Daniel Catán: Difference between revisions
→External links: Added category Category:Mexican classical composers |
GreenC bot (talk | contribs) Move 1 url. Wayback Medic 2.5 per WP:URLREQ#articles.latimes.com |
||
(33 intermediate revisions by 22 users not shown) | |||
Line 1: | Line 1: | ||
{{Short description|Mexican composer and writer (1949–2011)}} |
|||
⚫ | |||
{{family name hatnote|Catán|Porteny|lang=Spanish}} |
|||
⚫ | |||
| name = Daniel Catán |
| name = Daniel Catán |
||
| image = Daniel Catan Profile Picture.png |
| image = Daniel Catan Profile Picture.png |
||
Line 5: | Line 7: | ||
| caption = |
| caption = |
||
| image_size = |
| image_size = |
||
| birth_name = |
| birth_name = Daniel Catán Porteny |
||
| alias = |
| alias = |
||
| birth_date = {{birth date|mf=yes|1949| |
| birth_date = {{birth date|mf=yes|1949|4|3}} |
||
| birth_place = [[Mexico City |
| birth_place = [[Mexico City]], Mexico |
||
| death_date = {{Death date and age|2011|4|9|1949| |
| death_date = {{Death date and age|2011|4|9|1949|4|3|mf=y}} |
||
| death_place = [[Austin, Texas]] |
| death_place = [[Austin, Texas]], U.S. |
||
| |
| occupation = Composer, writer, professor |
||
| |
| years_active = 1972–2011 |
||
| years_active = 1972-2011 |
|||
| website = {{URL|danielcatan.com}} |
| website = {{URL|danielcatan.com}} |
||
}} |
}} |
||
'''Daniel Catán''' (April 3, 1949 – April 9, 2011)<ref name=":0">{{Cite news|url=https://www.theguardian.com/music/2011/apr/17/daniel-catan-obituary|title=Daniel Catán obituary|last=Stearns|first=David Patrick|date=2011-04-17|newspaper=The Guardian|language=en-GB|issn=0261-3077|access-date=2016-08-09}}</ref> was a Mexican [[composer]], writer<ref name=":1">{{Cite web|url=http://www.naxos.com/person/Daniel_Catan/22490.htm|title=Daniel Catán - Bio|last=|first=|date=|website=Naxos Records|publisher=|access-date=2016-08-09}}</ref> and professor known particularly for his [[opera]]s and his contribution of the Spanish language to the international repertory.<ref name=":2">{{Cite news|url= |
'''Daniel Catán Porteny''' (April 3, 1949 – April 9, 2011)<ref name=":0">{{Cite news|url=https://www.theguardian.com/music/2011/apr/17/daniel-catan-obituary|title=Daniel Catán obituary|last=Stearns|first=David Patrick|date=2011-04-17|newspaper=The Guardian|language=en-GB|issn=0261-3077|access-date=2016-08-09}}</ref> was a Mexican [[composer]], writer<ref name=":1">{{Cite web|url=http://www.naxos.com/person/Daniel_Catan/22490.htm|title=Daniel Catán - Bio|last=|first=|date=|website=Naxos Records|publisher=|access-date=2016-08-09}}</ref> and professor known particularly for his [[opera]]s and his contribution of the Spanish language to the international repertory.<ref name=":2">{{Cite news|url=https://www.nytimes.com/2011/04/12/arts/music/daniel-catan-composer-of-operas-in-spanish-dies-at-62.html|title=Daniel Catán, Composer of Operas in Spanish, Dies at 62|last=Fox|first=Margalit|date=2011-04-11|newspaper=The New York Times|issn=0362-4331|access-date=2016-08-09}}</ref> |
||
With a compositional style described as lush, romantic and lyrical,<ref name=":0" /><ref name=":2" /> |
