“The Substantiality of Spirit”: Georgiana Houghton’s Pictures from the Other Side

By Jennifer Higgie

When Georgiana Houghton first exhibited her paintings at a London gallery in 1871, their wild eddies of colour and line were unlike anything the public had seen before — nor would see again until the rise of abstract art decades later. But there was little intentionally abstract about these images: Houghton painted entities she met in the spirit regions. Viewing her works through the prism of friendship, loss, and faith, Jennifer Higgie turns overdue attention on an artist neglected by historians, a visionary who believed that death was not the end, merely a new distance to overcome. more

Liquid Bewitchment: Gin Drinking in England, 1700–1850

By James Brown

The introduction of gin to England was a delirious and deleterious affair, as tipplers reported a range of effects: loss of reason, frenzy, madness, joy, and death. With the help of prints by George Cruikshank, William Hogarth, and others, James Brown enters the architecture of intoxication — dram shops, gin halls, barbershops — exploring the spaces that catered to pleasure or evil, depending who you asked. more

The Ether Dreams of Fin-de-Siècle Paris

By Mike Jay

Those who sipped or sniffed ether and chloroform in the 19th century experienced a range of effects from these repurposed anaesthetics, including preternatural mental clarity, psychological hauntings, and slippages of space and time. Mike Jay explores how the powerful solvents shaped the writings of Guy de Maupassant and Jean Lorrain — psychonauts who opened the door to an invisible dimension of mind and suffered Promethean consequences. more

The City That Fell Off a Cliff

By Matthew Green

Beneath the waves, off the Suffolk Coast, lies a city taken by the sea through centuries of erosion. Matthew Green revisits Dunwich, a once lively port transfigured into a symbol of loss, both eerie and profound, for generations of artists, poets, and historians drawn to its ruinous shores. more

Images from the Collective Unconscious: Olga Fröbe-Kapteyn and the Eranos Archive

By Frederika Tevebring

In the 1930s, Olga Fröbe-Kapteyn, mystic and founder of the multidisciplinary Eranos forum, began compiling a diverse visual archive that would allow dreamers to cross-reference their visions with the entirety of cultural history. Frederika Tevebring explores this grandiose undertaking and its effect on the archivist, as images from the collection began to blur with her psyche. more

The Emancipatory Visions of a Sex Magician: Paschal Beverly Randolph’s Occult Politics

By Lara Langer Cohen

Erotic magic, Black emancipation, gender fluidity, interplanetary spirit realms — these were but a few of the topics that preoccupied Paschal Beverly Randolph (b. 1825), an occult thinker who believed that his multiracial identity afforded him “peculiar mental power and marvelous versatility”. Lara Langer Cohen considers the neglected politics of Randolph’s esoteric writings alongside the repeated frustration of his activism: how dreams of other worlds, above and below our own, reflect the unfulfilled promises of Emancipation. more

Illusory Wealth: Victor Dubreuil’s Cryptic Currencies

By Dorinda Evans

After supposedly stealing 500,000 francs from his bank, the mysterious Victor Dubreuil (b. 1842) turned up penniless in the United States and began to paint dazzling trompe l’oeil images of dollar bills. Once associated with counterfeiting and subject to seizures by the Treasury Department, these artworks are evaluated anew by Dorinda Evans, who considers Dubreuil’s unique anti-capitalist visions among the most daring and socially critical of his time. more

In Search of True Color: Sergei Prokudin-Gorsky’s Flawed Images

By Erica X Eisen

Archived amid Prokudin-Gorsky’s vast photographic survey of the Russian Empire, we find images shot through with starshatter cracks, blebbed with mildew, and blurred by motion. Within such moments of unmaking, Erica X Eisen uncovers the overlapping forces at play behind these pioneering efforts in colour photography. more

Proust’s Pinks

By Christopher Prendergast

For vast stretches of À la recherche du temps perdu, there is scarcely a page unadorned by vibrant colour. To commemorate the centenary of Marcel Proust’s death, Christopher Prendergast celebrates his use of pink, how its tone shifts from innocence to themes of sexual need, before finally fading out to grey at the novel’s close. more

Of Angel and Puppet: Klee, Rilke, and the Test of Innocence

By Kenneth Gross

Built for his son from the scraps of daily life — matchboxes, beef bones, nutshells, and plaster — Paul Klee’s hand puppets harbour ghosts of human feelings, fragile communications from a world most adults have left behind. Kenneth Gross compares these enchanted objects to angelic figures, in Klee’s artworks and the poetry of Rainer Maria Rilke, helping us dance as well as wrestle with their visions of innocence. more

