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{{short description|Italian painter}} |
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{{Infobox person |
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| name = Piermaria Bagnadore |
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| image = |
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| alt = |
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| caption = |
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| other_names = Pier Maria or Pietro Maria Bagnatore or Bagnatori |
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| occupation = Painter, sculptor, and architect |
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| birth_date = {{start-date|1550}} |
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| death_date = {{Death-date and age|1627|1550}} |
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| birth_place = Orzinuovi, Italy |
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| death_place = Brescia, Italy |
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}} |
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[[File:Santo Corpo di Cristo church altar with nativity Brescia.jpg|thumb|Nativity by Pier Maria Bagnadorein the Santo Corpo di Cristo Monastery church in Brescia]] |
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'''Piermaria Bagnadore''' (c. 1550–1627), also called '''Pietro Maria Bagnatori''', was an Italian painter, sculptor, and architect of the late-[[Renaissance]] period. |
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[[File:Brescia Fontana della Pallata Allegoria by Stefano Bolognini.JPG|thumb|left|Pier Maria Bagnadore design, ''Fountain della [[Pallata Tower, Brescia|Pallata Tower]]'', detail of allegory of the city of Brescia with arms and [[cornucopia]], 1596.]] |
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==Biography== |
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Born in [[Orzinuovi]], he trained with il [[Moretto da Brescia]], and painted mainly in [[Brescia]] from the late 16th century until the 1610s. |
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Bagnadore spent most of his career in [[Brescia]]. He helped direct the sculptural decoration of the [[Duomo Nuovo of Brescia|Duomo Nuovo]] between 1604 and 1611 and sculpted the [[Mannerism|Mannerist]] style fountain at the base of the [[Torre della Pallata, Brescia|Torre della Palata]], with collaborations from [[Antonio Carra]] and [[Valentino Bonesini]]. Among his other works is the design of the Church of the [[Madonna del Lino, Brescia|Madonna del Lino]] during 1604–1609. He also participated in the reconstruction of the church of [[San Domenico, Brescia|San Domenico]] (1611) and the church of [[Sant'Angela Merici, Brescia|Sant'Angela Merici]]. |
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Bagnadore also assisted in designing the bell-tower of the church of [[San Giuseppe, Brescia|San Giuseppe]], the monumental portico in via Dieci Giornate as well as the Zanardelli at [[Piazza della Loggia, Brescia|Piazza dell Loggia]]. He was also involved in planning the enlargement of the church of Santissimo Corpo di Cristo (1620). |
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Equally famous for his paintings, Bagnadore's works include the ''Birth of Jesus'' for the church of San Carlo, and ''Adoration of Shepherds'' over the lateral portal of the church of [[Santa Maria delle Grazie, Brescia|Santa Maria delle Grazie]], along with a ''St Anne and young John the Baptist'' and an altarpiece depicting the ''Immaculate Conception''; and a ''Dead Christ'' for the nave of Sant'Angela Merici.<ref>[https://books.google.com/books?id=WNE-AAAAcAAJ Storia della pittura italiana esposta coi monumenti], Volume 5, (1851) by Giovanni Rosini, page 243.</ref> |
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⚫ | His work was noted by the biographer [[Luigi Lanzi]] and his extensive print collection passed into the hands of Count Camillo Gonzaga of [[Novellara]]<ref>{{cite book | first= Stefano| last= Ticozzi| year=1830| title= Dizionario degli architetti, scultori, pittori, intagliatori in rame ed in pietra, coniatori di medaglie, musaicisti, niellatori, intarsiatori d'ogni etá e d'ogni nazione |volume=1 | pages= 93 | publisher=Gaetano Schiepatti |location=Milan | url= https://books.google.com/books?id=0ownAAAAMAAJ&pg=PA5 }}.</ref> |
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==References== |
==References== |
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{{Commons category}} |
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⚫ | *{{cite book | first= Maria|last= Farquhar| year=1855| title= Biographical catalogue of the principal Italian painters| |