With a compositional style described as lush, romantic and lyrical,<ref name=":0" /><ref name=":2" /> Catán's second opera, [[Rappaccini's Daughter (opera)|''Rappaccini’s Daughter'']], became the first Mexican opera in the United States to be produced by a professional opera company.<ref name=":0" /> Upon receiving international recognition, Catán's next opera, ''[[Florencia en el Amazonas]]'', became the first opera in Spanish to be commissioned by an opera company in the United States.<ref name=":1" /><ref name=":2" /><ref>{{Cite news|url=https://www.washingtonpost.com/blogs/classical-beat/post/rip-daniel-catan/2011/04/11/AFZPj5KD_blog.html|title=RIP Daniel Catan|newspaper=Washington Post|access-date=2016-08-09}}</ref> Shortly after, Catán received a Plácido Domingo Award and a [[Guggenheim Fellowship]] Award for his contributions to music.<ref name=":1" /><ref>{{Cite web|url=http://www.gf.org/fellows/all-fellows/daniel-catan/|title=John Simon Guggenheim Foundation {{!}} Daniel Catan|website=www.gf.org|access-date=2016-08-09}}</ref> In 2004, Catán's opera ''[[Salsipuedes: a Tale of Love, War and Anchovies]]'' was premiered by the [[Houston Grand Opera]].<ref>{{Cite web|url=http://www.operaamerica.org/applications/nawd/newworks/details.aspx?id=268|title=North American Works Directory - Salsipuedes|last=|first=|date=|website=www.operaamerica.org|publisher=|access-date=2016-08-09|archive-date=2017-01-08|archive-url=https://web.archive.org/web/20170108103306/http://www.operaamerica.org/applications/nawd/newworks/details.aspx?id=268|url-status=dead}}</ref> In September 2010, his opera ''[[Il Postino (opera)|Il Postino]]'' was premiered by the [[Los Angeles Opera]] with [[Plácido Domingo]] singing as Pablo Neruda, a role written specifically for him.<ref>{{Cite news|url=https://www.latimes.com/archives/la-xpm-2010-sep-19-la-ca-daniel-catan-20100919-story.html|title=L.A. Opera to deliver 'Il Postino' premiere on Thursday|last=Johnson|first=Reed|date=2010-09-19|newspaper=Los Angeles Times|language=en-US|issn=0458-3035|access-date=2016-08-09}}</ref> Catán died while working on his next opera, ''Meet John Doe''.<ref>{{Cite web|url=https://docs.google.com/document/d/162beOmCkbofkrrDKCYAzYZawTRQDS3HaDJ9VBixDVnM/edit?hl=en_US&authkey=CL3U-scI&usp=embed_facebook|title=DANIEL CATÁN--BIOGRAPHY|website=Google Docs|access-date=2016-08-09}}</ref> |
||
Catán's works also include vocal, chamber, orchestral and choral music as well as music for ballet, film and TV.<ref>{{Cite web|url=http://www.danielcatan.com/chronological-full-works|title=Daniel Catán - Official Site|website=Daniel Catán - Official Site|access-date=2016-08-09}}</ref> |
|||
==Early life and education== |
|||
⚫ | |||
Catán was born in [[Mexico City]] and studied [[philosophy]] at the [[University of Sussex]] and music at the [[University of Southampton]]. He received a [[Doctor of Philosophy|Ph.D.]] from [[Princeton University]], where he studied with [[Milton Babbitt]], [[James K. Randall]], and [[Benjamin Boretz]].<ref name="ON">{{cite web|url=http://www.operanews.com/operanews/templates/content.aspx?id=19545|title=Daniel Catán, 62, Composer of ''Il Postino'' and ''Florencia en el Amazonas'', Has Died|work=[[Opera News]]|date=11 April 2011}}</ref> |
Catán was born in [[Mexico City]] and was of [[Sephardi Jews|Sephardic Jewish]] descent. He studied [[philosophy]] at the [[University of Sussex]] and music at the [[University of Southampton]]. He received a [[Doctor of Philosophy|Ph.D.]] from [[Princeton University]], where he studied with [[Milton Babbitt]], [[James K. Randall]], and [[Benjamin Boretz]].<ref name="ON">{{cite web|url=http://www.operanews.com/operanews/templates/content.aspx?id=19545|title=Daniel Catán, 62, Composer of ''Il Postino'' and ''Florencia en el Amazonas'', Has Died|work=[[Opera News]]|date=11 April 2011}}</ref> |
||
⚫ | |||
Catán was the first Mexican composer to have an opera produced in the United States, when [[San Diego Opera]] produced his opera ''[[Rappaccini's Daughter (opera)|Rappaccini's Daughter]]'' in March 1994. He has also composed orchestral and [[Chamber music|chamber works]] and film music. His style can be described as neo-impressionist. His music is richly lyrical, often painting evocative colours with the orchestral palette with soaring melodies atop. |