Documenting Drugs: The Artful Intoxications of Stanisław Ignacy Witkiewicz

By Juliette Bretan

In pursuit of Pure Form, the Polish artist known as “Witkacy” would consume peyote, cocaine, and other intoxicants before creating pastel portraits. Juliette Bretan takes a trip through Witkiewicz’s chemical forays, including his 1932 Narcotics, a genre-bending treatise that warns of the hazards of drugs while seductively recollecting their delirious effects. more

Love and Longing in the Seaweed Album

By Sasha Archibald

Combing across 19th-century shores, seaweed collectors would wander for hours, tucking specimens into pouches and jars, before pasting their finds into artful albums. Sasha Archibald explores the eros contained in the pressed and illustrated pages of notable algologists, including “the most ambitious album of all” by Charles F. Durant. more

A Paper Archaeology: Piranesi’s Ruinous Fantasias

By Susan Stewart

From the vast confines of his imaginary prisons to the billowy scenes that comprise his grotteschi, the early works of Giovanni Battista Piranesi wed the exacting details of first-hand observation with the farthest reaches of artistic imagination. Susan Stewart journeys through this 18th-century engraver-architect’s paper worlds. more

The Kept and the Killed

By Erica X Eisen

Of the 270,000 photographs commissioned by the US Farm Security Administration to document the Great Depression, more than a third were “killed”. Erica X Eisen examines the history behind this hole-punched archive and the unknowable void at its center. more

Beastly Clues: T. S. Eliot, Torquemada, and the Modernist Crossword

By Roddy Howland Jackson

Just a few years after The Waste Land appeared — a poem whose difficulty critics compared to some “pompous cross-word puzzle” — Edward Powys Mathers (alias: Torquemada) pioneered the cryptic: a puzzle form that, like modernist poetry, unwove language and rewove it anew. Roddy Howland Jackson reveals the pleasures and imaginative creatures lurking in Torquemada's lively grids. more

The Dust That Measures All Our Time

By Steven Connor

From the mythical Sandman, who participates in dream and vision, to an irritating grain lodged in the beachgoer’s eye, sand harbours unappreciated power, however mundane. Steven Connor celebrates this “most untrustworthy” type of matter. more

Still Farther South: Poe and Pym’s Suggestive Symmetries

By John Tresch

In 1838, as the United States began its Exploring Expedition to the South Seas, Edgar Allan Poe published a novel that masqueraded as a travelogue. John Tresch guides us along this strange trip southward, following the pull of its unfathomable mysteries. more

Photographing the Tulsa Massacre of 1921

By Karlos K. Hill

On the evening of May 31, 1921, several thousand white citizens and authorities began to violently attack the prosperous Black community of Greenwood in Tulsa, Oklahoma. Karlos K. Hill investigates the disturbing photographic legacy of this massacre and the resilience of Black Wall Street’s residents. more

“Fevers of Curiosity”: Charles Baudelaire and the Convalescent Flâneur

By Matthew Beaumont

This month marks the 200th anniversary of Charles Baudelaire’s birth, the French poet famous for his descriptions of the flâneur: a man of the crowd, who thrived in the metropolis’ multitude. Following Baudelaire through 19th-century Paris, Matthew Beaumont discovers a parallel archetype — the convalescent hero of modernity — who emerges from the sickbed into city streets with a feverish curiosity. more

Postures of Transport: Sex, God, and Rocking Chairs

By Hunter Dukes

What if chairs had the ability to shift our state of consciousness, transporting the imagination into distant landscapes and ecstatic experiences, both religious and erotic? In an essay about the British and American fascination with rocking chairs and upholstery springs in the 19th century, Hunter Dukes discovers how simple furniture technologies allowed armchair travelers to explore worlds beyond their own. more

The Art of Whaling: Illustrations from the Logbooks of Nantucket Whaleships

By Jessica Boyall

The 19th-century whale hunt was a brutal business, awash with blubber, blood, and the cruel destruction of life. But between the frantic calls of “there she blows!”, there was plenty of time for creation too. Jessica Boyall explores the rich vein of illustration running through the logbooks and journals of Nantucket whalers. more

Fungi, Folklore, and Fairyland

By Mike Jay

From fairy-rings to Lewis Carroll’s Alice, mushrooms have long been entwined with the supernatural in art and literature. What might this say about past knowledge of hallucinogenic fungi? Mike Jay looks at early reports of mushroom-induced trips and how one species in particular became established as a stock motif of Victorian fairyland. more

