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{{Short description|Dutch experimental rock musical group}} |
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{{Infobox musical artist <!-- See Wikipedia:WikiProject Musicians --> |
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{{AFC submission|d|music|u=Muteelation|ns=118|decliner=SL93|declinets=20201028230316|ts=20200808045238}} <!-- Do not remove this line! --> |
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| name = Beequeen |
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| background = group_or_band |
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| origin = [[Nijmegen]], Netherlands |
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| genre = [[Experimental rock]] |
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| years_active = 1988–present |
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| label = {{ubl|Plinkity Plonk Records|Korm Plastics}} |
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| associated_acts = |
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| website = {{URL|http://beequeen.nl/}} |
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| current_members = {{ubl|Frans de Waard|Freek Kinkelaar|Olga Wallis}} |
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| past_members = |
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'''Beequeen''' is an [[experimental rock]] group formed in 1988 in [[Nijmegen]], the Netherlands. Initially a duo of Frans de Waard and Freek Kinkelaar (both on vocals, keyboards and electronics), they were joined in 2007 by Olga Wallis, also on vocals and keyboards. They have released over 20 albums on different labels around the world. |
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'''Beequeen''' was formed in 1988 in Nijmegen, the Netherlands, by [[Frans de Waard]].<ref>{{Cite web|title=Frans de Waard|url=https://www.discogs.com/artist/63956-Frans-de-Waard|access-date=2020-08-08|website=Discogs|language=en}}</ref> and [[Freek Kinkelaar]]<ref>{{Cite web|title=The Wonderful World of Freek Kinkelaar|url=https://freekkinkelaar.nl/|access-date=2020-08-08|website=The Wonderful World of Freek Kinkelaar|language=en}}</ref>. They were both part of the do-it-yourself (DIY) scene of the 1980s, recording and releasing music and publishing art-zines. The name Beequeen originated from a mutual admiration for the works of German conceptual artist Joseph Beuys<ref>{{Cite web|title=Joseph Beuys|url=http://walkerart.org/collections/artists/joseph-beuys|access-date=2020-08-08|website=walkerart.org|language=en-US}}</ref>. The name is an adaptation of Beuys’ 1956 work Bienenkönigin, which is German for queen bee<ref>{{Cite web|title=dict.cc dictionary :: Bienenkönigin :: German-English translation|url=https://www.dict.cc/german-english/Bienenk%C3%B6nigin.html|access-date=2020-08-08|website=www.dict.cc}}</ref>. |
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==Formation== |
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In the Summer of 1988, Beequeen recorded and released their first album, a cassette entitled Mappa Mundi<ref>{{Cite web|title=Bee Queen* - Mappa Mundi|url=https://www.discogs.com/Bee-Queen-Mappa-Mundi/master/527|access-date=2020-08-08|website=Discogs|language=en}}</ref> released on De Waard’s Korm Plastics label<ref>{{Cite web|title=Korm Plastics|url=https://www.discogs.com/label/2644-Korm-Plastics|access-date=2020-08-08|website=Discogs|language=en}}</ref>. This led to a series of 20+ albums, released between 1988 and 2020 on various labels around the world. |
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In the summer of 1988, de Waard and Kinkelaar recorded and released their first album as Beequeen, a cassette entitled ''Mappa Mundi''<ref>{{Cite web|title=Mappa Mundi|url=https://tape-mag.com/Mappa_Mundi+Bee_Queen+RELEASES-1-1-13012-8.html|access-date=2021-02-18|website=tape-mag.com}}</ref> released on De Waard’s Korm Plastics label.<ref>{{Cite web|title=Korm Plastics: Label Profile {{!}} Experimental Sound Art Korm Plastics|url=http://www.tokafi.com/news/korm-plastics-label-profile/|access-date=2021-02-18|website=www.tokafi.com}}</ref> A review at ''Chain D.L.K.'' stated this album had a "...lovely psychotic calmness."<ref>{{Cite web|title=Beequeen - Seltenturn Beesides - 1989-2000|url=https://www.chaindlk.com/reviews/3973|access-date=2021-02-19|website=Chain D.L.K.}}</ref> The name Beequeen originated from an admiration of the works of German conceptual artist [[Joseph Beuys]]. The name is an adaptation of Beuys’ 1956 work Bienenkönigin (German for [[queen bee]]).<ref>{{cite web|url=https://spectrumculture.com/2020/10/05/beequeen-winter-review/|title=Beequeen: Winter|author=Wilson, Scott|website=Spectrum Culture|date=2020-10-05|access-date=2021-02-18}}</ref> |