Catán was the first Mexican composer to have an opera produced in the United States, when [[San Diego Opera]] produced his opera ''[[Rappaccini's Daughter (opera)|Rappaccini's Daughter]]'' in March 1994. He has also composed orchestral and [[Chamber music|chamber works]] and film music. His style can be described as neo-impressionist. His music is richly lyrical, often painting evocative colours with the orchestral palette with soaring melodies atop. |
||
In addition to composition, Catán had a fruitful career as a writer on music and the arts, reflective of his knowledge of world literature. In 1998, Catán received the Plácido Domingo Award for his contribution to opera, and he received a [[Guggenheim Fellowship]] in 2000. His last opera, ''Il Postino'', whose premiere featured Plácido Domingo in the role of [[Pablo Neruda]], is based on the 1983 novel ''[[Ardiente paciencia]]'' by [[Antonio Skármeta]] and the 1994 film ''[[Il Postino]]'' by [[Michael Radford]]; it premiered at the [[Los Angeles Opera]] in September 2010. |
In addition to composition, Catán had a fruitful career as a writer on music and the arts, reflective of his knowledge of world literature. In 1998, Catán received the Plácido Domingo Award for his contribution to opera, and he received a [[Guggenheim Fellowship]] in 2000. His last completed opera, ''[[Il Postino (opera)|Il Postino]]'', whose premiere featured Plácido Domingo in the role of [[Pablo Neruda]], is based on the 1983 novel ''[[Ardiente paciencia]]'' by [[Antonio Skármeta]] and the 1994 film ''[[Il Postino]]'' by [[Michael Radford]]; it premiered at the [[Los Angeles Opera]] in September 2010. |
||
Catán died aged 62 on April 8, 2011, in [[Austin, Texas]], a few days after he attended rehearsals for ''Il Postino'' at the [[Moores School of Music|Moores Opera Center]] at the [[University of Houston]]. At the time of his death, Catán was a member of the faculty at [[College of the Canyons]] and had been commissioned by the [[Sarah and Ernest Butler School of Music]] at the [[University of Texas at Austin]] to write a new opera, ''Meet John Doe.''<ref name="ON"/> |
Catán died aged 62 on April 8, 2011, in [[Austin, Texas]], a few days after he attended rehearsals for ''Il Postino'' at the [[Moores School of Music|Moores Opera Center]] at the [[University of Houston]]. At the time of his death, Catán was a member of the faculty at [[College of the Canyons]] and had been commissioned by the [[Sarah and Ernest Butler School of Music]] at the [[University of Texas at Austin]] to write a new opera, ''Meet John Doe.''<ref name="ON"/> |
||
== Compositional style == |
== Compositional style == |
||
Catán composed his music in a [[Neoromanticism (music)|neo-Romantic]] and lyrical style.<ref name="ON"/> ''[[Opera News]]'' stated that his music had "a distinctive lushness that seemed of a piece with the twentieth century's great movie music yet remained unquestionably operatic in scope."<ref name="ON"/> Accountable to constraints of their commissions, |