Primary Sources: A Natural History of the Artist’s Palette

By Philip Ball

For all its transcendental appeals, art has always been inextricably grounded in the material realities of its production, an entwinement most evident in the intriguing history of artists’ colours. Focusing in on painting’s primary trio of red, yellow, and blue, Philip Ball explores the science and stories behind the pigments, from the red ochre of Lascaux to Yves Klein’s blue. more

Petrarch’s Plague: Love, Death, and Friendship in a Time of Pandemic

By Paula Findlen

The Italian poet and scholar Francesco Petrarch lived through the most deadly pandemic in recorded history, the Black Death of the 14th century, which saw up to 200 million die from plague across Eurasia and North Africa. Through the unique record of letters and other writings Petrarch left us, Paula Findlen explores how he chronicled, commemorated, and mourned his many loved ones who succumbed, and what he might be able to teach us today. more

Emma Willard’s Maps of Time

By Susan Schulten

In the 21st-century, infographics are everywhere. In the classroom, in the newspaper, in government reports, these concise visual representations of complicated information have changed the way we imagine our world. Susan Schulten explores the pioneering work of Emma Willard (1787–1870), a leading feminist educator whose innovative maps of time laid the groundwork for the charts and graphics of today. more

The Sound and the Story: Exploring the World of Paradise Lost

By Philip Pullman

John Milton’s Paradise Lost has been many things to many people — a Christian epic, a comment on the English Civil War, the epitome of poetic ambiguity — but it is first of all a pleasure to read. Drawing on sources as varied as Wordsworth, Hitchcock, and Conan Doyle, author Philip Pullman considers the sonic beauty and expert storytelling of Milton’s masterpiece and the influence it has had on his own work. more

Picturing a Voice: Margaret Watts Hughes and the Eidophone

By Rob Mullender-Ross

Of the various forms the nascent art of sound recording took in the late nineteenth century perhaps none was so aesthetically alluring as that invented by Margaret Watts Hughes. Rob Mullender-Ross explores the significance of the Welsh singer’s ingenious set of images, which until recently were thought to be lost. more

Loie Fuller and the Serpentine

By Rhonda K. Garelick

With her “serpentine dance” — a show of swirling silk and rainbow lights — Loie Fuller became one of the most celebrated dancers of the fin de siècle. Rhonda K. Garelick explores Fuller’s unlikely stardom and how her beguiling art embodied the era’s newly blurred boundaries between human and machine. more

Brilliant Visions: Peyote among the Aesthetes

By Mike Jay

Used by the indigenous peoples of the Americas for millennia, it was only in the last decade of the 19th century that the powerful effects of mescaline began to be systematically explored by curious non-indigenous Americans and Europeans. Mike Jay looks at one such pioneer Havelock Ellis who, along with his small circle of fellow artists and writers, documented in wonderful detail his psychedelic experiences. more

Progress in Play: Board Games and the Meaning of History

By Alex Andriesse

Players moving pieces along a track to be first to reach a goal was the archetypal board game format of the 18th and 19th centuries. Alex Andriesse looks at one popular incarnation in which these pieces progress chronologically through history itself, usually with some not-so-subtle ideological, moral, or national ideal as the object of the game. more

“O Uommibatto”: How the Pre-Raphaelites Became Obsessed with the Wombat

By Angus Trumble

Angus Trumble on Dante Gabriel Rossetti and company’s curious but longstanding fixation with the furry oddity that is the wombat — that “most beautiful of God’s creatures” which found its way into their poems, their art, and even, for a brief while, their homes. more

Grandville, Visions, and Dreams

By Patricia Mainardi

With its dreamlike inversions and kaleidoscopic cast of anthropomorphic objects, animals, and plants, the world of French artist J. J. Grandville is at once both delightful and disquieting. Patricia Mainardi explores the unique work of this 19th-century illustrator now recognised as a major precursor and inspiration to the Surrealist movement. more

The Dancing Plague of 1518

By Ned Pennant-Rea

Five hundred years ago in July, a strange mania seized the city of Strasbourg. Citizens by the hundred became compelled to dance, seemingly for no reason — jigging trance-like for days, until unconsciousness or, in some cases, death. Ned Pennant-Rea on one of history’s most bizarre events. more