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==Career== |
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Between 1988 and 2002, Beequeen’s musical style can be described as experimental ambient-drone music. In 2002, their musical pallet widened when Beequeen started to incorporate songs into their music, mixing experiment with dreampop music on their album Ownliness<ref>{{Cite web|title=Beequeen - Ownliness|url=https://www.discogs.com/Beequeen-Ownliness/release/96853|access-date=2020-08-08|website=Discogs|language=en}}</ref>. |
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Between 1988 and 2002, Beequeen’s musical style may be described as experimental ambient-drone music. A collection of their songs spanning several years can be found on their album ''A Touch of Brimstone'' that included writings from fans and their webmaster, who at the time ran the Pretentious.network.<ref>{{Cite web|title=Beequeen - A Touch of Brimstone |url=https://www.chaindlk.com/reviews/450|access-date=2021-02-19|website=Chain D.L.K.}}</ref> |
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In 2002, their musical pallet widened when Beequeen began to incorporate songs into their music, mixing experiment with dreampop music on their album ''Ownliness''.<ref>{{Cite web|title=Brainwashed - Beequeen, "Ownliness"|url=http://brainwashed.com/index.php?option=com_content&task=view&id=93|access-date=2021-02-18|website=brainwashed.com}}</ref> |
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De Waard and Kinkelaar continued to record instrumental ambient-drone music under the name [[Wander (band)|Wander]]<ref>{{Cite web|title=Wander|url=https://www.discogs.com/artist/113696-Wander|access-date=2020-08-08|website=Discogs|language=en}}</ref>. As Wander they recorded several albums and singles, each one with the title "Wander". |
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Beequeen's drone side continued in expression. In 2003, ''Gund'' had "Tapestries of sound slowly evolve and unravel their inner beauty"<ref>{{Cite web|title=366|url=http://www.vitalweekly.net/366.html|access-date=2021-02-19|website=www.vitalweekly.net}}</ref> according to a review in Vital Weekly. |
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In 1999, Beequeen released a double LP box set featuring live performances as the first release on their private label [[Plinkity Plonk records]]<ref>{{Cite web|title=Plinkity Plonk Records|url=https://www.discogs.com/label/15550-Plinkity-Plonk-Records|access-date=2020-08-08|website=Discogs|language=en}}</ref>. Over the years, the label would release music by, amongst others, [[De Fabriek]], [[Mirror (band)|Mirror]], [[Edward Ka-Spel|Edward Ka-spel]], [[The Legendary Pink Dots|Legendary Pink Dots]], [[Paul Panhuysen]] and [[Hafler Trio|The Hafler Trio]]. |
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Pitchfork Magazine found that ''The Bodyshop'', an album released two years later "...is Beequeen's most musically expansive work yet"<ref>{{Cite web|title=Beequeen: The Bodyshop|url=https://pitchfork.com/reviews/albums/1150-the-bodyshop/|access-date=2021-02-19|website=Pitchfork|language=en}}</ref> with subtle trip-hop beats replacing drones on previous albums. This album was recorded by the guitarist from [[The Legendary Pink Dots]], Erik Drost. |
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===Plinkity Plonk Records=== |
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In 2007, vocalist Olga Wallis joined Beequeen on the album Sandancing. 2014’s album Around Midnight was produced by Mekanik Kommando and Use of Ashes-member [[Peter van Vliet (musician)|Peter van Vliet]]. The album was followed by the single Sturmwind/Gilbert on [[Tonefloat records]]<ref>{{Cite web|title=tonefloat records|url=https://tonefloat.com/|access-date=2020-08-08|website=tonefloat records|language=en}}</ref> |
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In 1999, Beequeen released a double LP box set featuring live performances as the first release on their private label Plinkity Plonk records.<ref>{{Cite web|title=Incursion.org > Music Review 58|url=http://www.incursion.org/imr/archive/058.html|access-date=2021-02-18|website=www.incursion.org}}</ref> Over the years, the label would release music by, amongst others, [https://defabriek.bandcamp.com De Fabriek], Mirror, [[Edward Ka-Spel|Edward Ka-spel]], [[The Legendary Pink Dots|Legendary Pink Dots]], [[Paul Panhuysen]] and [[Hafler Trio|The Hafler Trio]]. |