Catán composed his music in a [[Neoromanticism (music)|neo-Romantic]] and lyrical style.<ref name="ON"/> ''[[Opera News]]'' stated that his music had "a distinctive lushness that seemed of a piece with the twentieth century's great movie music yet remained unquestionably operatic in scope."<ref name="ON"/> Accountable to constraints of their commissions, Catán's compositions stand clearly self-contained. Music critic David Patrick Stearns wrote, "Though Catán's style was often compared to that of [[Giacomo Puccini|Puccini]] and [[Claude Debussy|Debussy]], it changed with every work, from the lush nature painting of ''[[Florencia en el Amazonas|Florencia en El Amazonas]]'' (1996) to the Cuban ethnic influences of ''Salsipuedes'' (2004), and the more integrated sonorities that portrayed the inner emotions of ''Il Postino'' (2010). Other critics noted the influences of [[Richard Strauss]] and [[Heitor Villa-Lobos]] with his orchestral structures.<ref>{{cite web|url=http://www.gigmag.co.uk/news.php?id=564|title=Daniel Catán (1949–2011)|date=13 April 2011|work=[[Gig (magazine)|Gig]]}}</ref> |
||
Of his own music Catán said, "I have inherited a very rich operatic tradition. In my work, I am proud to say, one can detect the enormous debt I owe to composers from [[Claudio Monteverdi|Monteverdi]] to [[Alban Berg]]. But perhaps the greatest of my debts is having learnt that the originality of an opera need not involve the rejection of our tradition—which would be like blindly embracing the condition of an orphan—but rather the profound assimilation of it, so as to achieve the closest union between a text and its music."<ref name="ON"/> Catán also cited in many interviews [[Igor Stravinsky]], [[Maurice Ravel]], and [[Erich Wolfgang Korngold]] among those who had most influenced his music and compositional style. |
Of his own music Catán said, "I have inherited a very rich operatic tradition. In my work, I am proud to say, one can detect the enormous debt I owe to composers from [[Claudio Monteverdi|Monteverdi]] to [[Alban Berg]]. But perhaps the greatest of my debts is having learnt that the originality of an opera need not involve the rejection of our tradition—which would be like blindly embracing the condition of an orphan—but rather the profound assimilation of it, so as to achieve the closest union between a text and its music."<ref name="ON"/> Catán also cited in many interviews [[Igor Stravinsky]], [[Maurice Ravel]], and [[Erich Wolfgang Korngold]] among those who had most influenced his music and compositional style. |
||
==Personal life== |
==Personal life== |
||
Catán |
Catán was married three times, the first two marriages ending with divorce. He and his first wife Liza had two children.<ref name="Stearns">{{cite web|url=https://www.theguardian.com/music/2011/apr/17/daniel-catan-obituary|title=Daniel Catán obituary:Mexican-born composer whose romantic operas in Spanish have flourished in the US|work=[[The Guardian]]|author=David Patrick Stearns|date=17 April 2011}}</ref> He lived in [[South Pasadena, California]] at the time of his death. |
||
==Works== |
==Works== |
||
;Ballet |
;Ballet |
||
*''Ausencia de |
*''Ausencia de flores'' (''Absence of Flowers'') (1983) |
||
;Chamber and instrumental |
;Chamber and instrumental |
||
*''Quintet'' (1972) |
*''Quintet'' (1972) |
||
*''Trío'' (1982) |
*''Trío'' (1982) |
||
*''Cuando bailas, Leonor (1984) |
*''Cuando bailas, Leonor'' (1984) |
||
*''Adagio (tema del amor)'' (1994) |
*''Adagio (tema del amor)'' (1994) |
||
*''Encantamiento'', for [[flute]] and [[harp]] (2003) |
*''Encantamiento'', for [[flute]] and [[harp]] (2003) |
||
Line 62: | Line 64: | ||
*''El medallón de Mantelillos'' (1982) |
*''El medallón de Mantelillos'' (1982) |
||
*''Antonieta: A Musical'' (1992-1993) |
*''Antonieta: A Musical'' (1992-1993) |
||
*''El |
*''El vuelo del águila (Don Porfirio)'' (1994) |
||
*''[[I'm Losing You (film)|I'm Losing You]]'' (1996) |
*''[[I'm Losing You (film)|I'm Losing You]]'' (1996) |
||
Line 70: | Line 72: | ||