Made in Taiwan? How a Frenchman Fooled 18th-Century London

By Benjamin Breen

Benjamin Breen on the remarkable story of George Psalmanazar, the mysterious Frenchman who successfully posed as a native of Formosa (now modern Taiwan) and gave birth to a meticulously fabricated culture with bizarre customs, exotic fashions, and its own invented language. more

Illustrating Carnival: Remembering the Overlooked Artists Behind Early Mardi Gras

By Allison C. Meier

For more than 150 years the city of New Orleans has been known for the theatricality and extravagance of its Mardi Gras celebrations. Allison C. Meier looks at the wonderfully ornate float and costume designs from Carnival’s “Golden Age” and the group of New Orleans artists who created them. more

Defining the Demonic

By Ed Simon

Although Jacques Collin de Plancy’s Dictionnaire infernal, a monumental compendium of all things diabolical, was first published in 1818 to much success, it is the fabulously illustrated final edition of 1863 which secured the book as a landmark in the study and representation of demons. Ed Simon explores the work and how at its heart lies an unlikely but pertinent synthesis of the Enlightenment and the occult. more

Out From Behind This Mask

By D. Graham Burnett

A Barthesian bristle and the curious power of Walt Whitman’s posthumous eyelids — D. Graham Burnett on meditations conjured by a visit to the death masks of the Laurence Hutton Collection. more

Decoding the Morse: The History of 16th-Century Narcoleptic Walruses

By Natalie Lawrence

Amongst the assorted curiosities described in Olaus Magnus' 1555 tome on Nordic life was the morse — a hirsute, fearsome walrus-like beast, that was said to snooze upon cliffs while hanging by its teeth. Natalie Lawrence explores the career of this chimerical wonder, shaped by both scholarly images of a fabulous North and the grisly corporeality of the trade in walrus skins, teeth, and bone. more

Woodcuts and Witches

By Jon Crabb

Jon Crabb on the witch craze of early modern Europe, and how the concurrent rise of the mass-produced woodcut helped forge the archetype of the broom-riding crone — complete with cauldron and cats — so familiar today. more

The Many Lives of the Medieval Wound Man

By Jack Hartnell

Sliced, stabbed, punctured, bleeding, harassed on all sides by various weaponry, the curious image of Wound Man is a rare yet intriguing presence in the world of medieval and early modern medical manuscripts. Jack Hartnell explores this enigmatic figure's journey through the centuries. more

“For the Sake of the Prospect”: Experiencing the World from Above in the Late 18th Century

By Lily Ford

The first essay in a two-part series in which Lily Ford explores how balloon flight transformed our ideas of landscape. We begin with a look at the unique set of images included in Thomas Baldwin's Airopaidia (1786) — the first "real" overhead aerial views. more

Frolicsome Engines: The Long Prehistory of Artificial Intelligence

By Jessica Riskin

Defecating ducks, talking busts, and mechanised Christs — Jessica Riskin on the wonderful history of automata, machines built to mimic the processes of intelligent life. more

Worlds Without End

By Philip Ball

At the end of the 19th century, inspired by radical advances in technology, physicists asserted the reality of invisible worlds — an idea through which they sought to address not only psychic phenomena such as telepathy, but also spiritual questions around the soul and immortality. Philip Ball explores this fascinating history, and how in this turn to the unseen in the face of mystery there exists a parallel to quantum physics today. more

Cat Pianos, Sound-Houses, and Other Imaginary Musical Instruments

By Thomas Patteson and Deirdre Loughridge

Deirdre Loughridge and Thomas Patteson, curators of the Museum of Imaginary Musical Instruments, explore the wonderful history of made-up musical contraptions, including a piano comprised of yelping cats and Francis Bacon's 17th-century vision of experimental sound manipulation. more

Black on Black

By Eugene Thacker

Should we consider black a colour, the absence of colour, or a suspension of vision produced by a deprivation of light? Beginning with Robert Fludd's attempt to picture nothingness, Eugene Thacker reflects* on some of the ways in which blackness has been used and thought about through the history of art and philosophical thought. more

“O, Excellent Air Bag”: Humphry Davy and Nitrous Oxide

By Mike Jay

The summer of 1799 saw a new fad take hold in one remarkable circle of British society: the inhalation of "Laughing Gas". The overseer and pioneer of these experiments was a young Humphry Davy, future President of the Royal Society. Mike Jay explores how Davy's extreme and near-fatal regime of self-experimentation with the gas not only marked a new era in the history of science but a turn toward the philosophical and literary romanticism of the century to come. more