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===International tours=== |
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From 2015 to 2020, Beequeen was inactive. In 2020, De Waard and Kinkelaar released a new Beequeen album entitled Winter<ref>{{Cite web|title=Beequeen - Winter|url=https://www.discogs.com/Beequeen-Winter/release/15645970|access-date=2020-08-08|website=Discogs|language=en}}</ref>. The album was created out of previous unreleased archive recordings and brand new recordings made in the Winter of 2020. |
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Beequeen has played live in The Netherlands, Belgium, Germany and Poland. In 2003, Beequeen toured the American east coast with [[Andrew Liles]].<ref>{{Cite web|title=Frans De Waard - Andrew Liles|url=https://www.andrewliles.com/10-questions/frans-de-waard/|access-date=2021-02-18|website=www.andrewliles.com}}</ref> The tour was organized by their record label [[Important Records|Important records]]. Beequeen performed several shows in Russia in 2011, and also appeared on Dutch national radio and regional television, [[VPRO]]. |
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===Olga Wallis joins=== |
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Freek Kinkelaar has also been active with various solo projects including Brunnen<ref>{{Cite web|title=brunnen|url=https://brunnen.bandcamp.com/|access-date=2020-08-08|website=brunnen}}</ref> and currently plays in The Blue Mask, and Frans de Waard has been and is active under various guises such as [[Kapotte Muziek]], [[Goem]], [[Shifts (band)|Shifts]] and [[Quest (Dutch band)|Quest]]. He also publishes [[Vital Weekly]]<ref>{{Cite web|title=Vital Weekly - The Oldest Online Source for Music Reviews|url=http://www.vitalweekly.net/|access-date=2020-08-08|website=www.vitalweekly.net}}</ref>, an online newsletter featuring reviews on experimental music. Find more information at their [http://www.beequeen.nl official band website.] |
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In 2007, vocalist Olga Wallis joined Beequeen on the album ''Sandancing''.<ref>{{Cite web|title=Beequeen: Sandancing into the Summer {{!}} Beequeen Experimental Important Records|url=http://www.tokafi.com/news/beequeen-sandancing-summer/|access-date=2021-02-18|website=www.tokafi.com}}</ref> Another appearance of an alumnus from the Legendary Pink Dots, Barry Gray, lends guitar to this album. A Tiny Mix Tapes review found aspects of this album "much closer to the work [[Julee Cruise]] did with [[Angelo Badalamenti]] in the late ’80s."<ref>{{Cite web|title=Music Review: Beequeen - Sandancing|url=https://www.tinymixtapes.com/music-review/beequeen-sandancing|access-date=2021-02-19|website=Tiny Mix Tapes|language=en}}</ref> |
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Of the 2011 album, ''Port Out Starboard Home,'' Record Collector said "it’s wondrous how the dreamy vocal recordings...are interspaced with experimental ambient textures."<ref>{{Cite web|title=Port Out Starboard Home - Record Collector Magazine|url=https://recordcollectormag.com/reviews/album/port-out-starboard-home|access-date=2021-02-19|language=en}}</ref> The final track on this album even used the sound of lambs bleating. |
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== Album discography == |
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2014’s album ''Around Midnight'' was produced by Mekanik Kommando and Use of Ashes-member Peter van Vliet. The album was followed by the single ''Sturmwind/Gilbert'' on [https://tonefloat.com Tonefloat records]. |
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* Mappa Mundi (1989) |
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* Scala Destillans (split album with Technological Aquiver) )1990) |
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* Fond (1991) |
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* Der Holzweg (1993) |
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* Time Waits for No One (1994) |
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* Sugarbush (1995) |
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* Music for the Head Ballet (1996) |
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* Split (split album with Kapotte Muziek) (1997) |
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* Stetson (1997) |
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* The Surrough Gate (1997) |
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* Do Be Do (1999) |
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* Treatise (2000) |
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* Natursymfonie (2002) |
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* Ownliness (2002) |