*''[[Rappaccini's Daughter (opera)|La hija de Rappaccini]]'' (''Reduced alternate orchestration'') (1989) |
*''[[Rappaccini's Daughter (opera)|La hija de Rappaccini]]'' (''Reduced alternate orchestration'') (1989) |
||
*''[[Florencia en el Amazonas]]'' (1996) |
*''[[Florencia en el Amazonas]]'' (1996) |
||
*''Salsipuedes: a Tale of Love, War |
*''[[Salsipuedes: a Tale of Love, War and Anchovies]]'' (1999) |
||
*''Il Postino'' (2010) |
*''[[Il Postino (opera)|Il Postino]]'' (2010) |
||
*''Meet John Doe'' (''Incomplete'') (2010) |
*''Meet John Doe'' (''Incomplete'') (2010) |
||
Line 78: | Line 80: | ||
*''El Árbol de la Vida: variaciones sinfónicas'' (''The Tree of Life'') (1980) |
*''El Árbol de la Vida: variaciones sinfónicas'' (''The Tree of Life'') (1980) |
||
*''En un Doblez del Tiempo'' (''A Fold in Time'') (1982) |
*''En un Doblez del Tiempo'' (''A Fold in Time'') (1982) |
||
*''Tu son tu risa tu sonrisa'' (1991) |
*''Tu son, tu risa, tu sonrisa'' (1991) |
||
*''El |
*''El vuelo del águila'' (''Don Porfirio'') (''The Eagle's Flight'') (1994) |
||
*''Florencia en el Amazonas: Suite for Orchestra'' (2003) |
*''Florencia en el Amazonas: Suite for Orchestra'' (2003) |
||
Line 92: | Line 94: | ||
*''“Contristada”'' (1991) |
*''“Contristada”'' (1991) |
||
*''“Del Destino”'' (1996) |
*''“Del Destino”'' (1996) |
||
*''“Duet Act I (Now that I Have Found You)” (1992-1993) |
*''“Duet Act I (Now that I Have Found You)”'' (1992-1993) |
||
*''“Comprendo”'' (1992-1993) |
*''“Comprendo”'' (1992-1993) |
||
*''“Nothing can go Wrong”'' (1992-1993) |
*''“Nothing can go Wrong”'' (1992-1993) |
||
Line 106: | Line 108: | ||
*''Terra Final'' (1985) |
*''Terra Final'' (1985) |
||
*''Caribbean Airs'' (2007) |
*''Caribbean Airs'' (2007) |
||
;Books |
|||
*''Partitura inacabada'' (1989)<ref>{{Cite book|title=Partitura inacabada|last1=Catan|first1=Daniel|last2=Espinasa|first2=José María|date=1989|publisher=Universidad Autónoma Metropolitana, Dirección de Difusión Cultural, Departamento Editorial|location=México, D.F.|oclc = 24639887|language=Spanish}}</ref><ref>{{Cite web|url=https://www.danielcatan.com/releases|title=Daniel Catán - Official Site|website=Daniel Catán - Official Site|language=en|access-date=2018-01-20}}</ref> |
|||
==See also== |
==See also== |
||
Line 115: | Line 120: | ||
==External links== |
==External links== |
||
*[http://www.danielcatan.com Official Website of Daniel Catán] |
*[http://www.danielcatan.com Official Website of Daniel Catán] |
||
* Daniel Catán [https://norman.hrc.utexas.edu/fasearch/findingAid.cfm?eadID=00745 Papers] at the [[Harry Ransom Center]] |
|||
*[http://www.facebook.com/DanielCatanComposer Official Facebook Page of Daniel Catán] |
|||
*[http://www.musicsalesclassical.com G. Schirmer Inc.] Daniel Catán's Music Publisher |
|||
*[https://docs.google.com/a/cityopera.net/document/d/162beOmCkbofkrrDKCYAzYZawTRQDS3HaDJ9VBixDVnM/edit?hl=en_US&authkey=CL3U-scI A brief official biography authorized by the composer's estate.] |
*[https://docs.google.com/a/cityopera.net/document/d/162beOmCkbofkrrDKCYAzYZawTRQDS3HaDJ9VBixDVnM/edit?hl=en_US&authkey=CL3U-scI A brief official biography authorized by the composer's estate.] |
||
*[http://www.naxos.com/composerinfo/3954.htm Short biography on naxos.com] |
*[http://www.naxos.com/composerinfo/3954.htm Short biography on naxos.com] |
||
⚫ | |||
*[http://www.musicsalesclassical.com/composer/long-bio/Daniel-Cat%C3%A1n Longer biography on MusicSalesClassical.com] |
|||
⚫ | |||
*{{IMDb name|0146422}} |
*{{IMDb name|0146422}} |
||
* [http://latimesblogs.latimes.com/culturemonster/2011/04/composer-daniel-catan-dies-unexpectedly-at-62.html "Composer Daniel Catan dies unexpectedly at 62" ''Los Angeles Times'', "Culture Monster" blog, 11 April 2011] |
