, Production |
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|- |
|- |
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| 2018 |
| 2018 |
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|Natalie and the Damn Shandys |
|Natalie and the Damn Shandys |
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|Overlook Trail: Part 1 |
|Overlook Trail: Part 1 |
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|Engineer, |
|Engineer, mixing, Production |
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|- |
|- |
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|2019 |
|2019 |
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|Covet |
|Covet |
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|Acoustics |
|Acoustics |
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|Engineer, |
|Engineer, mixing, Production |
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|- |
|- |
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|2019 |
|2019 |
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|Kurt Travis |
|Kurt Travis |
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|There's A Place I Want to Take You |
|There's A Place I Want to Take You |
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|Engineer, |
|Engineer, mixing, Production |
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|- |
|- |
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|2019 |
|2019 |
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|Royal Coda |
|Royal Coda |
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|Compassion |
|Compassion |
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|Engineer, |
|Engineer, mixing, Production |
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|- |
|- |
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|2019 |
|2019 |
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|Yvette Young |
|Yvette Young |
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|Solo Piano EP |
|Solo Piano EP |
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|Engineer, |
|Engineer, mixing, Production |
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|- |
|- |
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|2019 |
|2019 |
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|Nova Charisma |
|Nova Charisma |
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|Exposition 2 |
|Exposition 2 |
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|Engineer, |
|Engineer, mixing, Production |
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|- |
|- |
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|2020 |
|2020 |
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|Covet |
|Covet |
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|Technicolor |
|Technicolor |
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|Mixing, |
|Mixing, producer |
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|- |
|- |
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|2020 |
|2020 |
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|Hopefall |
|Hopefall |
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|Hall of the Sky |
|Hall of the Sky |
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|- |
|- |
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|2020 |
|2020 |
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|Kevin Devine |
|Kevin Devine |
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|Nothing's Real, So Nothing's Wrong |
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|Forthcoming EP |
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|Engineer |
|Engineer |
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|- |
|- |
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|Shy Low |
|Shy Low |
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|Forthcoming EP |
|Forthcoming EP |
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|Engineer, |
|Engineer, mixing, Production |
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|- |
|- |
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|2020 |
|2020 |
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|The |
|The Dear Hunter |
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|Forthcoming EP |
|Forthcoming EP |
||
|Engineer (Drums) |
|Engineer (Drums) |
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|- |
|- |
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|2020 |
|2020 |
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|Donovan Melero |
|[[Donovan Melero]] |
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|Forthcoming Solo EP |
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|- |
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|2020 |
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|That City |
|That City |
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|Engineer, |
|Engineer, mixing, Production |
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|- |
|- |
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|2020 |
|2020 |
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|Skyler |
|Skyler |
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|Heyo |
|Heyo |
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|Engineer, |
|Engineer, mixing, Production |
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|- |
|- |
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|2020 |
|2020 |
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|- |
|- |
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|2020 |
|2020 |
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|The |
|The Dear Hunter |
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|Honorary Astronaut EP.001 |
|Honorary Astronaut EP.001 |
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|Mixing |
|Mixing |
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|2022 |
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|[[Billy Rymer|Thoughcrimes]] |
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| Altered Pasts |
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|Production, Mixing |
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|2022 |
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|Chelsea Park After Dark |
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|Engineer, mixing, Production |
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|} |
|} |
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==External links== |
==External links== |
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* [http://www. |
* [http://www.mikewattsproductions.com/ Official website] |
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* [http://www.vudustudios.com/ VuDu Studios website] |
* [http://www.vudustudios.com/ VuDu Studios website] |
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Latest revision as of 20:03, 9 September 2024
Mike Watts | |
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Background information | |
Origin | New York, United States |
Genres | Alternative rock, post hardcore, progressive rock, progressive metal, indie rock |
Occupation(s) | Mixing engineer, Record producer, Audio engineering |
Years active | 2002–present |
Website | mikewattsproducer.com |
Mike Watts is an American audio engineer, mixer, and record producer, who has worked with a variety of artists including The Dillinger Escape Plan, Glassjaw, As Cities Burn, Hopesfall, As Tall As Lions, The Dear Hunter, and Gates. Watts has owned and operates VuDu Studios in Long Island, New York.[1] for past 23 years. He graduated from the Aaron Copeland School of Music, majoring in percussion and music business. Watts opened VuDu Studios in 1997 which started as a small one room facility. As his success continued, VuDu moved into a 9,000 square foot multi-room recording compound in Port Jefferson, NY.