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* A Touch of Brimstone (2002) |
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* Gund (2003) |
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* Aughton – The Patient Books (2004) |
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* The Body Shop (2005) |
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* Seltenturn – B Sides (2007) |
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* Sandancing (2008) |
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* Sandancing Demos (2008) |
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* Port Out Starboard Home (2011) |
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* Around midnight (2014) |
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* Winter (2020) |
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===Hiatus and ''Winter''=== |
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== Reviews == |
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From 2015 to 2020, Beequeen was inactive. In 2020, De Waard and Kinkelaar released a new Beequeen album entitled ''Winter''.<ref>{{Cite web|date=2020-10-06|title=Beequeen: Winter|url=https://spectrumculture.com/2020/10/05/beequeen-winter-review/|access-date=2021-02-18|website=Spectrum Culture|language=en-US}}</ref> The album was created from previous unreleased archive recordings and new recordings made in winter 2020. A review at Spectrum Culture found this album "...highly enjoyable uneasy listening."<ref>{{Cite web|date=2020-10-06|title=Beequeen: Winter|url=https://spectrumculture.com/2020/10/05/beequeen-winter-review/|access-date=2021-02-19|website=Spectrum Culture|language=en-US}}</ref> |
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==Other Bands and Publishing== |
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*[https://pitchfork.com/reviews/albums/1150-the-bodyshop/ Pitchfork - Review of The Body Shop] |
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De Waard and Kinkelaar continued to record instrumental ambient-drone music under the name Wander.<ref>{{Cite web|title=414|url=http://vitalweekly.net/414.html|access-date=2021-02-18|website=vitalweekly.net}}</ref> As Wander they recorded several albums and singles, each one entitled ''Wander''. |
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*[https://www.tinymixtapes.com/music-review/beequeen-sandancing Tiny Mix Tapes - Review of Sandancing] |
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*[https://spectrumculture.com/2020/10/05/beequeen-winter-review/ Spectrum Culture - Review of Winter] |
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*[https://www.chaindlk.com/reviews/3973 ChainDLK - Review of Seltenturn B-Sides] |
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*[https://www.chaindlk.com/reviews/450 ChainDLK - Review of A Touch of Brimstone] |
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*[https://herbalinternational.wordpress.com/2008/08/03/beequeen-time-waits-for-no-one-reviews-3/ Herbal International - Review of Time Waits for No One] |
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*[https://ihrtn.net/beequeen/ I Heart Noise - Overview of Beequeen] |
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*[https://recordcollectormag.com/reviews/album/port-out-starboard-home Record Collector Magazine - Review of Port Out Starboard Home] |
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*[http://www.vitalweekly.net/366.html Vital Weekly - Review of Gund] |
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*[http://beequeen.nl/reviews.html Collection of many reviews] |
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Freek Kinkelaar has also been active with various solo projects including Brunnen,<ref>{{Cite web|title=Review: Brunnen: The Garden Of Perpetual Dreams|url=https://inverted-audio.com/review/brunnen-the-garden-of-perpetual-dreams/|access-date=2021-02-18|website=Inverted Audio|language=en-GB}}</ref> which [https://inverted-audio.com/review/brunnen-the-garden-of-perpetual-dreams/ Inverted Audio] reviewed ''The Garden of Perpetual Dreams'' as "One minute you're wandering through dark, psychedelic gloom, the next stumbling across an infinitely serene, sun-dappled glade..." and another Brunnen album as "...“bedroom pop” if it was more poppish — quiet songs sparsely implemented, with breathy vocals and occasional noisy (but not loud) touches," in a review at [http://www.expose.org/index.php/articles/display/brunnen-swoon-2.html Expose Online]. He currently plays in The Blue Mask, and Frans de Waard has been active under various guises such as [[Kapotte Muziek]], [[Goem]], Shifts and Quest. He also publishes [http://vitalweekly.net Vital Weekly],<ref>{{Cite web|title=Vital Weekly - The Oldest Online Source for Music Reviews|url=http://www.vitalweekly.net/|access-date=2020-08-08|website=www.vitalweekly.net}}</ref> an online newsletter featuring reviews on experimental music. He also ran another, longer running record label, [http://www.kormplastics.nl Korm Plastics], that released an extensive number of bands like [[Merzbow]], Arcane Device, [[Asmus Tietchens]], and [[Zev Asher|Zev]], plus self-released recordings. In 2015 Korm Plastics stopped releasing music. As of 2020, Korm Plastics began publishing books. |