Victorian Occultism and the Art of Synesthesia

By Benjamin Breen

Grounded in the theory that ideas, emotions, and even events, can manifest as visible auras, Annie Besant and Charles Leadbeater’s Thought-Forms (1901) is an odd and intriguing work. Benjamin Breen explores these “synesthetic” abstractions and asks to what extent they, and the Victorian mysticism of which they were born, influenced the Modernist movement that flourished in the following decades. more

Frederik Ruysch: The Artist of Death

By Luuc Kooijmans

Luuc Kooijmans explores the work of Dutch anatomist Frederik Ruysch, known for his remarkable ‘still life’ displays which blurred the boundary between scientific preservation and vanitas art. more

Olaus Magnus’ Sea Serpent

By Joseph Nigg

The terrifying Great Norway Serpent, or Sea Orm, is the most famous of the many influential sea monsters depicted and described by 16th-century ecclesiastic, cartographer, and historian Olaus Magnus. Joseph Nigg explores the iconic and literary legacy of the controversial serpent from its beginnings in the medieval imagination to modern cryptozoology. more

The Serious and the Smirk: The Smile in Portraiture

By Nicholas Jeeves

Why do we so seldom see people smiling in painted portraits? Nicholas Jeeves explores the history of the smile through the ages of portraiture, from Da Vinci's Mona Lisa to Alexander Gardner's photographs of Abraham Lincoln. more

The Lost World of the London Coffeehouse

By Matthew Green

In contrast to today's rather mundane spawn of coffeehouse chains, the London of the 17th and 18th century was home to an eclectic and thriving coffee drinking scene. Matthew Green explores the halcyon days of the London coffeehouse, a haven for caffeine-fueled debate and innovation which helped to shape the modern world. more

The Redemption of Saint Anthony

By Colin Dickey

Gustave Flaubert, best known for his masterpiece Madame Bovary, spent nearly thirty years working on a surreal and largely 'unreadable' retelling of the temptation of Saint Anthony. Colin Dickey explores how it was only in the dark and compelling illustrations of Odilon Redon, made years later, that Flaubert's strangest work finally came to life. more

Still Booking on De Quincey’s Mail-Coach

By Robin Jarvis

Robin Jarvis looks at Thomas de Quincey's essay "The English Mail-Coach, or the Glory of Motion" and how its meditation on technology and society is just as relevant today as when first published in 1849. more

Athanasius, Underground

By John Glassie

With his enormous range of scholarly pursuits the 17th-century polymath Athanasius Kircher has been hailed as the last Renaissance man and "the master of hundred arts". John Glassie looks at one of Kircher's great masterworks Mundus Subterraneus and how it was inspired by a subterranean adventure Kircher himself made into the bowl of Vesuvius. more

Trüth, Beaüty, and Volapük

By Arika Okrent

Arika Okrent explores the rise and fall of Volapük - a universal language created in the late 19th century by a German priest called Johann Schleyer. more

The Krakatoa Sunsets

By Richard Hamblyn

When a volcano erupted on a small island in Indonesia in 1883, the evening skies of the world glowed for months with strange colours. Richard Hamblyn explores a little-known series of letters that the poet Gerard Manley Hopkins sent in to the journal Nature describing the phenomenon - letters that would constitute the majority of the small handful of writings published while he was alive. more

Richard Dadd’s Master-Stroke

By Nicholas Tromans

Nicholas Tromans, author of Richard Dadd: The Artist and the Asylum, takes a look at Dadd's most famous painting The Fairy Feller’s Master-Stroke. more

Lost Libraries

By Claire Preston

In the latter half of the 17th century the English polymath Thomas Browne wrote Musaeum Clausum, an imagined inventory of 'remarkable books, antiquities, pictures and rarities of several kinds, scarce or never seen by any man now living'. Claire Preston explores Browne's extraordinary catalogue amid the wider context of a Renaissance preoccupation with lost intellectual treasures. more

An Unlikely Lunch: When Maupassant met Swinburne

By Julian Barnes

Julian Barnes on when a young Guy de Maupassant was invited to lunch at the holiday cottage of Algernon Swinburne. A flayed human hand, pornography, the serving of monkey meat, and inordinate amounts of alcohol, all made for a truly strange Anglo-French encounter. more

Bugs and Beasts Before the Law

By Nicholas Humphrey

Murderous pigs sent to the gallows, sparrows prosecuted for chattering in church, a gang of thieving rats let off on a wholly technical acquittal - theoretical psychologist and author Nicholas Humphrey* explores the strange world of medieval animal trials. more