* [http://latimesblogs.latimes.com/culturemonster/2011/04/composer-daniel-catan-dies-unexpectedly-at-62.html "Composer Daniel Catan dies unexpectedly at 62" ''Los Angeles Times'', "Culture Monster" blog, 11 April 2011] |
||
{{TVyNovelas Award for Best Musical Theme}} |
|||
{{Authority control}} |
{{Authority control}} |
||
Line 131: | Line 137: | ||
[[Category:Alumni of the University of Southampton]] |
[[Category:Alumni of the University of Southampton]] |
||
[[Category:Alumni of the University of Sussex]] |
[[Category:Alumni of the University of Sussex]] |
||
[[Category:Guggenheim Fellows]] |
|||
[[Category:Jewish classical musicians]] |
|||
[[Category:Jewish classical composers]] |
[[Category:Jewish classical composers]] |
||
[[Category:Mexican classical composers]] |
[[Category:Mexican classical composers]] |
||
[[Category:Mexican male classical composers]] |
[[Category:Mexican male classical composers]] |
||
[[Category: |
[[Category:Mexican opera composers]] |
||
[[Category: |
[[Category:Jewish opera composers]] |
||
[[Category:Male opera composers]] |
|||
[[Category:Mexican Sephardi Jews]] |
|||
[[Category:Mexican people of Russian-Jewish descent]] |
[[Category:Mexican people of Russian-Jewish descent]] |
||
[[Category:Princeton University alumni]] |
[[Category:Princeton University alumni]] |
Latest revision as of 01:00, 15 August 2024
Daniel Catán | |
---|---|
Born | Daniel Catán Porteny April 3, 1949 Mexico City, Mexico |
Died | April 9, 2011 Austin, Texas, U.S. | (aged 62)
Occupation(s) | Composer, writer, professor |
Years active | 1972–2011 |
Website | danielcatan |
Daniel Catán Porteny (April 3, 1949 – April 9, 2011)[1] was a Mexican composer, writer[2] and professor known particularly for his operas and his contribution of the Spanish language to the international repertory.[3]
With a compositional style described as lush, romantic and lyrical,[1][3] Catán's second opera, Rappaccini’s Daughter, became the first Mexican opera in the United States to be produced by a professional opera company.[1] Upon receiving international recognition, Catán's next opera, Florencia en el Amazonas, became the first opera in Spanish to be commissioned by an opera company in the United States.[2][3][4] Shortly after, Catán received a Plácido Domingo Award and a Guggenheim Fellowship Award for his contributions to music.[2][5] In 2004, Catán's opera Salsipuedes: a Tale of Love, War and Anchovies was premiered by the Houston Grand Opera.[6] In September 2010, his opera Il Postino was premiered by the Los Angeles Opera with Plácido Domingo singing as Pablo Neruda, a role written specifically for him.[7] Catán died while working on his next opera, Meet John Doe.[8]
Catán's works also include vocal, chamber, orchestral and choral music as well as music for ballet, film and TV.[9]
Early life and education
[edit]Catán was born in Mexico City and was of Sephardic Jewish descent. He studied philosophy at the University of Sussex and music at the University of Southampton. He received a Ph.D. from Princeton University, where he studied with Milton Babbitt, James K. Randall, and Benjamin Boretz.[10]
Career
[edit]Catán was the first Mexican composer to have an opera produced in the United States, when San Diego Opera produced his opera Rappaccini's Daughter in March 1994. He has also composed orchestral and chamber works and film music. His style can be described as neo-impressionist. His music is richly lyrical, often painting evocative colours with the orchestral palette with soaring melodies atop.