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== Interviews == |
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*[https://www.chaindlk.com/interviews/Beequeen/ ChainDLK - Interview with the band] |
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*[http://www.tokafi.com/15questions/interview-frans-de-waard/ Tokafi - Interview with Frans de Waard] |
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*[https://www.andrewliles.com/10-questions/frans-de-waard/ Andrew Liles - Interview with Frans de Waard] |
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*[https://concreteshelves.blog/2018/02/05/frans-de-waard/ Concrete Shelves - Interview with Frans de Waard] |
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== Album discography == |
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== References ==<!-- Inline citations added to your article will automatically display here. See en.wikipedia.org/wiki/WP:REFB for instructions on how to add citations. --> |
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* ''Mappa Mundi'' (1989) |
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* ''Scala Destillans'' (split album with Technological Aquiver) (1990) |
|||
* ''Fond'' (1991) |
|||
* ''Der Holzweg'' (1993) |
|||
* ''Time Waits for No One'' (1994) |
|||
* ''Sugarbush'' (1995) |
|||
* ''Music for the Head Ballet'' (1996) |
|||
* ''Split'' (split album with [[Kapotte Muziek]]) (1997) |
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* ''Stetson'' (1997) |
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* ''The Surrough Gate'' (1997) |
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* ''Do Be Do'' (1999) |
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* ''Treatise'' (2000) |
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* ''Natursymfonie'' (2002) |
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* ''Ownliness'' (2002) |
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* ''A Touch of Brimstone'' (2002) |
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* ''Gund'' (2003) |
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* ''Aughton – The Patient Books'' (2004) |
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* ''The Body Shop'' (2005) |
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* ''Seltenturn – B Sides'' (2007) |
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* ''Sandancing'' (2008) |
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* ''Sandancing Demos'' (2008) |
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* ''Port Out Starboard Home'' (2011) |
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* ''Around Midnight'' (2014) |
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* ''Winter'' (2020) |
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== References == |
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{{reflist}} |
{{reflist}} |
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==External links== |
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*{{official|http://www.beequeen.nl}} |
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[[Category:Dutch rock music groups]] |
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[[Category:Musical groups established in 1988]] |
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{{authority control}} |
Latest revision as of 16:27, 30 January 2024
Beequeen | |
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Origin | Nijmegen, Netherlands |
Genres | Experimental rock |
Years active | 1988–present |
Labels |
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Members |
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Website | beequeen |
Beequeen is an experimental rock group formed in 1988 in Nijmegen, the Netherlands. Initially a duo of Frans de Waard and Freek Kinkelaar (both on vocals, keyboards and electronics), they were joined in 2007 by Olga Wallis, also on vocals and keyboards. They have released over 20 albums on different labels around the world.
