EssaysFilm
The Man and The Crowd (1928): Photography, Film, and Fate
“Make films about the people, they said”, Jean-Luc Godard once quipped, “but The Crowd had already been made, so why remake it?” Gideon Leek rewatches King Vidor’s classic, in which a young man with big dreams moves to New York City and becomes an identical cog who learns to love the machine of modernity. more
Sensitive Material: Wordsworth Donisthorpe, Blackmail, and the First Motion Pictures
The story of early cinema may have been different had Wordsworth Donisthorpe been better at blackmail. Irfan Shah goes digging in the archives to recover the details of this forgotten polymath — political individualist, chess reformer, inventor of a peculiar kind of film camera — and finds a fierce debate about the history of English wool combing improbably implicated in the rise of motion pictures. more
The Empathetic Camera: Frank Norris and the Invention of Film Editing
At the heart of American author Frank Norris' gritty turn-of-the-century fiction lies an essential engagement with the everyday shock and violence of modernity. Henry Giardina explores how this focus, combined with his unique approach to storytelling, helped to pave the way for a truly filmic style. more
Ignorant Armies: Private Snafu Goes to War
Between 1943 and 1945, with the help of Warner Bros.' finest, the U.S. Army produced a series of 27 propaganda cartoons depicting the calamitous adventures of Private Snafu. Mark David Kaufman explores their overarching theme of containment and how one film inadvertently let slip one of the war's greatest secrets. more