Production credits
[edit]Year | Artist | Album | Credits |
---|---|---|---|
2002 | As Tall As Lions | Blood and Aphorisms[2] | Engineer, mixing, producer |
2004 | Hopesfall | A Types | Engineer, mixing |
2005 | As Cities Burn | Son, I Loved You At Your Darkest | Mixing |
2005 | The Almost | Demos | Engineer, mixing, Production |
2005 | The Chariot | Unsung (EP) | Engineer, mixing |
2005 | Yesterdays Rising | Lightworker | Mixing |
2006 | The Fold | This Too Shall Pass | Mixing |
2006 | As Tall As Lions | As Tall As Lions[2] | Engineer, mixing, producer |
2006 | Glory of This | The Lover, The Lier, The Ruse | Engineer, mixing, Production |
2007 | Odd Project | Lovers, Fighters, Sinners, Saints | Mixing |
2007 | Bloodjinn | This Machine Runs on Empty | Engineer, producer |
2007 | Project 86 | Rival Factions | Mixing |
2007 | The Junior Varsity | Cinematographic | Engineer, mixing, producer |
2007 | The Down To Earth Approach | Come Back To You | Mixing, producer |
2007 | Hopesfall | Magnetic North[3] | Engineer, mixing, producer |
2007 | As Tall As Lions | Into The Flood | Engineer, mixing, Production |
2008 | The Scenic | Find Yourself Here | Mixing, producer |
2008 | Means | To Keep Me From Sinking | Mastering, Mixing, Producer |
2008 | 1997 | On The Run | Engineer, mixing |
2009 | The Dear Hunter | Act III: Life and Death | Mixing |
2009 | Story Of The Year | Dream is Over | Mixing |
2010 | The Scenic | Bipolaroid | Engineering, Mixing, Producer |
2011 | The Dear Hunter | The Color Spectrum | Engineering, Mixing, Producer |
2011 | Ruth | Payola | Mixing |
2013 | Gates | You Are All You Have Left To Fear | Mastering, Mixing |
2013 | K Sera | Collisions and Near Misses | Mixing |
2013 | The Dear Hunter | Migrant[4] | Engineer, mixing, producer |
2014 | Scare Don't Fear | From The Ground Up | Mixing, producer |
2014 | Threads | All I've Ever Known | Engineer, mixing, Production |
2014 | Tides of Man | Young and Courageous | Mixing |
2014 | Gates | Bloom and Breathe[5] | Engineer, mixing, producer |
2015 | Attalus | Into the Sea | Mixing |
2015 | The Dear Hunter | Act IV: Rebirth in Reprise | Mixing |
2015 | Owel | Every Good Boy | Engineer, mixing, Production |
2016 | O'Brother | Endless Light | Engineer, mixing, producer |
2016 | Gates | Parallel Lives | Engineer, mixing, producer |
2016 | All Get Out | Nobody Likes a Quitter | Mixing |
2016 | Hail The Sun | Culture Scars | Engineer, mixing, Production |
2016 | The Dear Hunter | Act V: Hymns with the Devil in Confessional | Mixing |
2016 | Sparrows | Let The Silence Stay Where It Was | Mixing |
2016 | Stolas | Self Titles | Engineer, mixing, Production |
2016 | Giraffe Tongue Orchestra | Broken Lines | Mixing |
2016 | The Dillinger Escape Plan | Dissociation | Engineer |
2017 | Crash The Calm | How've You Been? | Engineer |
2017 | Tides Of Man | Everything Nothing | Engineer, mixing, Production |
2017 | The Dear Hunter | All Is As All Should Be | Mixing |
2017 | Glassjaw | Material Control | Engineer, mixing |
2018 | Lume | Wrung Out | Engineer, mixing, Production |
2018 | Nathan Hussey | Hitchens | Mixing |
2018 | Hopefall | Arbiter | Engineer, mixing, Production |
2018 | Royal Coda | Self Titled | Engineer, mixing, Production |
2018 | Gatherers | We Are Alive Beyond Repair | Engineer, mixing, Production |
2018 | Eisley | I'm Only Dreaming...Of Days Long Past | Mixing |
2018 | Free Throw | What's Past is Prologue | Mixing |
2018 | All Get Out | No Bouquet | Engineer, mixing, Production |
2018 | Covet | effloresce[6] | Producer |
2019 | The End of the Ocean | Aire | Mixing |
2019 | Natalie and the Damn Shandys | Overlook Trail: Part 1 | Engineer, mixing, Production |
2019 | Covet | Acoustics | Engineer, mixing, Production |
2019 | Kurt Travis | There's A Place I Want to Take You | Engineer, mixing, Production |
2019 | Royal Coda | Compassion | Engineer, mixing, Production |
2019 | Yvette Young | Solo Piano EP | Engineer, mixing, Production |
2019 | Nova Charisma | Exposition 2 | Engineer, mixing, Production |
2020 | Covet | Technicolor | Mixing, producer |
2020 | Hopefall | Hall of the Sky | Mixing,Production |
2020 | Kevin Devine | Nothing's Real, So Nothing's Wrong | Engineer |
2020 | Shy Low | Forthcoming EP | Engineer, mixing, Production |
2020 | The Dear Hunter | Forthcoming EP | Engineer (Drums) |
2020 | Donovan Melero | That City | Engineer, mixing, Production |
2020 | Skyler | Heyo | Engineer, mixing, Production |
2020 | Andres | Live Performance | Mixing |
2020 | Kurt Travis | Live Performance | Mixing |
2020 | Hail The Sun | Live Performance | Mixing |
2020 | The Dear Hunter | Honorary Astronaut EP.001 | Mixing |
2022 | Thoughcrimes | Altered Pasts | Production, Mixing |
2022 | Donovan Melero | Chelsea Park After Dark | Engineer, mixing, Production |
References
[edit]- ^ "Popular LI Recording Studio Thrives in Port Jefferson". Patch. Retrieved 13 February 2017.
- ^ a b "As Tall as Lions coming back from near-extinction". Chicago Tribune. Retrieved 13 February 2017.
- ^ "Hopesfall - Magnetic North | album review 3 | Sputnikmusic". Sputnikmusic. Retrieved 15 February 2017.
- ^ "Music Review: The Dear Hunter on target with new album, 'Migrant'". Times Colonist. Retrieved 25 February 2017.
- ^ "Ethan Koozer and Kevin Dye | Gates |". Punk News. Retrieved 13 February 2017.
- ^ "effloresce | covet". Bandcamp. Retrieved 22 July 2018.