Formation
[edit]In the summer of 1988, de Waard and Kinkelaar recorded and released their first album as Beequeen, a cassette entitled Mappa Mundi[1] released on De Waard’s Korm Plastics label.[2] A review at Chain D.L.K. stated this album had a "...lovely psychotic calmness."[3] The name Beequeen originated from an admiration of the works of German conceptual artist Joseph Beuys. The name is an adaptation of Beuys’ 1956 work Bienenkönigin (German for queen bee).[4]
Career
[edit]Between 1988 and 2002, Beequeen’s musical style may be described as experimental ambient-drone music. A collection of their songs spanning several years can be found on their album A Touch of Brimstone that included writings from fans and their webmaster, who at the time ran the Pretentious.network.[5]
In 2002, their musical pallet widened when Beequeen began to incorporate songs into their music, mixing experiment with dreampop music on their album Ownliness.[6]
Beequeen's drone side continued in expression. In 2003, Gund had "Tapestries of sound slowly evolve and unravel their inner beauty"[7] according to a review in Vital Weekly.
Pitchfork Magazine found that The Bodyshop, an album released two years later "...is Beequeen's most musically expansive work yet"[8] with subtle trip-hop beats replacing drones on previous albums. This album was recorded by the guitarist from The Legendary Pink Dots, Erik Drost.
Plinkity Plonk Records
[edit]In 1999, Beequeen released a double LP box set featuring live performances as the first release on their private label Plinkity Plonk records.[9] Over the years, the label would release music by, amongst others, De Fabriek, Mirror, Edward Ka-spel, Legendary Pink Dots, Paul Panhuysen and The Hafler Trio.
International tours
[edit]Beequeen has played live in The Netherlands, Belgium, Germany and Poland. In 2003, Beequeen toured the American east coast with Andrew Liles.[10] The tour was organized by their record label Important records. Beequeen performed several shows in Russia in 2011, and also appeared on Dutch national radio and regional television, VPRO.
Olga Wallis joins
[edit]In 2007, vocalist Olga Wallis joined Beequeen on the album Sandancing.[11] Another appearance of an alumnus from the Legendary Pink Dots, Barry Gray, lends guitar to this album. A Tiny Mix Tapes review found aspects of this album "much closer to the work Julee Cruise did with Angelo Badalamenti in the late ’80s."[12]
Of the 2011 album, Port Out Starboard Home, Record Collector said "it’s wondrous how the dreamy vocal recordings...are interspaced with experimental ambient textures."[13] The final track on this album even used the sound of lambs bleating.
2014’s album Around Midnight was produced by Mekanik Kommando and Use of Ashes-member Peter van Vliet. The album was followed by the single Sturmwind/Gilbert on Tonefloat records.
Hiatus and Winter
[edit]From 2015 to 2020, Beequeen was inactive. In 2020, De Waard and Kinkelaar released a new Beequeen album entitled Winter.[14] The album was created from previous unreleased archive recordings and new recordings made in winter 2020. A review at Spectrum Culture found this album "...highly enjoyable uneasy listening."[15]
Other Bands and Publishing
[edit]De Waard and Kinkelaar continued to record instrumental ambient-drone music under the name Wander.[16] As Wander they recorded several albums and singles, each one entitled Wander.