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{{Reflist}} |
{{Reflist}} |
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⚫ | *{{cite book | first= Maria|last= Farquhar| year=1855| title= Biographical catalogue of the principal Italian painters| editor = Ralph Nicholson Wornum| editor-link = Ralph Nicholson Wornum| page = 14| publisher= Woodfall & Kinder |location=London | url= https://books.google.com/books?q=intitle:Wornum+intitle:principal+intitle:painters |
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}} |
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{{Authority control}} |
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{{DEFAULTSORT:Bagnadore, Piermaria}} |
{{DEFAULTSORT:Bagnadore, Piermaria}} |
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[[Category:1550s births]] |
[[Category:1550s births]] |
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[[Category:1627 deaths]] |
[[Category:1627 deaths]] |
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[[Category: |
[[Category:16th-century Italian painters]] |
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[[Category:Italian painters]] |
[[Category:Italian male painters]] |
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[[Category:17th-century Italian painters]] |
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[[Category:Italian Baroque painters]] |
[[Category:Italian Baroque painters]] |
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[[Category: |
[[Category:Painters from Brescia]] |
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[[Category:16th-century Italian architects]] |
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[[Category:17th-century Italian architects]] |
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[[Category:Italian Renaissance architects]] |
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[[Category:Italian Roman Catholics]] |
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[[Category:Architects from Brescia]] |
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Latest revision as of 18:54, 8 March 2024
Piermaria Bagnadore | |
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Born | 1550 Orzinuovi, Italy |
Died | 1627 Brescia, Italy | (aged 77)
Other names | Pier Maria or Pietro Maria Bagnatore or Bagnatori |
Occupation(s) | Painter, sculptor, and architect |
Piermaria Bagnadore (c. 1550–1627), also called Pietro Maria Bagnatori, was an Italian painter, sculptor, and architect of the late-Renaissance period.
Biography
[edit]Born in Orzinuovi, he trained with il Moretto da Brescia, and painted mainly in Brescia from the late 16th century until the 1610s.
Bagnadore spent most of his career in Brescia. He helped direct the sculptural decoration of the Duomo Nuovo between 1604 and 1611 and sculpted the Mannerist style fountain at the base of the Torre della Palata, with collaborations from Antonio Carra and Valentino Bonesini. Among his other works is the design of the Church of the Madonna del Lino during 1604–1609. He also participated in the reconstruction of the church of San Domenico (1611) and the church of Sant'Angela Merici.
Bagnadore also assisted in designing the bell-tower of the church of San Giuseppe, the monumental portico in via Dieci Giornate as well as the Zanardelli at Piazza dell Loggia. He was also involved in planning the enlargement of the church of Santissimo Corpo di Cristo (1620).
Equally famous for his paintings, Bagnadore's works include the Birth of Jesus for the church of San Carlo, and Adoration of Shepherds over the lateral portal of the church of Santa Maria delle Grazie, along with a St Anne and young John the Baptist and an altarpiece depicting the Immaculate Conception; and a Dead Christ for the nave of Sant'Angela Merici.[1]
His work was noted by the biographer Luigi Lanzi and his extensive print collection passed into the hands of Count Camillo Gonzaga of Novellara[2]
References
[edit]- ^ Storia della pittura italiana esposta coi monumenti, Volume 5, (1851) by Giovanni Rosini, page 243.
- ^ Ticozzi, Stefano (1830). Dizionario degli architetti, scultori, pittori, intagliatori in rame ed in pietra, coniatori di medaglie, musaicisti, niellatori, intarsiatori d'ogni etá e d'ogni nazione. Vol. 1. Milan: Gaetano Schiepatti. p. 93..
- Farquhar, Maria (1855). Ralph Nicholson Wornum (ed.). Biographical catalogue of the principal Italian painters. London: Woodfall & Kinder. p. 14.
- 1550s births
- 1627 deaths
- 16th-century Italian painters
- Italian male painters
- 17th-century Italian painters
- Italian Baroque painters
- Painters from Brescia
- 16th-century Italian architects
- 17th-century Italian architects
- Italian Renaissance architects
- Italian Roman Catholics
- Architects from Brescia
- Italian painter, 16th-century birth stubs