In addition to composition, Catán had a fruitful career as a writer on music and the arts, reflective of his knowledge of world literature. In 1998, Catán received the Plácido Domingo Award for his contribution to opera, and he received a Guggenheim Fellowship in 2000. His last completed opera, Il Postino, whose premiere featured Plácido Domingo in the role of Pablo Neruda, is based on the 1983 novel Ardiente paciencia by Antonio Skármeta and the 1994 film Il Postino by Michael Radford; it premiered at the Los Angeles Opera in September 2010.
Catán died aged 62 on April 8, 2011, in Austin, Texas, a few days after he attended rehearsals for Il Postino at the Moores Opera Center at the University of Houston. At the time of his death, Catán was a member of the faculty at College of the Canyons and had been commissioned by the Sarah and Ernest Butler School of Music at the University of Texas at Austin to write a new opera, Meet John Doe.[10]
Compositional style
[edit]Catán composed his music in a neo-Romantic and lyrical style.[10] Opera News stated that his music had "a distinctive lushness that seemed of a piece with the twentieth century's great movie music yet remained unquestionably operatic in scope."[10] Accountable to constraints of their commissions, Catán's compositions stand clearly self-contained. Music critic David Patrick Stearns wrote, "Though Catán's style was often compared to that of Puccini and Debussy, it changed with every work, from the lush nature painting of Florencia en El Amazonas (1996) to the Cuban ethnic influences of Salsipuedes (2004), and the more integrated sonorities that portrayed the inner emotions of Il Postino (2010). Other critics noted the influences of Richard Strauss and Heitor Villa-Lobos with his orchestral structures.[11]
Of his own music Catán said, "I have inherited a very rich operatic tradition. In my work, I am proud to say, one can detect the enormous debt I owe to composers from Monteverdi to Alban Berg. But perhaps the greatest of my debts is having learnt that the originality of an opera need not involve the rejection of our tradition—which would be like blindly embracing the condition of an orphan—but rather the profound assimilation of it, so as to achieve the closest union between a text and its music."[10] Catán also cited in many interviews Igor Stravinsky, Maurice Ravel, and Erich Wolfgang Korngold among those who had most influenced his music and compositional style.
Personal life
[edit]Catán was married three times, the first two marriages ending with divorce. He and his first wife Liza had two children.[12] He lived in South Pasadena, California at the time of his death.
Works
[edit]- Ballet
- Ausencia de flores (Absence of Flowers) (1983)
- Chamber and instrumental
- Quintet (1972)
- Trío (1982)
- Cuando bailas, Leonor (1984)
- Adagio (tema del amor) (1994)
- Encantamiento, for flute and harp (2003)
- Sexteto (2003-2004)
- Concertino (2005)
- Divertimento (2005)
- Amaya (2009)
- Choral
- Cantata (1981)
- O, Pardon Me, Thou Bleeding Piece of Earth (2006)
- Film, theater and TV
- El medallón de Mantelillos (1982)
- Antonieta: A Musical (1992-1993)
- El vuelo del águila (Don Porfirio) (1994)
- I'm Losing You (1996)
- Opera
- Encuentro en el ocaso (1979)
- La hija de Rappaccini (1989)
- La hija de Rappaccini (Reduced alternate orchestration) (1989)
- Florencia en el Amazonas (1996)
- Salsipuedes: a Tale of Love, War and Anchovies (1999)
- Il Postino (2010)
- Meet John Doe (Incomplete) (2010)
- Orchestral
- Hetaera Esmeralda (1975)
- El Árbol de la Vida: variaciones sinfónicas (The Tree of Life) (1980)
- En un Doblez del Tiempo (A Fold in Time) (1982)
- Tu son, tu risa, tu sonrisa (1991)
- El vuelo del águila (Don Porfirio) (The Eagle's Flight) (1994)
- Florencia en el Amazonas: Suite for Orchestra (2003)
- Solo Instrument
- Variaciones para piano ca (1977)
- Encantamiento, for 2 recorders (1989)
- Vals “Don Porfirio” (1994)
- Son de Salsipuedes (1999)
- Solo Voice and Piano
- “Giovanni’s Aria” (1983-1989)
- “Contristada” (1991)
- “Del Destino” (1996)
- “Duet Act I (Now that I Have Found You)” (1992-1993)
- “Comprendo” (1992-1993)
- “Nothing can go Wrong” (1992-1993)
- “Song (When I am dead)” (1992-1993)
- “There were days” (1992-1993)
- “Trust, Antonieta…” (1992-1993)
- “You that think love…” (1992-1993)
- “Hail the World’s Soul and Mine!” (Undated)
- Soloist and Orchestra
- Ocaso de medianoche (1977)
- Mariposa de obsidiana (1984)
- Terra Final (1985)
- Caribbean Airs (2007)
- Books
See also
[edit]References
[edit]- ^ a b c Stearns, David Patrick (2011-04-17). "Daniel Catán obituary". The Guardian. ISSN 0261-3077. Retrieved 2016-08-09.