Freek Kinkelaar has also been active with various solo projects including Brunnen,[17] which Inverted Audio reviewed The Garden of Perpetual Dreams as "One minute you're wandering through dark, psychedelic gloom, the next stumbling across an infinitely serene, sun-dappled glade..." and another Brunnen album as "...“bedroom pop” if it was more poppish — quiet songs sparsely implemented, with breathy vocals and occasional noisy (but not loud) touches," in a review at Expose Online. He currently plays in The Blue Mask, and Frans de Waard has been active under various guises such as Kapotte Muziek, Goem, Shifts and Quest. He also publishes Vital Weekly,[18] an online newsletter featuring reviews on experimental music. He also ran another, longer running record label, Korm Plastics, that released an extensive number of bands like Merzbow, Arcane Device, Asmus Tietchens, and Zev, plus self-released recordings. In 2015 Korm Plastics stopped releasing music. As of 2020, Korm Plastics began publishing books.
Album discography
[edit]- Mappa Mundi (1989)
- Scala Destillans (split album with Technological Aquiver) (1990)
- Fond (1991)
- Der Holzweg (1993)
- Time Waits for No One (1994)
- Sugarbush (1995)
- Music for the Head Ballet (1996)
- Split (split album with Kapotte Muziek) (1997)
- Stetson (1997)
- The Surrough Gate (1997)
- Do Be Do (1999)
- Treatise (2000)
- Natursymfonie (2002)
- Ownliness (2002)
- A Touch of Brimstone (2002)
- Gund (2003)
- Aughton – The Patient Books (2004)
- The Body Shop (2005)
- Seltenturn – B Sides (2007)
- Sandancing (2008)
- Sandancing Demos (2008)
- Port Out Starboard Home (2011)
- Around Midnight (2014)
- Winter (2020)
References
[edit]- ^ "Mappa Mundi". tape-mag.com. Retrieved 2021-02-18.
- ^ "Korm Plastics: Label Profile | Experimental Sound Art Korm Plastics". www.tokafi.com. Retrieved 2021-02-18.
- ^ "Beequeen - Seltenturn Beesides - 1989-2000". Chain D.L.K. Retrieved 2021-02-19.
- ^ Wilson, Scott (2020-10-05). "Beequeen: Winter". Spectrum Culture. Retrieved 2021-02-18.
- ^ "Beequeen - A Touch of Brimstone". Chain D.L.K. Retrieved 2021-02-19.
- ^ "Brainwashed - Beequeen, "Ownliness"". brainwashed.com. Retrieved 2021-02-18.
- ^ "366". www.vitalweekly.net. Retrieved 2021-02-19.
- ^ "Beequeen: The Bodyshop". Pitchfork. Retrieved 2021-02-19.
- ^ "Incursion.org > Music Review 58". www.incursion.org. Retrieved 2021-02-18.
- ^ "Frans De Waard - Andrew Liles". www.andrewliles.com. Retrieved 2021-02-18.
- ^ "Beequeen: Sandancing into the Summer | Beequeen Experimental Important Records". www.tokafi.com. Retrieved 2021-02-18.
- ^ "Music Review: Beequeen - Sandancing". Tiny Mix Tapes. Retrieved 2021-02-19.
- ^ "Port Out Starboard Home - Record Collector Magazine". Retrieved 2021-02-19.
- ^ "Beequeen: Winter". Spectrum Culture. 2020-10-06. Retrieved 2021-02-18.
- ^ "Beequeen: Winter". Spectrum Culture. 2020-10-06. Retrieved 2021-02-19.
- ^ "414". vitalweekly.net. Retrieved 2021-02-18.
- ^ "Review: Brunnen: The Garden Of Perpetual Dreams". Inverted Audio. Retrieved 2021-02-18.
- ^ "Vital Weekly - The Oldest Online Source for Music Reviews". www.vitalweekly.net. Retrieved 2020-08-08.