- ^ a b c "Daniel Catán - Bio". Naxos Records. Retrieved 2016-08-09.
- ^ a b c Fox, Margalit (2011-04-11). "Daniel Catán, Composer of Operas in Spanish, Dies at 62". The New York Times. ISSN 0362-4331. Retrieved 2016-08-09.
- ^ "RIP Daniel Catan". Washington Post. Retrieved 2016-08-09.
- ^ "John Simon Guggenheim Foundation | Daniel Catan". www.gf.org. Retrieved 2016-08-09.
- ^ "North American Works Directory - Salsipuedes". www.operaamerica.org. Archived from the original on 2017-01-08. Retrieved 2016-08-09.
- ^ Johnson, Reed (2010-09-19). "L.A. Opera to deliver 'Il Postino' premiere on Thursday". Los Angeles Times. ISSN 0458-3035. Retrieved 2016-08-09.
- ^ "DANIEL CATÁN--BIOGRAPHY". Google Docs. Retrieved 2016-08-09.
- ^ "Daniel Catán - Official Site". Daniel Catán - Official Site. Retrieved 2016-08-09.
- ^ a b c d e "Daniel Catán, 62, Composer of Il Postino and Florencia en el Amazonas, Has Died". Opera News. 11 April 2011.
- ^ "Daniel Catán (1949–2011)". Gig. 13 April 2011.
- ^ David Patrick Stearns (17 April 2011). "Daniel Catán obituary:Mexican-born composer whose romantic operas in Spanish have flourished in the US". The Guardian.
- ^ Catan, Daniel; Espinasa, José María (1989). Partitura inacabada (in Spanish). México, D.F.: Universidad Autónoma Metropolitana, Dirección de Difusión Cultural, Departamento Editorial. OCLC 24639887.
- ^ "Daniel Catán - Official Site". Daniel Catán - Official Site. Retrieved 2018-01-20.
External links
[edit]- Official Website of Daniel Catán
- Daniel Catán Papers at the Harry Ransom Center
- G. Schirmer Inc. Daniel Catán's Music Publisher
- A brief official biography authorized by the composer's estate.
- Short biography on naxos.com
- Anastasia Tsioulcas, "Daniel Catán, Composer Of Lyrical Operas, Dead At 62". National Public Radio, "Deceptive Cadence" blog, 11 April 2011
- Daniel Catán at IMDb
- "Composer Daniel Catan dies unexpectedly at 62" Los Angeles Times, "Culture Monster" blog, 11 April 2011
- 1949 births
- 2011 deaths
- 20th-century Sephardi Jews
- Alumni of the University of Southampton
- Alumni of the University of Sussex
- Jewish classical composers
- Mexican classical composers
- Mexican male classical composers
- Mexican opera composers
- Jewish opera composers
- Male opera composers
- Mexican Sephardi Jews
- Mexican people of Russian-Jewish descent
- Princeton University alumni
- University of Texas at Austin faculty
- Musicians from Mexico City